Music Education Commons^™

A Comprehensive Study Of Attributes Found Within Accomplished Middle School Band Programs, Jacqueline H. Messinetti Jacqueline

Chancellor’s Honors Program Projects

No abstract provided.

The Impacts Of Peer Assisted Learning On Rhythm Counting In A Middle School String Orchestra Classroom, Christopher R. Kusek

Scholar Week 2016 - present

Ethical Leadership Colloquium

Members of the Ed.D. Class of 2016-17, Cohort XII

Examining Equity In Tenure Processes At Higher Education Music Programs: An Institutional Ethnography, Deborah Bradley, Deanna Yerichuk, Lori-Anne Dolloff, Kiera Galway, Kathy M. Robinson, Jody Stark, Elizabeth Gould

Music Faculty Publications

As part of a larger mixed-methods study, this article presents findings from research on processes of tenure in Canadian higher education music faculties. The Principle Investigator and three teams of two researchers analyzed the process of tenure at three Canadian institutions to gain insight into how tenure decisions are made in relation to gender and race/ethnicity. The researchers used institutional ethnography, developed by sociologist Dorothy Smith, to examine institutional documents that organize tenure, as well as how documents organize people’s actions, studied through interviews with key stakeholders, such as directors, tenure applicants, and union representatives. The findings from the three …

The Impacts Of Peer Assisted Learning On Rhythm Counting In A Middle School String Orchestra Classroom, Christopher R. Kusek

Ed.D. Dissertations

This study addressed the topic of peer assisted learning, specifically ClassWide Peer Tutoring (CWPT), in a middle school string orchestra classroom. The purpose of the current study was to implement peer assisted learning into a middle school string orchestra classroom in order to determine the impacts of peer assisted learning versus teacher-directed instruction on middle school string orchestra students’ abilities to notate correct rhythm counting. Over the course of four weeks, the researcher implemented two different instructional strategies, CWPT and teacher-directed instruction (TDI), into a sixth-, seventh-, and eighth-grade string orchestra classroom. Utilizing the difference between pretest and posttest scores, …

Philosophy Of Music Education, Mary Elizabeth Barba

Honors Theses and Capstones

A philosophy of music education refers to the value of music, the value of teaching music, and how to practically utilize those values in the music classroom. This thesis explores the philosophies of Emile Jacques-Dalcroze, Carl Orff, Zoltan Kodaly, Bennett Reimer, and David Elliott, and suggests practical applications or their philosophies in the orchestral classroom, especially in the context of ear training and improvisation. From these philosophies, the author develops their own personal philosophy of music education, most broadly defined by the claim that music is key to experiencing and understanding feelingful experiences.