Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Institution
Articles 1 - 4 of 4
Full-Text Articles in Composition
They Care If You Listen: Works For Cello And Piano By Migó, Rachmaninoff, Ysaÿe, And Gershwin, Antoni Pizà
They Care If You Listen: Works For Cello And Piano By Migó, Rachmaninoff, Ysaÿe, And Gershwin, Antoni Pizà
Publications and Research
Essay from the liner notes for the CD Cerdanyenca featuring cellist Mark Prihodko and pianist Viktoria Korolionok.
Evolution Of The Cello In Music, Joshua Propst
Evolution Of The Cello In Music, Joshua Propst
Mahurin Honors College Capstone Experience/Thesis Projects
With this project, I have studied cello music written throughout many of the major musical eras in an attempt to discover the cello, specifically regarding playing style, technique, and tonal ability. The composers included in this project are Bach, Haydn, Dvořák, Pärt, and Amanti. Most of the major musical styles are represented, with a focus on baroque, classical, romantic, minimalism, and jazz. I performed this wide variety of pieces at my Senior Recital for the Western Kentucky University (WKU) Music Dept. The goal of the recital was to showcase the rich musical history of the cello and how cello composition …
Воспоминания (Acts Of Remembrance): For Violin, Cello And Piano, Marat E. Sanatullov
Воспоминания (Acts Of Remembrance): For Violin, Cello And Piano, Marat E. Sanatullov
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
The piece has three movements: I. Истоки (Act I. Beginnings); II. Очарование (АCT II. Charm); III. Просветление (ACT III. Lucidity). The title of the piece and the titles of its movements are in Russian.
Adviser: Tyler Goodrich White
The Influence Of The Unaccompanied Bach Suites, Meredith Lawrence
The Influence Of The Unaccompanied Bach Suites, Meredith Lawrence
Music and Worship Student Presentations
Bach was very influential in changing the function of the violoncello from an accompanying instrument to a solo instrument, showing the cello’s potential in his writing of the unaccompanied cello suites. Throughout the cello’s history, the instrument was considered to be primarily an accompanying instrument, playing the basso continuo line of most music. Through research of primary and secondary sources, it was found that during Bach’s time in Cöthen, he was given freedom and the resources to compose what he wished. These resources included excellent musicians such as the gambist, played by Abel and the cellist, Linigke. It was most …