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Articles 1 - 11 of 11

Full-Text Articles in Composition

Exodus Concerto For Guitar And Chamber Orchestra, Spencer Joel Kappelman Dec 2013

Exodus Concerto For Guitar And Chamber Orchestra, Spencer Joel Kappelman

Masters Theses

Exodus is a four-movement composition for solo guitar accompanied by a chamber orchestra. This piece is composed in partial fulfillment of the requirements of the degree Master of Music with a concentration in Music Composition from the University of Tennessee, Knoxville. Exodus was composed during the 2010-2012 academic years.
This paper provides a narrative analysis of Exodus in terms of its musical content, and relationships to other composers of the last century. Similarities to these composers refer to form, orchestration, melody, harmony, rhythm, and meter.


Studying Britten: The Current Landscape Of Published Britten Scholarship, Jonathan Manton Nov 2013

Studying Britten: The Current Landscape Of Published Britten Scholarship, Jonathan Manton

Jonathan Manton

With Britten’s centenary celebrations comes the publication of a plethora of new research resources, now available to the Britten scholar. These include not only print, audio, and audiovisual publications, but also recent online initiatives, notably the Britten thematic catalogue, published this year. The past ten years have witnessed a significant advance in Britten scholarship, with many offering entirely new perspectives on Britten’s life and work. They offer a candor previously unknown to Britten publications, often discussing the more delicate side of the composer’s nature and its impact on his work, notably demonstrated by the loss-of-innocence theme that dominates many …


Sonic Peace: An Antithesis To Sonic Warfare, Tatiana Maria Schnitman Espindola Nov 2013

Sonic Peace: An Antithesis To Sonic Warfare, Tatiana Maria Schnitman Espindola

FIU Electronic Theses and Dissertations

Sonic Peace: An Antithesis to Sonic Warfare explores certain frequencies that have been associated with various healing qualities, and seeks to bridge the sounds of antiquity and modernity. The piece draws on numerology and symbolism and adopts a cross-cultural approach in an effort to advance a cohesive universal healing message. The text featured in the composition is original, except for the use of an ancient Japanese Shinto chant.


A New Kind Of National: Modified String Quartet Practices In Post-Soviet Eurasia, Adam Taylor Lenz Jun 2013

A New Kind Of National: Modified String Quartet Practices In Post-Soviet Eurasia, Adam Taylor Lenz

Masters Theses

This thesis examines the practices of string quartet modification implemented by three post-Soviet Eurasian composers: Franghiz Ali-Zadeh (Azerbaijan), Vache Sharafyan (Armenia), and Dmitri Yanov-Yanovsky (Uzbekistan). After an introduction to the geography of the region and the biographies of the composers, their works containing modified string quartet configurations are examined within three distinct modification practices. These practices consist of the addition of outside instruments, the addition of electronic components, and the alteration of performance practice. The evaluation of these techniques is carried out through musical analysis and examination of cultural context. After each work has been examined, the body of works …


Don Januario, Gustavo Leone May 2013

Don Januario, Gustavo Leone

Department of Fine & Performing Arts: Faculty Publications and Other Works

Don Januario is a traditional song from Bolivia. It was collected by musicians from the ensemble Florilegium, and published on their CD, Música de las Misiones y de la Plata (Sucre). This is an original version of the song and a series of variations in the style of the local baroque.


Mary In Three Movements, John E. Accola, Jr May 2013

Mary In Three Movements, John E. Accola, Jr

Master of Liberal Studies Theses

Mary in Three Movements is an imagined account of how Mary might have felt and observed her experiences through the three most important events of both Christian and human existence, the conception, the birth, and finally the death of her son. I have attempted to remain true to the biblical Marian references which primarily speak to Mary as a young woman in a first century patriarchal Roman Jewish society. Therefore, I have taken these three events and put them to verse for mezzo-soprano with piano accompaniment. The accompanying paper outlines both the historical and musical context in which this project …


Adapting J.S. Bach's Solo Violin Sonatas And Partitas For The Marimba: Broken Chord And Arpeggio Performance Practices, Jason Eugene Mathena May 2013

Adapting J.S. Bach's Solo Violin Sonatas And Partitas For The Marimba: Broken Chord And Arpeggio Performance Practices, Jason Eugene Mathena

Dissertations

This purpose of this study is to provide the keyboard percussionist with information and examples for breaking chords and properly executing arpeggio passages in J. S. Bach’s solo violin Sonatas and Partitas. Primary sources included Baroque treatises on performance practice and recent scholarship of the past one hundred years. Various editions of the Sonatas and Partitas were surveyed for this document but, in the end, only Bach’s autograph manuscript and Gunther Hausswald’s critical edition were used for the musical examples as well as the marimba transcriptions included in appendices.

Topics covered are appropriate places to break chords and the various …


[Sabbatical Report], Mary Wolinski Jan 2013

[Sabbatical Report], Mary Wolinski

Sabbatical Reports

My work in the academic year 2013- 14 has resulted in a manuscript of approximately 75,000 words. The monograph, entitled The Making of W2: Musical Compilation and Intention in the Shadow of Notre Dame. is a study of the creation of the thirteenth-century Parisian manuscript 1099, known as W2 and preserved in the Herzog-August-Bibliothek in Wolfenbuttel, Germany.


Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche Jan 2013

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …


Argentine Conducting Tour, Dan Rager Dec 2012

Argentine Conducting Tour, Dan Rager

Dan Rager

Excerpt of conducting tour in La Plata & Buenos Aries, Argentina with host Meastro Ruben Flores Garcia. Features the Gilardo Gilardi Windorchesra.


Argentine Educational Conducting / Lecture Tour, Dan Rager Dec 2012

Argentine Educational Conducting / Lecture Tour, Dan Rager

Dan Rager

2013 Conducting / Lecture tour and Misc. in La Plata, Buenos Airies, Argentina. Video excerpt includes my host, Maestro Ruben Flores Garcia, conductor of the Gilardo Gilardi Conservatory of Music, author and international musician.