Composition Commons^™

Lost In Translation: A Critical Analysis Of The Libretto In Handel's Messiah, Jordan Lehto, Aaron Escamilla, Eden H. Nimietz

2020 Festschrift: Georg Frideric Handel's "Messiah"

Handel’s Messiah is renowned for its lush sound and richly developed message regarding the rejoicing of Christians and the celebration of religion through their faith in a divine savior. Not only is the full oratorio performed by countless ensembles every year, but many scholars have spent months, and even years, poring over its libretto. The conclusions they have come up with regarding the intentions of the librettist, Charles Jennens, have sparked much controversy over the years. Because of Jennens’ personal, religious beliefs, many scholars are concerned that much of his libretto is designed to discredit all other religions and proclaim …

Amen: A Liturgical Prayer Of Thanksgiving For All The Year, Anthony Elia

Bridwell Library Research

A short choral work for religious congregations or groups for SATB configuration. A piano reduction accompanies for conductors.

Cyberpunk Beginnings: Sos, Mark Zanter

Music Faculty Research

This performance proposal features works for electric guitar, percussion, live processing and visuals performed by Mark Zanter, and Steve Hall of Marshall University, USA. Approximate time 10 minutes. SOS integrates layers of algorithmically generated material, live signal processing, visuals, and live performance in a work exploring boundaries between machine generated sound(s), and human interaction.

Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler

Religion

Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In …

Schubert’S Compositional Development Reflected In Winterreise: Annotated Bibliography, Reid Wolch

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Analysis Of The Preludium Of The Rosary Sonata No. 1 In D Minor For Violin And Basso Continuo The Annunciation By H. I. F. Von Biber: An Angelic Dialogue, Frangel Lopez Cesena

Music Research and Composition Works

When I was preparing my final undergraduate recital at the Escuela Superior de Música del Instituto Nacional de Bellas Artes in la Ciudad de México I was asked to add a baroque piece to my repertoire. My violin teacher, Maestro Cuauhtémoc Rivera Guzmán suggested that I look at the work of a unique Bohemian- Austrian composer, Biber. I started my research and found the Rosary Sonatas. They captured my attention not because of their rare tuning, beautiful copper engravings of the original, and unique copy of the manuscript, but for their representational clarity, something I noticed and experienced upon first …

Regina Caeli, Anthony Elia

Bridwell Library Research

Regina Caeli is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The Stabat Mater was completed in 2013 and published at Columbia University Academic Commons. The planned works include the following, but may have others added later: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, 11) Salve Regina, 12) Sub Tuum Praesidum.

Nossa Senhora De Fátima, Anthony Elia

Bridwell Library Research

Nossa Senhora de Fátima is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The work is written for three voices--reflecting the children who witnessed the Fatima vision in Portugal. Likewise, the language of the text is in Portuguese, rather than Latin. The planned works include the following, but may have others added later--such as the present work: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, …

Ave, Regina Caelorum, Anthony Elia

Bridwell Library Research

Ave, Regina Caelorum is one choral piece of the planned 12-part "Marian Cycle" based on some twelve Latin (and other) texts about the Virgin Mary. The composer began the piece "Ave, Regina Caelorum" in 2013 but only finished it in 2020. The Stabat Mater was completed in 2013 and published at Columbia University Academic Commons. The planned works include the following, but may have others added later: 1) Stabat Mater, 2) Ave Regina Caelorum, 3) Alma Redemptoris Mater, 4) Ave Maris Stella, 5) Angelus, 6) Flos Carmeli, 7) Ave Maria, 8) Magnificat, 9) Memorare, 10) Regina Caeli/Coeli, 11) Salve Regina, …

In Time Gone By: Song Cycle For Baritone And Six Players, Bryan Grosbach

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

In Time Gone By is a song cycle for Baritone vocalist and Pierrot Ensemble + percussion that explores the value of life being a byproduct of its finitude. Only during the most vulnerable and difficult events of that life can self-realization occur. These topics are wrapped into a “love-story” narrative crafted from select poems from Chamber Music by James Joyce and select quotes from the prose Devotions Upon Emergent Occasions by John Donne. Using intervallic focus as a tool for development, the piece transitions from sparse quintal harmony to lush tertian harmony as a musical metaphor for the self-realization of …

Music And Infrasound In Horror Movies - How They Can Be Used To Enhance Horror Films, Isabella Sills

Student Scholar Symposium Abstracts and Posters

The purpose of this project is to research and investigate the effect music and sound effects have on horror films, specifically, the natural phenomena known as infrasound will be explored in depth. Just outside our range of hearing at 20 Hz, infrasound may not be audible, but can still cause physical reactions such as anxiety, uneasiness, and extreme sorrow (Morrow, 2017). I am looking to create a horror comic in the form of a video that heavily relies on musical cues and the incorporation of infrasound to build up parts of the story told in the form of a comic. …

Concertante For Sho And Jazz Orchestra, Susumu Watanabe

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

“Concertante for Sho and Jazz Orchestra” is a multi-movement concert piece designed to exhibit both the virtuosity of sho and its orchestral color and dynamism. There are three independent movements, each of which has multiple sections which are subdivided by the alternation of tempo, mood and musical context. The title “Concertante” simply implies a style of composition reflecting a brilliant and virtuosic display of instrumental dexterity and musicality for the solo sho part, and also the various individual instruments and instrumental sections in the 16-piece jazz orchestra.

