Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- 1928- (1)
- Albert Brumley (1)
- Albert E. Brumley (1)
- Albert E. Brumley & Sons (1)
- Allen County (1)
-
- Arlis Harmon (1)
- Arlis Odell Harmon (1)
- Authors (1)
- Bach chorales (1)
- Bill Sturdevant (1)
- Chordal analysis (1)
- Christmas cards (1)
- Clergy (1)
- Communism (1)
- Composition (Music) (1)
- Corpus analysis (1)
- Criticism and interpretation (1)
- Education, General (1)
- Education, Music (1)
- Fascism (1)
- Genealogy (1)
- Gilliam family (1)
- Gospel music (1)
- Gospel musicians (1)
- Harmon family (1)
- Harmonic implications (1)
- Harry S. Truman (1)
- Harry Truman (1)
- History, European (1)
- James D. Vaughan (1)
- Publication
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Composition
Harmon, Arlis Odell, 1905-1992 (Mss 153), Manuscripts & Folklife Archives
Harmon, Arlis Odell, 1905-1992 (Mss 153), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Collection 153. Poems, 1934-1991, obituaries, 1964-1990, written by Arlis Odell Harmon, a gospel song writer and enthusiast, of Allen County, Kentucky. Includes correspondence about gospel music, genealogical data, photos, etc.
The Harmonic Implications Of The Non-Harmonic Tones In The Four-Part Chorales Of Johann Sebastian Bach, Timothy Willingham
The Harmonic Implications Of The Non-Harmonic Tones In The Four-Part Chorales Of Johann Sebastian Bach, Timothy Willingham
Doctoral Dissertations and Projects
This study sought to identify the harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach and to identify if the implications were modern, extended harmonies. The study examined if non-harmonic tones implied traditional or extended harmonies more often, which non-harmonic tones more frequently implied extended harmonies, and which chords typically preceded implied extended harmonies. The study was a corpus analysis of the four-part chorales. The data collected was organized in and analyzed with frequency charts and a chi-square goodness of fit test and chi-square tests of independence from the chordal analysis conducted by the researcher. …
Ronald Stevenson, Composer-Pianist : An Exegetical Critique From A Pianistic Perspective, Mark Gasser
Ronald Stevenson, Composer-Pianist : An Exegetical Critique From A Pianistic Perspective, Mark Gasser
Theses: Doctorates and Masters
This exegetical critique makes a conceptual summation of Ronald Stevenson’s life’s work for the piano and his contributions as a composer‐pianist. Chapters one and two provide a profile of Stevenson as a pianist, examining the aesthetic and musical concerns that defined his long career, as well as precedents and antecedents of his pianism. Of particular interest are the ways that Stevenson coalesces aspects of the ‘grand manner’ and his obsession with a pianistic bel canto style. Chapter three examines Stevenson’s remarkable output in terms of piano transcriptions. His conceptualization of this as ‘capturing the essence’ of the original composer is …