Composition Commons^™

The Temple Of Immensity: For Choir And Electronics, Steven Naylor

Honors Projects

the temple of immensity is a composition for 16-part choir and fixed media electronics composed by Steven Naylor using astronomical data concerning the stars nearest to Earth and their properties. “The temple of immensity” is an archaic and rarely used term, defined as “the universe or the complete overhead expanse of the heavens, especially as conceived as an object of religious reverence.” This piece seeks to convey feelings of wonder and awe for outer space through the setting of an original self-composed poem and through the use of star data to determine musical aspects. The resulting 28-minute composition blends voices …

Concertina For 12 Musicians, Michael Boss

Music Theses and Dissertations

There is ample repertoire that demonstrates bitonality and polytonality. Composers like Bartok used bitonality in his piano piece Mikrokosmos. Within neo-classicalism, Stravinsky used an aggressive and biting bitonality in his most famous work, The Rite of Spring.

But these techniques are not exclusive to the orchestral or chamber music idioms. Jazz bassist and composer Charles Mingus was no stranger to executing these schemes within the improvisational work Zoo-Bab-Da-Oo-Ee, a simple blues tune he wrote early in the development of his musical canon. Over the course of the piece, the harmonic tissue becomes thematic. It is common practice within this …

"You Are Safe. You Are Calm. You Are In Control.", Carly Erst

Graduate Thesis Collection

"You are safe. You are calm. You are in control." is a piece written out of a state of emotional and physical exhaustion. The piece uses an electronic track comprised of the sounds of distressed children recorded at a daycare and a flex string quintet that plays along with the track. This paper explores the reasoning behind the music, the connections the piece has to the past, and the relevance of the piece now and in the future.

Engaging With The Score: Wadada Leo Smith, Graphic Notation, And The Performer’S Perspective, Kennedy Taylor Dixon

Masters Theses

As a Composer/Performer, my work exists in both realms. This thesis reflects the principle that my experience as a violist influences my compositional process and vice versa. Since identifying under both artistic skill sets, it has become evident that the two areas that exist as a creative and presentational output, thrive off one another’s success.

In June 2019, I had the chance to play Wadada Leo Smith’s String Quartet No. 3: Black Church, The First World Gathering of the Spirit (1995) at the Nief-Norf Summer Festival. This encounter was the first time I interacted with graphically notated scores as a …

Home Quartet, Oliver Bonie

University of New Orleans Theses and Dissertations

No abstract provided.

Music Review: Deep Peace Songs / God Be In My Head, Angela Gorman

Pastoral Liturgy

No abstract provided.

A Schema-Theoretic Approach To Hierarchy In Eighteenth-Century Tonality, Simon K. S. Prosser

Dissertations, Theses, and Capstone Projects

Prevalent modern-day theories of tonal hierarchy for eighteenth-century music, especially those influenced by the ideas of Heinrich Schenker, have been called into question by schema theorists such as Robert Gjerdingen and Vasili Byros, who argue from both cognitive and historical evidence that eighteenth-century tonal cognition was sequential or “windowed” rather than hierarchical. This dissertation seeks to recuperate the concept of tonal hierarchy in eighteenth-century music, drawing on research that reconstructs the implicit tonal theories of the partimento and thoroughbass traditions, as well as concepts of hierarchy from schema theory itself, to formulate a historically and cognitively grounded theory of tonal …

Pioneers Of The Extended-Range Electric Bass, Owen Ananich

Composition/Recording Projects

This body of work reviews the history of the electric bass, the variations of early extended-range electric bass guitars and their variations during the 1970s, and analyzes the works of three bass players which helped bring the instrument to prominence. Recordings of these pieces also accompanies the work.

Full Bloom: Diegetic Ui For Musical Phrases In Virtual Reality, Peter Armstrong, Elliot Cole, Peter Ferry, Joe Geigel, Susan Lakin, Richard Swientonioski, Zachary Talis, Jennie Thomas

Frameless

We propose a novel system for communicating musical note pitch and sequence information to users within a virtual reality environment. Our approach utilizes ‘Blooms,’ objects that resemble flowers with various petal arrangements. These formations, when constructed in view of users, act as diegetic, user-parsable encodings of their inputs. Blooms exist within the virtual space as simulated physics objects that collectively serve the role of a user interface.

Composition Portfolio, Joshua A. Aguiar

Music ETDs

A collection of music compositions, composed and imagined during study at the University of New Mexico.

