Composition Commons^™

Sing About Me: Kendrick Lamar In Posterity, Brandon Apol

The Research and Scholarship Symposium (2013-2019)

Sometimes it would seem that the quietest moments turn out to have the loudest repercussions. This would certainly seem to be a consistent case for twenty eight-year old Kendrick Lamar, whose career has been defined by surprise and unannounced publications of music that shortly afterward are spun wildly into massively respected works of art. With an album that no one anticipated going to the 2013 Grammy awards, an album that leaked a week ahead of schedule (and brought Kendrick 5 Grammys), and an album that was released with almost no warning whatsoever, Kendrick Lamar Duckworth makes headlines with his art; …

Musica In Tempore Belli: An Analysis Of “Black Angels”, Calvin D. Hitchcock

The Research and Scholarship Symposium (2013-2019)

Described as “…extraordinarily haunting” and “[the] intoxicating magic of…sound,”(Steinitz, 1978) the music of George Crumb is some of the most evocative and expressive music of the 20th century. His extensive use of extended techniques (many of which he pioneered) is in part what makes his music so memorable. Also known for its liberal use of theatricality, Crumb’s music has become a standard of the 20th century, as well as in the contemporary music canon overall.

“Black Angels” for Electric String Quartet, subtitled “Thirteen Images from the Dark Land” was written as a response to the Vietnam War and is one …