Composition Commons^™

Audio To Architecture: House Music As A Form Generator, Polina Timchenko

Architecture Undergraduate Honors Theses

Contemporary music undergoes similar process of creation to that of the design process through computation and variation. House music as a representation of contemporary culture has a layered structure that allows specific characteristics to identify it as house music. Song components can vary and mix in different orders that form new dynamic compositions. I am going to explore the idea that every house music component can be translated into geometry with the use of parametric design techniques.

Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance, Alicia Champlin

Electronic Theses and Dissertations

This paper examines the themes of human perception and participation within the contemporary paradigm and relates the hallmarks of the major paradigm shift which occurred in the mid-20th century from a structural view of the world to a systems view. In this context, the author’s creative practice is described, outlining a methodology for working with the communication networks and interpersonal feedback loops that help to define our relationships to each other and to media since that paradigm shift. This research is framed within a larger field of inquiry into the impact of contemporary New Media Art as we experience it. …

Generating Audio Using Recurrent Neural Networks, Andrew Pfalz

LSU Doctoral Dissertations

Long Short Term Memory cells are a type of recurrent neural network that perform well when predicting sequence data. This works presents four approaches to modeling audio data. The models are trained to predict either raw audio samples or magnitude spectrum windows based on prior input audio. In a process called sampling, the models can then be employed to generate new audio using what they learned about the data they were trained on.

Four methods for sampling are presented. The first has the model predict a vector for each vector in the input. The second has the model predict one …

A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), Christopher C. Mccardle

LSU Doctoral Dissertations

Thema (Omaggio A Joyce), composed by Luciano Berio resides within a tempo of 80 beats per minute. The discovery of a constant tempo allowed for a precise rhythmic transcription to be created which found musical structures including large formal sections, subsections, phrases, rhythmic and melodic motives, layers, and dialogue. Analysis of the rhythmic phrases shows that electroacoustic music can have a controlled structure and that these structures earned Thema an enduring legacy of masterpiece. The transcription provides a road-map to compare and contrast different elements that reoccur throughout Thema. The work was composed with a well thought-out and …

Imaginary Keyboards, Ethan Charles Isaac

Senior Projects Spring 2018

An Imperceptible Future

Originally, the intention was to create a programmatic album of some nature. At first I had come up with the concept of cataloging sounds and experiences from restaurants across the area, an idea which I may come back to at another time. But as it usually happens things do not go as planned. At the start of my senior year, I was enrolled in an electro-acoustic composition workshop run by my senior project advisor, Matt Sargent. In which I began exploring microtonal composition, something I had been building knowledge of as I spent my years here at …

Place Accumulation: Kingston/Ulster, Callan F. Fish

Senior Projects Spring 2018

Since February 2018, I’ve been listening and recording around Kingston and the town of Ulster; synthesizing interviews, bird song, passing cars, protests, conflict, unique perspectives and oral histories, meetings, optimisms, water, as part of a project called, Place Accumulation: Kingston/Ulster. Using the Dynamic Listening Instrument, an interactive sound sculpture which uses a venn-diagram of electromagnetic fields to allow sounds to be handled as a tactile entity and bended dynamically, sounds are arranged and dispersed back into different locations and events in Kingston. Using a sounding bucket, people in Kingston can listen in, re-arrange, explore, and play with sounds from their …

Change, Jonathan Allen Mildner

Senior Projects Spring 2018

Change is an album about change. It is a musical introspection of the journey I have taken over four years at Bard College—the people I have met, the things I have learned, and how music has developed for me through that journey.

Freshman year, I finished my first album. I did it independently of the school—at the time I was of the persuasion that I knew everything, that no one had anything to teach me, and that my ideas were always right. Of course, as with everyone, this was just a projection of severe insecurity, and fortunately I have had …

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.