Music Education Commons^™

Repertoire Selection For High School Band Assessment, Miranda Cook

Masters Theses, 2020-current

Selecting repertoire is one of the most dynamic responsibilities music educators face, as it often serves as the music curriculum for band directors. Selecting high quality repertoire for students that achieves musical, educational, and culturally responsive goals is vital as part of their ensemble experience. When selecting repertoire for assessment, band directors must determine what repertoire their ensemble can perform well according to the Virginia and Band and Orchestra Directors Association performance rubric, while demonstrating musical and educational growth. The purpose of this study is to examine elements used by high school band directors when choosing repertoire for assessment. Research …

Music Education Majors And Mental Health: A Follow-Up Study, Philip D. Payne

Research & Issues in Music Education

Music education majors across the United States (N = 1029) self-reported indicators of depression, anxiety, personality, and stress. According to the results, music education majors are highly busy, and report elevated levels of stress as compared to their peers. Semester enrollment averages include: 18.5 hours (including 0 credit courses) a semester, rehearsing an average of 9.08 hours a week, and a majority of whom work an average of 13-15 hours a week all while reporting high perceived stress levels. Furthermore, 74% of respondents required additional screening on the DSM-V for depression with over 70% exhibiting symptoms of moderate or severe …

Early Career Music Teachers And Trauma: A Mixed Methods Study, Tiffany N. Sitton

Masters Theses, 2020-current

Existing research rarely directly addresses individual trauma experiences of early career music teachers, despite copious research on adjacent areas such as stress and burnout. Early career music teachers have seldom had the opportunity to share stories of their trauma in the literature. Following an explanatory-sequential mixed method (Creswell, 2015), the researcher surveyed 250 music educators about their self-reported trauma experiences and then interviewed six of those participants to gain explanation of the survey data and to further illuminate their stories. Participants evaluated their own experiences using the definition of individual trauma from the Substance Abuse and Mental Health Services Administration …

What Is A Folk Song? An Exploration Through Collection, Gregory S. Conway

Masters Theses, 2020-current

Over decades of work, scholars have created varying definitions of folk songs. While many have developed clear definitions (Karpeles, 1973; Lornell, 1993; Seeger, 1948; Texas Folklore Society, n.d.), others have concluded that no true definition exists (Brumfield, 1998; Nettl 2011). This lack of clarity in what a folk song is invites an exploration into how we define this genre. The purpose of this multiple case study was two-fold. First, I collected songs sung by families within a rural school community and examined them by using interview data to identify the characteristics of folk music in this context. Second, I shared …

Personal And Professional Characteristics Of Music Education Professors: Factors Associated With Expectations And Preferences Of Undergraduate Students, Tiger Robison

Research & Issues in Music Education

The purpose of this study was to examine music education undergraduate students’ expectations of and preferences for their music education faculty members’ personal and professional backgrounds and compare them to the actual backgrounds of current music teacher educators. Participants (N = 293) from 55 randomly-selected NASM-accredited institutions completed a researcher-created questionnaire. Participants expected and preferred their music education faculty members to have approximately nine years of PreK–12 teaching experience, which is approximately three times the amount posted in faculty searches and doctoral program entrance requirements. Participants most valued their music education professors’ experiences in assessment and classroom management and …

An Examination Of Student And Faculty Perceptions Regarding Music Education Transfer Student Preparedness And Experiences, Natalie Steele Royston, Philip D. Payne, Adrian D. Barnes, Kate Bertelli-Wilinski

Research & Issues in Music Education

Transfer students account for growing numbers in four-year music education programs. To better understand this increasing population of students, researchers employed parallel method design. One strand investigated music education faculty members’ (n = 83) perceptions of transfer student preparedness, procedures, and expectations to understand admissions processes (e.g., curricula, assessments) employed to evaluate incoming transfer students. The other strand examined music education transfer students’ (n = 12) academic, social, and personal preparedness to study music education in a comprehensive four-year music education program. The following research questions served as a guide for data collection and analysis: (a) What themes …

An Exploration Of The Use Of And The Attitudes Toward Technology Among Fourth And Fifth Grade Band And Orchestra Teachers, Students, And Their Parents, Danni Gilbert

Research & Issues in Music Education

The purpose of this study was to determine what technologies are used in fourth- and fifth-grade instrumental music and to examine factors that influence the attitudes of teachers, students, and their parents toward the use of those technologies. Two researcher-designed questionnaires, the Technology in Music Usage Questionnaire (TMUQ) and the Technology in Music Attitude Questionnaire (TMAQ), were administered to a sample of teachers, students, and parents associated with first-year elementary instrumental music in a large, American Midwest urban school district. Results indicated that while most teachers use technology in class (87.0%), it is generally only used up to a third …

Video Game Sound As Educational Space, Leonard Grasso

Masters Theses, 2020-current

Synergizing fields such as music theory, computing, musicology, cognition, and psychology, scholars and practitioners have approached game music from many directions. However, research on pedagogical usages of game music is still emerging. While many education scholars have researched game-based-learning (Bourgonjon et al, 2013; Simões, Redondo, & Vilas, 2013; Beavis, Muspratt, & Thompson, 2015; Hamari et al, 2016), music education authors have largely remained distant from ludomusicology (the study of music as it relates to play). I intend to bridge that gap by examining the intersections of game music and sound, player interaction, and learning. My research synthesizes the work of …

