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Full-Text Articles in Composition

New Transcription For Cello And Piano Of The “Sonata For Violin And Piano” By Uruguayan Composer Hector Tosar, Including A Performance Edition, Analysis, And Biography, Jose Pedro Romero-Ottonello Apr 2022

New Transcription For Cello And Piano Of The “Sonata For Violin And Piano” By Uruguayan Composer Hector Tosar, Including A Performance Edition, Analysis, And Biography, Jose Pedro Romero-Ottonello

LSU Doctoral Dissertations

This paper accompanies my transcription for cello and piano of Héctor Alberto Tosar Herrecart’s Sonata for Violin and Piano. It presents a brief study of Tosar's life, documenting his study with various composers in Uruguay and elsewhere, influences on his evolving compositional style, and an analysis of the sonata itself. I examine the manuscripts of other works by Tosar to provide an understanding of his musical language, including his “Serie sinfónica: en cuatro movimientos,” “Sinfonía no. 2 para orquesta de cuerdas,” “Sonatina no. 2. Solitude,” and “Salmo CII: para coro y orquesta.” The purpose of this project is to document …


A Synthesis Of Contemporary Music Composition Pedagogy Practices For The Undergraduate And Graduate Level Sequences, And An Exploration Of Time, Sound, And Space: An Aleatoric Event Score In Collaboration With The Lsu Museum Of Art, Jeremi Wayne Edwards Apr 2022

A Synthesis Of Contemporary Music Composition Pedagogy Practices For The Undergraduate And Graduate Level Sequences, And An Exploration Of Time, Sound, And Space: An Aleatoric Event Score In Collaboration With The Lsu Museum Of Art, Jeremi Wayne Edwards

LSU Doctoral Dissertations

This dissertation consists of two parts. The first part consists of a synthesis of contemporary music composition pedagogy practices for the undergraduate and graduate level sequences. A conversation of the study of music composition pedagogy is used to investigate current pedagogical practices in music composition and present those findings as a resource guide for new and future teachers. The second part presents an Exploration of Time, Sound, and Space, an Aleatoric Event Score Collaboration with the LSU Museum of Art. This event score is a product of the development of this dissertation commenced with a straightforward question; can we experience/consume …