Sho is a wind instrument which is almost exclusively used for Gagaku, Japanese …

Rained In: An Original Musical, Naomi Krizner

Honors Scholars Collaborative Projects

This musical confronts the perception of mental illness in an allegorical story that recounts an encounter between Tate, an estranged man inhabiting a cave who is taunted by two demons, and Emsley, a young girl brimming with innocence and curiosity.

We Met At The Edge, Eric M. Howell

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

‘We Met at the Edge’ is a collaboration between composer Eric Howell and visual artist Marcela Rodriguez based on a reimagining of the Major Arcana of the Tarot cards. Each card is presented with all new modern interpretations of the original art as well as approximately one minute of music that reflects its unique meanings. Additionally, each card is capable of being looped on itself to create the illusion of being a seamless moment in time, while simultaneously being able to elide into the next card in the sequence. ‘We Met at the Edge’ is meant to be listened to …

Orpheus In Cyberspace: Sonata For Solo Viola, Anthony Elia

Bridwell Library Research

Orpheus in Cyberspace is a seven movement sonata for solo viola based on the Orpheus myth, but with a twist toward the modern, technological, and cyber-frenetic world in which we live.

Kazan Suite: For Solo 'Cello, Anthony Elia

Bridwell Library Research

The Kazan Suite is a ten-movement suite for solo 'cello written by the composer in honor of his hosts during a planned trip to Kazan, Tatarstan, Russian Federation. The trip had been planned for March 2020, but was interrupted due to the global pandemic. Yet, the work was completed ahead of the visit. The work reflects natural and humanistic ideals (Ancestors, Rivers, History, Meditations, the City, Folklore, the Imagination, Community, Mysticism, Nature).

Tillit Sydney Teddlie Papers, 1885-1987, Tillit Sydney Teddlie

Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids

Finding aid for the Tillit Sidney Teddlie Papers, 1885-1987.

Buckberry, Ray B., Jr., B. 1934 - Collector (Mss 685), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 685. Research material collected by Ray B. Buckberry, Jr. related to Ernest Hogan, an African American musician from Bowling Green, Kentucky, who is sometimes credited as one of the pioneers of ragtime music. He composed and wrote lyrics for numerous musical pieces for minstrel shows and published sheet music.

Janus Quartet, Randall Snyder

Randall Snyder Compositions

flute

Bb clarinet

Eb alto saxophone

bassoon

program note This trio is a reworking of music originally written for piano in 1965 when the composer was 21 yrs. old. The 2020 revision attempts to both preserve and expand the basic characteristics of the original material..

duration: c. 9:30

Transposed Score (24 pp)

Janus Trio, Randall Snyder

Randall Snyder Compositions

flute

Bb clarinet

bassoon

program note This trio is a reworking of music originally written for piano in 1964 when the composer was 20 yrs. old. The 2020 revision attempts to both preserve and expand the basic characteristics of the original material..

duration: c. 12 minutes

Transposed Score (20 pp)

Janus Symphony, Randall Snyder

Randall Snyder Compositions

instrumentation: Flute 1 (Picc.), Flute 2, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Bassoon 1, Bassoon 2, Horn 1, Horn 2, Horn 3, Horn 4, Trumpet 1, Trumpet 2, Trombone 1, Trombone 2, Trombone 3, Tuba, Timpani, Percussion 1, Percussion 2, Violin 1, Violin 2, Viola, Cello, & Double Bass

program note The first two and a half movements were written in 1965 but for various reasons remained unfinished until 2018 when I began revisited the score and finished the third movement and added a new finale. An attenpt was made to continue in the same style as the …

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).

Grayscale Portfolio, Brandon D. Chambers

2020 Symposium Creative Works

This collection is intended to evoke the sensory details that are intensified by grayscale photography. Although photography is a visual arts medium, it possesses the potential to engage the viewers’ auditory, tactical, and olfactory senses. The color symbolism theory argues that through natural association and psychological symbolism, colors have specific connotations and therefore, elicit certain emotions. If this is, in fact, the case, what then can be gained from an image that is void of color? I feel that color often distracts the viewer from the intimate details of the images and prevents them from fully immersing themselves in the …

The Influence Of Santería In Leo Brouwer's Solo Guitar Works (1955–1993), Eoin Flood

Doctoral

This study will assess the solo guitar works of Cuban composer Leo Brouwer (1939–present) in terms of influence from Santería, a ritual music derived from WestAfrican slaves and still practised in Cuba. This will be achieved by using both analytical and evaluative processes. For the former, a range of influential parameters have been identified, each falling under three strands: rhythmic and metric, structural, and melodic. These will be revealed in all of Brouwer’s solo guitar works written from 1955 to 1993. A parameter’s influence can be revealed in two ways: the multitude of its usage per piece, or the percentage …

To Become Wind [Full Score], Jie Hong Yang

Research outputs 2014 to 2021

No abstract provided.