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Full-Text Articles in Composition
“The Personal Is Political”: The Power Of Female Voices In 1970s Pop Music And Beyond, Jennifer Morrow
“The Personal Is Political”: The Power Of Female Voices In 1970s Pop Music And Beyond, Jennifer Morrow
Backstage Pass
This essay examines how, in the male-dominated structures of the popular music industry, narratives about women have been marginalized, ignored, and undervalued. The female singer-songwriter, my research suggests, is, by definition, a contradiction and subversion of traditional gender roles, and this position has been claimed by female musicians as a form of rebellion and resistance. In the scope of my research, I focus on how female pop artists have embraced songwriting as a medium for authentic self-expression, and how these narratives have been embraced as autoethnographies that represent the collective experiences and frustrations of women in a patriarchal social landscape. …
Re-Composing Feminism: Australian Women Composers In The New Millennium, Talisha Goh
Re-Composing Feminism: Australian Women Composers In The New Millennium, Talisha Goh
Theses: Doctorates and Masters
In the age of postfeminism and fourth-wave feminism online, Australian women composers are theoretically able to “have it all,” however, the proportion of women in the occupation appears to have plateaued in recent years. In this thesis, I explore the multiple ways in which gender and feminism interact with practising Australian women composers. Feminist musicology has had a large impact on the Australian musicological scene, with theorists such as McClary and Macarthur bringing the subject of women in music to the fore in the 1990s, aiding efforts to advocate for reform on behalf of women composers. Additionally, third-wave feminist scholars …