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Music Education Commons

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Full-Text Articles in Music Education

Predictors Of Performance Achievement Among Young Piano Students: Ages 8-13, Janci Bronson Sep 2016

Predictors Of Performance Achievement Among Young Piano Students: Ages 8-13, Janci Bronson

Janci Bronson

The purpose of this study was to determine which of the following variables best predict the performance achievement of young piano students ranging from ages 8-13: (a) self-assessment from recall immediately following a live piano performance (recall group), (b) self-assessment while watching a video recording immediately following a live piano performance (video group), (c) age, (d) gender, and (e) years of piano study. Participants (N = 184) were piano students from Iowa and Oklahoma, ranging in age from eight to thirteen who were divided into a recall group (n = 92) and a video group (n = 92). During the …


Music For Life; A Self-Reflective Study On Childhood Experiences Formulating Music Education Perspectives And Philosophies., John Heyworth Oct 2015

Music For Life; A Self-Reflective Study On Childhood Experiences Formulating Music Education Perspectives And Philosophies., John Heyworth

John Heyworth

Lifetime experiences in music, whether good or bad, can still have a positive influence in developing inclusive approaches to music teaching. This study is a self –reflective look at how such childhood to adulthood experiences helped shape an approach to music teachingthat enabled successful music making in the general classroom. An approach towards developing positive, inclusive and enjoyable music experiences for primary school students.


Kicking The Habitus:Power, Culture And Pedagogy In The Secondary School Music Curriculum, Ruth Wright Dec 2007

Kicking The Habitus:Power, Culture And Pedagogy In The Secondary School Music Curriculum, Ruth Wright

Ruth Wright Dr

Within a theoretical framework drawn from sociologists of education Bourdieu and Bernstein, this paper will examine some of the findings of an ethnographic case study conducted with a secondary school music teacher and one class of her pupils in Wales. This teacher attracted 25% of Year 10 (14-year-old) pupils to study music as an optional subject against a national background of 8% average. The study attempted to examine the lived experiences of the participants in music at home and school. Teacher and pupils had much to say about music teaching and learning in the classroom and beyond. Much of the …


Music For All:Pupils' Perceptions Of The Gcse Music Examination In One South Wales Secondary School, Ruth Wright Dec 2001

Music For All:Pupils' Perceptions Of The Gcse Music Examination In One South Wales Secondary School, Ruth Wright

Ruth Wright Dr

This article originated from a research project examining pupils' perceptions of the GCSE Music examination (for pupils aged 15–16) in one large secondary school in the United Kingdom. The research explored the hypothesis that pupils considered it necessary to have additional instrumental or vocal tuition outside class music lessons in order to secure a high grade in the examination. The research also hypothesised that, despite the egalitarian philosophy underpinning the General Certificate of Secondary Education (GCSE) examination system, the music course was still viewed by pupils as being élitist. It was concluded that although there were some very positive comments …


Gender And Achievement In Music Education: The View From The Classroom, Ruth Wright Dec 2000

Gender And Achievement In Music Education: The View From The Classroom, Ruth Wright

Ruth Wright Dr

This article originates from a research project investigating the effects of gender on achievement in music education in one secondary school. The study showed a correlation between gender and achievement in music with some surprising insights into possible causes of male under-achievement in education at Key Stages 3 (11–14 years) and 4 (14–16 years) generally. It is argued that because of national testing and school performance tables, the debate on male under-achievement in this country may have become so focused on core subjects that a very important link in the argument is being overlooked – a link provided by music …