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Full-Text Articles in Music Education

Singing Our Stories: Building Community And Developing Self-Empowerment In The Childless Voices Choir, Laura Curtis Sep 2023

Singing Our Stories: Building Community And Developing Self-Empowerment In The Childless Voices Choir, Laura Curtis

Electronic Thesis and Dissertation Repository

Involuntary childlessness is a complex and identity-shaping experience moulded by parameters of a pronatalist society. For the women who participated in this study, isolation, silence, and shame were experienced as a consequence of their childlessness. Motivated by the idea that singing, particularly in group contexts, might aid in unburdening women whose identities have been stigmatized by their childless circumstances, this ethnographic study examined whether, and in what ways, women experienced community and developed self-empowerment through participation in the Childless Voices Choir.

Framed by theories of community (Delanty, 2018) and empowerment (Adams, 2008; McLaughlin, 2016), this research explored how meaningful engagement …


Musical Behaviours, Dispositions, And Tendencies: Exploring Church Music-Making Through A Theory Of Practice, Laura E. Benjamins Apr 2023

Musical Behaviours, Dispositions, And Tendencies: Exploring Church Music-Making Through A Theory Of Practice, Laura E. Benjamins

Electronic Thesis and Dissertation Repository

The purpose of this study was to examine two churches’ music-making practices and their reflection of, and response to, the musical and theological fields in which they are located. Using central concepts from Bourdieu’s Theory of Practice (1977) including habitus, capital, and field in connection with religion, the study considered how worship leaders and musicians strategized their musical behaviours and “disrupted” or affirmed traditional norms of music-making in each contemporary worship music-making setting. The study further explored whether such musical behaviours reflected and shaped habitus both institutionally and individually, and if so, the ways in which the process occurred.

This …


Soundcurrents: Exploring Sound’S Potential To Catalyze Creative Critical Consciousness In Adolescent Music Students And Undergraduate Music Education Majors, Jashen I. Edwards Jan 2023

Soundcurrents: Exploring Sound’S Potential To Catalyze Creative Critical Consciousness In Adolescent Music Students And Undergraduate Music Education Majors, Jashen I. Edwards

Electronic Thesis and Dissertation Repository

The purpose of this study was to examine how and in what ways a reorientation towards sound could catalyze creative critical consciousness in high school music students and university music undergraduates. Specifically, this study sought to uncover how and in what ways sonic lifeworlds: everyday sound currents streaming in/out/through participants’ lived experiences at school, home, neighborhood, park, playground, street, alleyway, train station, cyberspace could potentially excite creative aspects of knowing and being via “cultural production” (Gaztambide-Fernández, 2011) and also elicit critical ways of thinking about and responding to the world as “cultural citizens” (Benedict & Schmidt, 2014). This study stems …


Sound Judgements: Music Education Framework For Guiding Digital Mixing Practice, Artur Kapron Dec 2022

Sound Judgements: Music Education Framework For Guiding Digital Mixing Practice, Artur Kapron

Electronic Thesis and Dissertation Repository

Mixing is an intermediary process within audio production wherein the aesthetic and technical qualities of musical compositions are further enhanced and refined. Most music perceived via audio-playback devices is mixed to sound a certain way. By understanding why recordings ‘sound’ how they do, musicians, music educators, and novice mixers can acquire a greater appreciation for mixing while considering how this process might affect their own performance practices (Hodgson 2019; Fisher, 1998). Knowing how and what to listen for when mixing is highly subjective, as people experience and describe sounds differently. Indeed, mixing is illusory as listeners are presented with an …


Music Education In A Liquid Social World: The Nuances Of Teaching With Students Of Immigrant And Refugee Backgrounds, Gabriela Ocádiz Velázquez Feb 2020

Music Education In A Liquid Social World: The Nuances Of Teaching With Students Of Immigrant And Refugee Backgrounds, Gabriela Ocádiz Velázquez

Electronic Thesis and Dissertation Repository

This integrated-article dissertation explores the multiple ways in which music teachers, community facilitators, and students engage in music teaching and learning in social contexts prone to change due to human mobility. Drawing upon Bauman’s sociological understanding of modern societies as liquid and the larger implications of processes of human mobility in schools and communities, this research focuses on exploring music education as it happens within an increasingly diversifying Canadian society.

In the first article, a philosophical research study, I conceptualize the notion of coping with discomfort as a form of response possibly experienced by music teachers. Here, I draw from …


Forward And Up: An Exploration Of Implementations Of The Alexander Technique In Post-Secondary Music Institutions, Mei Lee Dec 2019

Forward And Up: An Exploration Of Implementations Of The Alexander Technique In Post-Secondary Music Institutions, Mei Lee

Electronic Thesis and Dissertation Repository

Music performance is a psychophysical affair. Like athletes, musicians need to be physically, mentally, and emotionally fit in order to meet the demands and challenges of training and performing. For over half a century, post-secondary music institutions have been utilizing the Alexander Technique to address young musicians’ psychophysical coordination and playing-related challenges. This unique mind-body method teaches individuals how to move efficiently and carry out activities with freedom and ease by recognizing and changing counterproductive habits. It has noted beneficial effects on posture and coordination, pain relief, and stress management, and its relevance to music performance studies is endorsed by …


"It's Obvious Who Plays An Instrument And Who Doesn't": Using Doxa And Illusio To Explore Inequities In English School Music Education, Alison Butler Oct 2019

"It's Obvious Who Plays An Instrument And Who Doesn't": Using Doxa And Illusio To Explore Inequities In English School Music Education, Alison Butler

Electronic Thesis and Dissertation Repository

This thesis investigates Bourdieu’s concepts of doxa and illusio in English secondary school music education, using data collection from a comparative case study undertaken at two contrasting schools in a rural county, Stonefarm High School and Friars Hall School. Data were gathered over five months in 2018, using lesson observations, student focus groups and teacher interviews. Three classes were invited to participate at each school.

The data were analysed using Bourdieu’s Theory of Practice (1977), especially the field mechanisms of doxa and illusio. Doxa, the unwritten rules of a field, and illusio, belief in the game being played in the …