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Articles 1 - 3 of 3
Full-Text Articles in Ethnomusicology
Relocating Community To The Virtual: Sound Knowledge, Affective Listening, And The (Dis)Embodying Of Sound And Space, Zachery D. Coffey
Relocating Community To The Virtual: Sound Knowledge, Affective Listening, And The (Dis)Embodying Of Sound And Space, Zachery D. Coffey
Masters Theses
Music within Protestant church communities frequently reduces the distinction between performers and audience, emphasizing the collective, participatory role of all congregation members, in manners of music making similar to those discussed by Thomas Turino. This dynamic helps establish individual and communal identities. With the onset of the COVID-19 pandemic, church communities saw changes in their services, music, and ways of life. Meeting in a physical building proved impossible due to the dangers of COVID-19 and many churches mitigated these dangers by streaming, recording, and posting services online. Between 2020 and 2022, I observed and participated in changes to technological production …
Creolization In New Orleans: Jazz And Cultural Hybridity 1900-1940, Franklin Dennis Dow
Creolization In New Orleans: Jazz And Cultural Hybridity 1900-1940, Franklin Dennis Dow
Masters Theses
ABSTRACT
My project builds on existing histories of jazz, theories of creolization, and studies on cultural hybridity. Creolization and hybridity were equal partners in the creation of a societal and musical revolution. As a student and a performer of jazz, I have found that this aspect of jazz history has been neglected and under researched. This thesis attempts to fill in this gap and is guided by four major questions: (1) How did creolization and cultural hybridity influence the development and reception of jazz in the early half of the twentieth century? (2) How did the Creole and Black communities …
German And Mexican Music In Central Texas: Historical Connections And Present Possibilities, Amy Aline Beckman
German And Mexican Music In Central Texas: Historical Connections And Present Possibilities, Amy Aline Beckman
Masters Theses
German and Mexican music have a shared musical ancestry due to immigrants interacting since the late 1800s in central Texas. Comparing these genres reveals both commonalities and distinctions regarding style, orchestration, and thematic material. The differences between the genres create cultural boundaries reflecting nationalism that sometimes reinforces racial tension, while the commonalities are opportunities for empathy and open-mindedness through the globalization that occurs from shared musical experiences. While the historical connections between Germans and Mexicans in Central Texas are well-documented, the present-day status and effects of these connections have not been researched thoroughly. This project builds cultural profiles of both …