Music Education Commons^™

Changing Minds And Changing Practice: Barriers And Facilitators To The Use Of Methods Associated With Popular Musicianship, And Strategies Music Teachers Use To Navigate Them, Rhiannon Simpson

Electronic Thesis and Dissertation Repository

The purpose of this study was to identify factors which impede or facilitate teacher initiated changes to practice, and the ways in which these factors were strategically navigated by secondary school music educators employing methods associated with popular music education [PME] and/or informal music pedagogy [IMP]. The research was framed using a theoretical framework informed by Bourdieu’s (2000) concept of ‘hysteresis’ and Schmidt’s (2020) concept of ‘policy knowhow’. This served to highlight the dialectic relationship between the beliefs, values, agency and dispositions of individuals, and the presence of complex policy networks across macro, meso, and micro levels.

The research utilised …

Exploring Musical Knowledge Within One Canadian School Of Music: Ideology, Pedagogy, And Identity, Kyle Zavitz

Electronic Thesis and Dissertation Repository

The purpose of this study was to understand how the distribution and transmission of musical knowledges impacted the identities and consciousness of agents within one Canadian school of music which was given the pseudonym Eastern Urban School of Music (EUSM). The project was framed using Basil Bernstein’s (2000) theory of the Pedagogic Device, offering a language of description to examine how forms of regulation differentially distributed various identities and forms of consciousness. Specifically, this study explored how varying modalities of classification and framing revealed competing values about what counts as legitimate and ‘excellent’ music education and who is seen as …

Music Education In A Liquid Social World: The Nuances Of Teaching With Students Of Immigrant And Refugee Backgrounds, Gabriela Ocádiz Velázquez

Electronic Thesis and Dissertation Repository

This integrated-article dissertation explores the multiple ways in which music teachers, community facilitators, and students engage in music teaching and learning in social contexts prone to change due to human mobility. Drawing upon Bauman’s sociological understanding of modern societies as liquid and the larger implications of processes of human mobility in schools and communities, this research focuses on exploring music education as it happens within an increasingly diversifying Canadian society.

In the first article, a philosophical research study, I conceptualize the notion of coping with discomfort as a form of response possibly experienced by music teachers. Here, I draw from …