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Full-Text Articles in Music Education

Curious, Collaborative Creativity: Applying Student-Centered Principles To Performing Ensembles, Danni Gilbert Dec 2016

Curious, Collaborative Creativity: Applying Student-Centered Principles To Performing Ensembles, Danni Gilbert

Glenn Korff School of Music: Faculty Publications

This article explores a comprehensive, student-centered alternative to traditional ensemble instruction with the goal of promoting better opportunities for musical independence and lifelong musicianship. Developed by Caron Collins from the Crane School of Music at the State University of New York–Potsdam, the Curious, Collaborative Creativity (CCC) concept fosters student-centered learning and the promotion of 21st-century skills by encouraging students to select, arrange, and compose the repertoire to be studied; to work together in teams to equally contribute to the learning/understanding of music; and to share their work through informances to engage and enlighten community members. Examples from a current ensemble …


An Annotated Bibliography And Performance Commentary Of The Works For Concert Band And Wind Orchestra By Composers Awarded The Pulitzer Prize In Music 1993-2015, And A List Of Their Works For Chamber Wind Ensemble, Stephen Andrew Hunter May 2016

An Annotated Bibliography And Performance Commentary Of The Works For Concert Band And Wind Orchestra By Composers Awarded The Pulitzer Prize In Music 1993-2015, And A List Of Their Works For Chamber Wind Ensemble, Stephen Andrew Hunter

Dissertations

The purpose of this document is to assemble into one resource the concert band, wind orchestra, and chamber wind ensemble compositions of the 23 composers who were awarded the Pulitzer Prize in Music between 1993 and 2015. The Pulitzer Prize in Music is given annually to an American composer in recognition of distinguished achievement in composition of a work that received its premiere during the previous year. Timothy Mahr completed this study on composers who received the Prize from 1943 to 1992. This is a continuation and replication of that study, following Mahr’s procedures.

A brief biographical sketch will be …


Effect Of Self-Evaluation On Jazz Improvisation Achievement, Ollie Eugene Liddell Jan 2016

Effect Of Self-Evaluation On Jazz Improvisation Achievement, Ollie Eugene Liddell

Electronic Theses and Dissertations

No abstract provided.


Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin Jan 2016

Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin

Theses and Dissertations--Music

Born in 1972, Luis Serrano Alarcón has in a very short period of time, established himself as one of Spain’s most prominent composers. His works are constantly being performed, not only in his home country, but throughout the world. While some of his compositions tend to retain the rhythmic, harmonic, and melodic style typical to Spanish music, many of the works sound as if they were borne more from the Viennese symphonic tradition, both during the time of Haydn and Beethoven, but also during the time of Arnold Schoenberg.

As a young boy Alarcón took up piano lessons with a …


Fundamentals For Horn Students, Kierstin Jenkins Jan 2016

Fundamentals For Horn Students, Kierstin Jenkins

Williams Honors College, Honors Research Projects

Many band directors find teaching horn to be intimidating. Through extensive research, this project has compiled some of the best exercises to help horn players improve and explains the rationale behind them. The written work contains information and descriptions about the different fundamentals that horn students need in order to be successful and develop good tone quality. The appendix includes examples of these exercises so that an educator has resources to teach his/her horn students. The fundamentals included are: breathing, buzzing, long tones, flow studies, lip slurs, and pitch.