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Full-Text Articles in Music Education
New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker
New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.
The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …
Approaching Fifth To Sixth Grade Flute Pedagogy Considering Vark Learning Styles Model, Julie Vanderlugt
Approaching Fifth To Sixth Grade Flute Pedagogy Considering Vark Learning Styles Model, Julie Vanderlugt
Senior Honors Theses
The benefits of learning an instrument for childhood development intersecting with the positive growth trend in homeschooled families generates increased demand in value for supporting resources. Creating resources that would include learning styles defined by the VARK model (Visual, Auditory, Read/Write, Kinesthetic) designed to engage students during their particular developmental stage enhances at-home music education. The compiled research surrounding VARK learning styles and flute specific pedagogy would provide a foundation for specialized flute exercises and activities for fifth to sixth grade students learning to play the flute in a homeschooled or private lesson setting. The structure of the thesis is …
Representation Of Women & Bbia Composers In The Teaching Music Through Performance In Band Series, Alicia M. Turnquist
Representation Of Women & Bbia Composers In The Teaching Music Through Performance In Band Series, Alicia M. Turnquist
Honors Thesis
One problem seen in music education curriculum today is the underrepresentation of Black, Brown, Indigenous, Asian (BBIA), and female composers in the band ensemble repertoire. Throughout history, these composers have been excluded in the curriculum causing an overrepresentation of white non-Hispanic male composers. Some music education organizations are beginning to address this issue but, few, if any, have addressed the problem in the band classroom setting. This project examined the repertoires selected in the first ten volumes of the Teaching Music through Performance in Band series to examine how representative the composers included in the series were to the K-12 …
Singing In The Beginning Band Classroom, Sarah J. Moyer
Singing In The Beginning Band Classroom, Sarah J. Moyer
Masters Theses, 2020-current
The purpose of this action research study is to explore the impact vocal activities have on fourth and fifth grade beginning band students and how their perspective might change throughout instruction. The participants' experience with vocal activities in the beginning instrumental classroom will shape their perspective. The following research questions guide this study:
- In what ways do vocal activities in the beginning instrumental classroom influence student knowledge of repertoire?
- In what way do vocal activities boost student confidence in the beginning instrumental classroom?
- What aspects of vocal activities encourage or discourage students from participating in the beginning instrumental classroom?
Data …
Bridging The Gap: Self-Efficacy And The Desire To Continue In Music Education, Janet Levine
Bridging The Gap: Self-Efficacy And The Desire To Continue In Music Education, Janet Levine
CUP Ed.D. Dissertations
This study sought to explore the problem of student retention in music, specifically between eighth and ninth grade. The purpose of this study was to investigate whether there is a relationship between eighth-grade band students’ self-efficacy beliefs and their desire to participate in band. Bandura’s (1977) four sources of self-efficacy (mastery experiences, vicarious experiences, verbal/ social persuasions, and students’ physiological state) were the theoretical framework that guided this study. The participants in this study consisted of 68 eighth grade band students who had at least one year of band experience. This quantitative study used the Music Performance Self-Efficacy Scale, specially …
Percussion Instruction In Beginning Band For Programs With A Single Teacher, Micah A. Martin
Percussion Instruction In Beginning Band For Programs With A Single Teacher, Micah A. Martin
Electronic Theses & Dissertations
PERCUSSION INSTRUCTION IN BEGINNING BAND
FOR PROGRAMS WITH A SINGLE TEACHER
An Abstract of the Thesis by
Micah A. Martin
The primary purpose of this study was to find the best methods for developing students into total percussionists in beginning band programs with only one band director on staff. A total percussionist is defined as one who is capable of playing keyboard percussion, snare drum, timpani, and the accessory instruments. The study consists of a survey to assess individual approaches to percussion instruction in beginning band.
A questionnaire was developed using Google Forms and a link was emailed to band …