Composition Commons^™

Blending Two Automatic Playlist Generation Algorithms, James Curbow

Honors Theses

We blend two existing automatic playlist generation algorithms. One algorithm is built to smoothly transition between a start song and an end song (Start-End). The other infers song similarity based on adjacent occurrences in expertly authored streams (EAS). First, we seek to establish the effectiveness of the Start-End algorithm using the EAS algorithm to determine song similarity, then we propose two playlist generation algorithms of our own: the Unbiased Random Walk (URW) and the Biased Random Walk (BRW). Like the Start-End algorithm, both the URW algorithm and BRW algorithm transition between a start song and an end song; however, issues …

Metamorphoses (15.178) For Violin Clarinet Cello And Piano, Max Caplan

Honors Theses

A chamber music composition, approximately eight minutes long, for the above instrumentation. The title refers to a line from Ovid's epic, which reads, "All things are fluid, and every shape is born to change." Ovid puts the words in the mouth of the ancient Greek philosopher Pythagoras, who soliloquizes on the meaning of life, the nature of time, and the interconnectedness of all things. The speech centers around his ideas of reincarnation (either literal or metaphorical), which, as a kind of metamorphosis, links the passage thematically to the rest of the poem. Metamorphoses (15.178) reflects this central notion of change …

Applications Of The Sierpiński Triangle To Musical Composition, Samuel C. Dent

Honors Theses

The present paper builds on the idea of composing music via fractals, specifically the Sierpiński Triangle and the Sierpiński Pedal Triangle. The resulting methods are intended to produce not just a series of random notes, but a series that we think pleases the ear. One method utilizes the iterative process of generating the Sierpiński Triangle and Sierpiński Pedal Triangle via matrix operations by applying this process to a geometric configuration of note names. This technique designs the largest components of the musical work first, then creates subsequent layers where each layer adds more detail.

Bridging The Gap: A Study Of Compositional Similarities Across Time, The 'Realization' Techniques Of Johann Sebastian Bach And Louis Armstrong, Erin Cheshire

Honors Theses

This study is an examination of certain compositional techniques during the Baroque and jazz eras and how there are unexpected similarities throughout. The premise of this argument draws attention to the notion that, although the world has changed, this particular compositional technique has remained relatively unaltered. Given the aesthetic differences between these two compositional styles, the unlikely conclusion is that some aspects of music truly never go away, they simply change procedures.

By examining the emergence of the figured-bass style in the Baroque period and certain notational features in jazz, the evidence will trace the origins of these compositional techniques …