Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication
- Publication Type
Articles 1 - 9 of 9
Full-Text Articles in Ethnomusicology
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Playing Changes: Music As Mediator Between Japanese And Black Americans, E Taylor Atkins
Faculty Books & Book Chapters
Since the mid-twentieth century, music has played a central role in encounters and interactions between the people of Japan and those of African descent. It proved far more effective for pro- moting interracial dialogue and understanding than efforts in the early 1900s to foster an alliance against white supremacy and imperialism. This essay unpacks the ways that encounters with Black music transformed Japanese musicking and generated knowledge and empathy for people of African descent among Japanese. Personal interactions between Black and Japanese musicians constituted a process of “grassroots globalization” that circumvented the dominance of American mass media in representing African …
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Dissertations, Theses, and Capstone Projects
Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …
Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith
Listen To Liston: Examining The Systemic Erasure Of Black Women In The Historiography Of Jazz, Victoria E. Smith
Theses
"First you are a jazz musician, then you are black, then you are a female. I mean it goes down the line like that. We're like the bottom of the heap." - Melba Liston (pg 2) The historiography of jazz has consciously and unconsciously excluded women. This exclusion is exacerbated when one examines the intersection of race and jazz for black women. This essay argues that due to overwhelming societal expectations, gendered language, and physical threats of sexual assault and violence, black women had to create alternatives spheres of affirmation and musical expression because jazz culture stymied their access to …
Jazz, Jobs, And Justice: From The American South To South Africa And Beyond, C. 1960-Present, Regennia N. Williams
Jazz, Jobs, And Justice: From The American South To South Africa And Beyond, C. 1960-Present, Regennia N. Williams
The Journal of Traditions & Beliefs
No abstract provided.
Leaving A Little Heaven Behind With Coltrane, Or: The Performance Is The Archive, Ismael Santos
Leaving A Little Heaven Behind With Coltrane, Or: The Performance Is The Archive, Ismael Santos
FIU Electronic Theses and Dissertations
This thesis examines what an Audience-Centered Archive could look like, and the advantages of opening up the spaces of archival scholarship in connection with studies focused on Jazz. This thesis will explore how inherently self-limiting are traditional structures of the Archive, with the contradictory nature of Jazz Archives brought to the forefront: to archive a music like Jazz necessarily entails losing what makes it so special, losing the improvisational facet of Jazz. This thesis draws from sound studies and performance studies, along with a focus on the recording technologies that entail differences in interpretation and American history. This focus of …
European Jazz: A Comparative Investigation Into The Reception And Impact Of Jazz In Interwar Paris And The Weimar Republic, Douglas A. Kowalewski
European Jazz: A Comparative Investigation Into The Reception And Impact Of Jazz In Interwar Paris And The Weimar Republic, Douglas A. Kowalewski
The Gettysburg Historical Journal
Both Paris and the Weimar Republic were fascinated with American jazz in the interwar period. Because of jazz's connection to African American culture, this fascination is linked with the themes of identity and race relations. This work will demonstrate that interwar Parisians were not always receptive of African Americans that played jazz, and that the citizens of the Weimar Republic were more aware of and interested in the African American culture that permeated jazz in the 1920s and 30s.
Playing Bebop: Culture And Bebop’S Reciprocal Influence, Audra M. Deboy
Playing Bebop: Culture And Bebop’S Reciprocal Influence, Audra M. Deboy
Student Publications
Following the sweet, pleasant Swing era style music of the 1930’s, Bebop emerged within the United States as an aggressive, percussive, musician-focused style in the 1940’s. However, Bebop’s creation was not spontaneous. Its composers, John Birks Gillespie, Charlie Parker, and Thelonious Monk, wrote for the sake of the music itself as a form of self-expression, not as entertainment for an audience. Bebop’s dissonant sound expressed political and cultural frustrations, stemming from World War II and similarly shown in the early Civil Rights Movement. I will argue that not only did Bebop develop out of such conflicts, but in a reciprocal …
How Bebop Came To Be: The Early History Of Modern Jazz, Colin M. Messinger
How Bebop Came To Be: The Early History Of Modern Jazz, Colin M. Messinger
Student Publications
Bebop, despite its rather short lifespan, would become a key influence for every style that came after it. Bebop’s effects on improvisation, group structure, and harmony would be felt throughout jazz for decades to come, and the best known musicians of the bebop era are still regarded as some of the finest jazz musicians to ever take the stage. But the characteristics of bebop can easily be determined from the music itself. [excerpt]
Volume 52, Number 08 (August 1934), James Francis Cooke
Volume 52, Number 08 (August 1934), James Francis Cooke
The Etude Magazine: 1883-1957
When Liszt Renounced the World
Arpeggio Practice
Energetic Fingers
How to Find the Keys and the Forms of the Minor Scales
Midsummer Musical Laughs
Jargon of Jazz: An Amusing Article Upon the New and Absurd Nomenclature Which Has Grown Up About the Jazz Orchestra
Music for the Local History Pageant
What Use is the Quarter Tone Scale? Is this Innovation in Modern Music Likely to Remain Merely a Curiosity?
Expressive Dictation
Remedy for Tense Muscles
Romance of Mendelssohn: A Favored Son of the Gods
Speeding Up the Left Hand
Wagner in Venice
Georges Bizet and the True Story of Carmen …