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Full-Text Articles in Composition
Explorations In Double-Stops: Three New Pieces For Expanding The Role Of The Double Bass In The Jazz Ensemble, Ashley De Neef
Explorations In Double-Stops: Three New Pieces For Expanding The Role Of The Double Bass In The Jazz Ensemble, Ashley De Neef
Theses : Honours
This dissertation investigates the potential for using double-stops - the sounding of two or more simultaneous notes - as a means for extending the traditional role of the double bass, within compositions for a small jazz ensemble. It is the contention of this dissertation that it is possible to use double-stops to perform a more advanced function within the jazz ensemble, without compromising the double bass’ primary harmonic and rhythmic duties.
A historical overview of the history of the double bass within western classical and jazz music will be provided, as to outline and define what the double bass’ role …
Exploring The Mediality Of Live And Studio Composition: The Case Of Computer Music, And Its Implications In “Ambivalence Of Density”, Michael Terren
Exploring The Mediality Of Live And Studio Composition: The Case Of Computer Music, And Its Implications In “Ambivalence Of Density”, Michael Terren
Theses : Honours
This dissertation attempts to apply the communications theory concept of “mediality,” as described by Jonathan Sterne, to the context of music composition for different mediums, namely the media of the live performance and the studio work (the recording, the concrete work). Mediality denotes the complex “web of practice and reference” between different media—how we interact with and perceive media, and how this affects the content of the medium. The mediality of live and studio composition is posited as cross-referential, non-hierarchical and non-dichotomous—a relationship of “dependence and imbrication” rather than antagonistic binaries.
I investigate the mediality of live and studio composition …