An Autoethnography Of A Punk Rocker Turned Music Teacher, Jonathan Kladder

Research & Issues in Music Education

The criteria used to admit prospective music teachers in colleges and universities across the United States has remained relatively unchanged since their inception. These criteria disenfranchise a population of potential music teachers who hold musical backgrounds outside the Western European art tradition. This autoethnography illuminates the challenges and barriers experienced by a self-taught musician who attended two traditional music programs in a midwestern region of the United States. Using Berry’s (1980) six dimensions of acculturation as the theoretical framework to interpret these data, the author exposes challenges associated with his journey in achieving music teacher certification. As a qualitative investigation, …

The Connections Of Music, Culture, And Language: A Qualitative Case Study Of The Musical Experience Of A Newcomer Program, Jessica Strawderman

Masters Theses, 2020-current

In this qualitative case study, I investigated the philosophy and process of an elementary newcomer program and explored the perceived benefits for newcomer students of the musical experience, aiding in transition from full-time English as a second language (ESL) services in self-contained class to a general education setting. The studied school division serves a high population of students who are English Language Learners (ELLs), representing a multitude of languages and cultures. The division places students of immigrant families who have no social or educational experience speaking English in the newcomer program. In order to gain a deep understanding of the …

“A Lot Of Stories In My Mind”: Perspectives Of Children And Elders Living With Dementia On Intergenerational Collaboration In A Participatory Music Project, Cameron Dusman

Masters Theses, 2020-current

Trends of music engagement include a shift towards presentational music culture, as well as inequitable access to participatory music-making for some populations. Meanwhile, trends of societal engagement include ageism and age-segregation. Especially for people living with dementia, stigma often prevents equitable access to creative participatory arts. This convergent, mixed-methods case study design explored participation in an intergenerational, participatory creative arts project. Participants included children from an elementary school and senior adults with dementia in a memory care neighborhood. The purpose was to explore the meaning of participation and interaction in the project from participants’ perspectives. Participants collaborated in eight sessions …

University Music Engagement: A Mixed Methods Examination Of University Student Music Participation And Institutional Responsibility For Expanded Opportunities, Daniel B. Warren

Masters Theses, 2020-current

School music participation in the United States has continued to decline over the past 70 years, the effects of which can be seen on university campuses across the country. This decline has become a commonly understood trend among those observing the state of K-12 public schools, and universities have been largely overlooked as a place for students to continue—or, even less often, begin—to explore musical interests and opportunities. What are possible explanations for this decline? Do universities themselves have an obligation to provide or expand music lessons, ensembles, and musical resources for students as part of the university experience?

In …

Survey And Analysis Of Undergraduate Music Education Percussion Methods Courses In Relation To The Practical Needs Of Secondary Music Educators In American Public Schools, Bryan C. Pickering

Dissertations, 2020-current

The majority of Bachelor’s degrees in Music Education require students to enroll in a series of instrumental methods or techniques courses. These courses cover fundamental techniques and pedagogical approaches that prepare students for their future careers as music educators. Due to the percussion instrument family having a large scope of material that needs to be covered, it is commonly perceived by those who teach the classes, that Percussion Methods classes within an undergraduate Music Education degree operate on time frames that make equal coverage of all instruments and topics a pedagogical challenge within a standard academic semester.

The purpose of …

A Collective Case Study Of The Personal Practice And Meanings Of Mindfulness To Music Educators, Jennifer M. Hoye

Masters Theses, 2010-2019

The practice of mindfulness, defined as “paying attention in a particular way: on purpose, in the present moment, and nonjudgmentally” (Kabat-Zinn, 1994, p. 4), may be an effective form of self-care for music educators suffering from stress. Stressors that music educators may encounter in their professional lives include such issues as role conflict, role ambiguity, role overload, the underutilization of skills, resource inadequacy, non-participation, professional isolation, and Music Performance Anxiety (Scheib, 2003; Sindberg, 2011; Kenny, Davis, & Oates, 2004; Kenny & Osborne, 2006). The purpose of this collective case study was to explore the personal mindfulness practices of the three …

Playing Together: A Chamber Music Guide, Nicholas Scott Matherne

Senior Honors Projects, 2010-2019

Chamber Music, as purported by numerous academic and non-academic music education sources, is a valuable for developing the essential skills for musical development. The guide is designed to serve as scaffolding for young musicians to play chamber music together without the structure of a formal teacher. To facilitate this process for a variety of students, the music is designed using diverse instrumentation scoring so that any group of 5 musicians can play together the music arranged for this book. By examining all of the exercises in this guide, young musicians will complete self-driven content lessons in all of the nine …

Effective Elements Of Conducting: A Study Of High School Orchestra Directors, Matthew J. Brooks

Dissertations, 2014-2019

The purpose of this study was to evaluate how effectively current high school orchestra directors demonstrate the elements of conducting. To do this, I first selected what elements of conducting would be evaluated and then defined what is effective for each. From this, I created a conductor evaluation form consisting of a 1-Not Effective to 5-Effective rating scale to score how effectively each element is demonstrated. The results would later address the primary research questions:

1. What elements of conducting do high school orchestra directors demonstrate most effectively?
2. What elements of conducting do high school orchestra directors demonstrate least effectively?

Current …