Fronteras, J. Aaron Stanley

Music Theses and Dissertations

Fronteras means “borders” or “frontiers” in Spanish, and this piece explores that idea in a number of ways. Two big influences in my music is jazz and Mexican popular and folk music. I lived in Mexico for five years, which is where I met my wife, and we continue to make frequent trips there. In a way, you could say I’m married to Mexico! At the same time, I’ve listened to and loved jazz since I was a boy. I have a lot of experience performing in and arranging for jazz bands. This work fuses those two very different influences …

Signal To Noise: Harmonic Temperaments And Patterns Of Interference, Dylan A. Marcheschi

Theses and Dissertations

An audio/visual exploration of historical tuning systems. Most contemporary Western audiences will seldom if ever encounter harmony outside of post-Renaissance tuning conventions. This presentation highlights some of those pre-orthodox harmonic relationships which existed throughout most of history. The corresponding paper documents correlates in recent advances of acoustic ecology.

Compositions For 0 Or 1 Performers, Rodrigo Valente Pascale

Masters Theses

This thesis includes a collection of pieces composed for 0 or 1 performers – unaccompanied solo, solo and electronics or fixed media. The compositions for solo instruments include “Unnest” for bassoon solo, premièred by Ariane Petri during the V Congress of Music and Mathematics in 2020, and “Assemblage” for baritone saxophone solo, premièred by Erin Rogers in 2020. “Reizantwort” is a composition for viola and electronics which was first recorded by Laura Parra in summer 2020. Finally, "Discontinuous Mediation I" and "Discontinuous Mediation II" are fixed media compositions that were composed in Summer 2020 and Spring 2021, respectively. This collection …

An Exploration Of Topical Interaction In Symphony For Wind Band, Paul Royse

Masters Theses

Symphony for Wind Band is a single-movement tonal piece for wind band. It features four overarching sections with numerous changes in key, meter, tempo, and mood. The juxtapositions and contrasts of mood reflect a narrative conflict between two music topics: the pastoral and the city. Each of these topics possess musical signifiers present in the piece as well as extra-musical associations that add levels of significance to a narrative interpretation.

This paper will outline my reasons for composing for wind band and present a topical analysis of the piece. This analysis will include hermeneutic interpretations based on how the topics …

Common Ground, Cody Christopher-Park Ray

Masters Theses

Common Ground is a work that explores ideals of unity through the shared awareness of human mortality. I wrote the majority of this work during the COVID-19 pandemic in the fall of 2020. Throughout this period, including the summer leading up to it, political and social tension was felt throughout the country. This sentiment stemmed from the unjust killings of unarmed people of color at the hands of law enforcement, to blatant errors in the way political figures handled the spread of this newfound disease, leading to more than 400k civilians prematurely dead. In experiencing these external pressures, I found …

Musical Perspective: An Analysis Of How Musicals Reflect Cultural Discourse, Amosi Morgan

Capstone Projects and Master's Theses

In this paper, I will be analyzing the role musical theatre productions play in reflecting cultural discourse. I will also discuss the impact musicals have on societal discussions regarding topics like race, capitalism, and social justice. The way I seek to do this is by first explaining the origin of musicals as musical comedies. I will also discuss other musical innovations such as the opera that influenced the shift. I will discuss the rise of musical dramas as musicals started incorporating serious themes. The emotional impact of musicals and their use of pathos will be analyzed. I will research the …

Hesed: Discovering Redeeming Brokenness In A Retelling Of The Biblical Story Of Ruth, Elizabeth R. Kijowski

Honors Program Projects

Through the powerful interaction between the visual arts and music, an ancient story of brokenness and redemption is told. This thesis seeks to give greater insight into this multimedia retelling of the biblical book of Ruth. Scholarly sources were reviewed to deepen understanding, and works from professional visual artists and musicians were examined for this project to come together. The end product is this thesis paper as well as a body of art and a five-movement piece of music. This combination of visual art and music allows the relevance of the biblical book of Ruth to be seen in the …

A Feminist History Of The Roland Mc-505, Cameron Davis

Seaver College Research And Scholarly Achievement Symposium

A Feminist History of the Roland MC-505

Abstract

Roland’s MC 505 is a small portable music production instrument also known as agroovebox that functions as a programmable sixty-four note polyphonic synthesizer and drummachine with twenty-six interchangeable drum kits to use in various combinations. (1) The groovebox is equipped for both audio recording and live performance, both of which are analyzed in this research. The machine has many innovative elements that have carried over into modern music technology as well as some limitations that have since been left behind. This study acts as a historical evaluation of the growth and improvements …

Coloquio Entre Dos Perros, Comic Chamber Opera In Nine Scenes, Sandra Rocio Fuya-Duenas

