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Full-Text Articles in Composition
Volume 12, Number 11 (November 1894), Theodore Presser
Volume 12, Number 11 (November 1894), Theodore Presser
The Etude Magazine: 1883-1957
Some Methods of Popularizing Songs
Jests That Instruct
Courage in Music
Influence of Music
Two Lessons or One Lesson a Week?
Right Beginning
Ways and Means, and—Results
Egoism
Our Country Teachers—Some Hints for Their Advancement
How to Make Practice Easy
Godard's Characteristics
Machine Pupils
Rheumatism of the Hand and Arm
Foreign Titles and Foreign Names
Hints to Young Composers
Conflict Between Public School Work and Music
Habits of Music Pupils
Does Music Describe?
Portamento Touch
Music (Male) Teacher's Work
Suggestions to Musical People
Power of Association
Amateur Musical Club
Paderewski's Tone and Touch
American Pianists (photos)
Volume 12, Number 10 (October 1894), Theodore Presser
Volume 12, Number 10 (October 1894), Theodore Presser
The Etude Magazine: 1883-1957
General Directions to be Observed when Playing for Others
True Ideal of Music Teaching
Accompanying in Theory and Practice
Musical Advancement: A Suggestion to Parents
Proper Scale Practice
Taste
Listening to Music: A Few Words to Concert-Goers
Topics for Reflection
Magazines for Pupils
Strengthening Pianists' Fingers
Worrying
Franz Liszt's Letters
Handel's Sarcasms
How to Learn Music
Why Not a Graded Catalogue of Music With Which to Begin Teaching?
Little Items for Pupils Worth Knowing
Specimen Programmes for Graduating Pupils
Over Our Tea Cups
Whims of Composers
How to Analyze
Longevity of Composers
Pre-Eminence of the Pianoforte as a Medium for …
Volume 12, Number 09 (September 1894), Theodore Presser
Volume 12, Number 09 (September 1894), Theodore Presser
The Etude Magazine: 1883-1957
Mental Practice
Amateur Musical Society
Art, Versus Muscular Power
Stray Toughts
Why Give Etudes
Summing Up of the Year's Work
Listening to Music: A Few Words to Concert-Goers
Specimen Programmes for Pupils, Hints as to Methods of Study Performance
Left Hand
Study of Hymn Tunes
Aphorisms
Musical History Examinations
How to Make a Simple Musical Cabinet
Time Reading
Woman's Life of Liszt
Some Curious Habits in Pupils, and Relections Thereon
Well Known
Must Teachers be Performers?
All Piano Pupils Should Study Harmony
Importance and Peculiarities of the Pianoforte
Different Ways of Composing
Gleams from Bohemia
Can Expression Be Cultivated?
Musical …
Volume 12, Number 07 (July 1894), Theodore Presser
Volume 12, Number 07 (July 1894), Theodore Presser
The Etude Magazine: 1883-1957
Intellectual Attitude of Instrumental Practice
Some Abuses of Music
Gleams from Bohemia
Where Are We At?—Mechanical Aids to Piano Practice
Conservatory Graduates
Life of Richard Wagner
Modern Musical Progress
Duet Playing
Mozart at Marseilles
How to Conquer a Difficult Passage
Annette Essipoff
Getting Pupils to Do More Thinking
Knowledge of Harmony Indispensable to All Musicians
Beethoven Sonatas Not For Children
Clerious Elocutes
How to Buy a Piano
Volume 12, Number 12 (December 1894), Theodore Presser
Volume 12, Number 12 (December 1894), Theodore Presser
The Etude Magazine: 1883-1957
Musical Brotherhood
Concerning Authority in Piano Teaching
Sayings of Von Bülow
Dull Pupils
Word to the Thoughtless Pupil
One Thing Neglected
What Are They?
Man Cannot Live By Talent Alone
Labor of Teaching
Gilding the Pill
On Fingering
Recognition of the Worth of Others
Independent Thinking
Is Blind Tom a Genius?
On Fees and Missed Lessons
Plea for the Intelligent Instruction of Children Upon the Pianoforte
Labor of Writing Music
Is the Piano a Detestable Instrument?
Memorizing Music
Technical Reserve Power
Rubinstein is Dead
Forgotten, Oliver Ditson Company
Forgotten, Oliver Ditson Company
Popular Sheet Music of the 1900s
Front cover: A picture of a rose flowered rectangular border
First line of song: Forgotten you? Well, if forgetting be thinking all the day
Mary Kavanagh
Eugene Cowles
Original Key, F
1 score, (6p.), 33x26 cm
Published by Oliver Ditson Company, Boston