Electronic Thesis and Dissertation Repository

Coloquio entre dos Perros (Dialogue between two Dogs) is a comic chamber opera for four solo voices (one mezzo-soprano, one tenor and two baritones) and mixed ensemble (oboe, viola, guitar and percussion). The libretto, written in modern American Spanish, is based on the novel by Miguel de Cervantes Saavedra entitled Coloquio que pasó entre Cipión y Berganza, perros del Hospital de la Resurrección, que está en la ciudad de Valladolid fuera de la puerta del campo, a quien comúnmente llaman los perros de Mahudes. The opera is divided into nine scenes, which relate the stories from the life of …

The Elements, Soren Andrew Allen

Honors Scholars Collaborative Projects

The Elements is a five-movement composition for wind ensemble inspired by the five classical elements: earth, water, fire, air, and aether. These elements were once thought by Plato to be made of small, indivisible solids which were later named the Platonic Solids: the cube, the icosahedron, the tetrahedron, the octahedron, and the dodecahedron, respectively. I utilized compositional techniques developed in the twentieth century to explore these elements and their connections to their solids.

Advanced Technologies In Music Production And Collaboration, David Besonen

Honors Theses

My Honors Senior Creative Project was to compose and produce a short album of original music alongside talented musicians here at the University of Nebraska-Lincoln (UNL) as well as around the world.

The 23rd Annual Mary Shambarger Art Song Competition, Division Of Music

Student Concert Performances, Programs, and Posters

This is the program for the 23rd annual Mary Shambarger Art Song Competition, held on February 23, 2021, in the McBeth Recital Hall.

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

Enneasongs, Colton Whitted

West Chester University Master’s Theses

“Enneasongs” is a collection of nine original songs composed, performed, recorded, mixed, and mastered by myself, based off of the nine personality types within the psychological personality structure known as the Enneagram. The Enneagram is a nine-sided symbol that expresses the full range of basic human core fears, desires, weaknesses, and longings. Each of the nine personality ego structures (named, accordingly, “One,” “Two,” Three,” etc.) functions primarily from either the head, the heart, or the body. The nine songs each accompany a different personality type through the journey from living out of disintegrated coping mechanisms to living wholeheartedly and authentically, …

Günther Anders’S Epitaph For Aikichi Kuboyama, Babette Babich

Articles and Chapters in Academic Book Collections

Günther Anders’s poem Du kleiner Fischerman is read here as a text contribution to the irruption that is violence and its enduring (omnipresent) aftermath. The essay includes a discussion of transmedial expression, including dramatization, or television and social media, text and subtext, as well as the inspiration of Anders’s poem as a work of art continuing in our times: the ongoing exclusion(s) of certain names and certain thinkers as of certain musical modes, including electronic musical works, as of voices and of collective memory, or oblivion. Reading Raymond Williams along with Anders and Adorno on television updated in today’s era …

Pity The Nation, Kameron Zebadiah Mechling

Graduate Thesis Collection

In light of the unprecedented events of social unrest that took place in the year of 2020, this piece takes inspiration from the timeless poem “Pity the Nation” by Lawrence Ferlinghetti. Just as the text and themes relate to the United States during this time, they continue to resonate beyond multiple areas and eras.

When recalling the events of 2020, some remember fear, uncertainty, pain, anger, disgust, and loss. Pity the Nation depicts these emotions. The alto and tenor voices follow each line of text in the poem, interpreting the themes musically as they are given. The fear of the …

Sonified Hudson Valley Landscapes And The Influence Of Industry, Jess Belardi

Senior Projects Fall 2021

Senior Project submitted to The Division of Arts of Bard College.

Senior Project submitted to The Division of Social Studies of Bard College.

Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley

Graduate Theses, Dissertations, and Problem Reports

Drawing upon the historical development of analog and digital technologies alongside the proliferation of computer-assisted performance practices, this research seeks to develop a framework for integrating Mixed Reality applications to live musical performance, specifically through the creation of a Microsoft HoloLens 2 Mixed Reality application in order to facilitate a live performance of an original musical composition for percussion and real-time Mixed Reality environment. Mixed Reality enables a performer to interact with virtual (holograms, VSTs, etc.) and physical (vibraphone, tuned drums, microphones, etc.) objects simultaneously. Tandem to the development of the conceptual framework was the composition of an original score …

Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music, Andre Januario

Graduate Theses, Dissertations, and Problem Reports

What if the core curriculum for graduate students in music performance were designed to prepare students to succeed in the world of the Fourth Industrial Revolution?

This dissertation offers a hypothetical answer: a structured and systematic academic curricular framework for music graduate students of performance of concert music (especially those in terminal degrees, such as doctoral students), along with music instructors, professional music performers, school administrators, and college professors, seeking to prepare such students for achieving and maintaining a music career more in keeping with the current work environment, especially those skills demanded by the Fourth Industrial Revolution and the …