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Full-Text Articles in Composition
Composing A Cadenza For Mozart's Violin Concerto In A Major, Gracie Hayes
Composing A Cadenza For Mozart's Violin Concerto In A Major, Gracie Hayes
Honors Projects
Historically, soloists from the Western art music tradition were expected to improvise a virtuosic passage during their performance of a concerto—that is, an extensive orchestral work featuring an instrumental soloist. These improvised passages, called cadenzas, were performed unaccompanied by the soloist during a prominent cadence and were derived from the ornamentation that occurred naturally during cadences in vocal arias. Contemporary composers write out these virtuosic passages for performers, who are rarely expected to improvise during a performance, with the exception of jazz musicians. When performing works dating from before the Romantic period, musicians are left with a dilemma. Should they …
The Dilemma Of Empty Halls, Joanna Lauer
The Dilemma Of Empty Halls, Joanna Lauer
Musical Offerings
Today, live classical concert attendance is low, a fact which threatens the careers of professional musicians. This paper examines recent statistics of classical concert attendance, theories as to why attendance rates are low, marketing methods for target audiences, and finally, recommendations to solve the dilemma of empty concert halls. To encourage concert attendance, classical music must be tastefully marketed to present-day audiences through the experience of technically excellent, musical, and interesting live performances. Ultimately, the relationship between art and its audience (the consumer) reveals that the key to the dilemma is the audience.
Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis, Glyn Alan Macdonald
Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis, Glyn Alan Macdonald
Theses: Doctorates and Masters
This practice-led research project has produced musical works that bring together ensembles from the Western Classical tradition that only read notation, and, jazz soloists who improvise. Three works ‘Standing Ground’, ‘The Journey’ and ‘Matt versus the Zombies’ were composed for three ensembles each with an improvising soloist. These ensembles included a British style Brass Band, Brass Quintet and a double Saxophone quartet.
The project built on the work of Andy Scott and Eddie Sauter, both of whom wrote for non-jazz ensembles and an improvising artist without including a jazz rhythm section. The accompanying non-jazz ensemble was written in such a …
A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton
A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton
Dissertations
As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …
Classical Music In Early Kentucky, 1850-1889, Kentucky Library Research Collections
Classical Music In Early Kentucky, 1850-1889, Kentucky Library Research Collections
Research Collections
No abstract provided.
Volume 04, Number 11 (November 1886), Theodore Presser
Volume 04, Number 11 (November 1886), Theodore Presser
The Etude Magazine: 1883-1957
Liszt from Another Point of View
Arm in Piano-Forte Playing
Tone Question Again
Our Musical Bringing Up
On Two Points in Piano-Forte Teaching
Music Teaching from a Psychological Standpoint
Shall Playing from Memory be Encouraged
Future of Music in America
Nature of Harmony
Grumble from Old Fogy
Music Teachers' Class Book
Techniphone Idea
Volume 04, Number 10 (October 1886), Theodore Presser
Volume 04, Number 10 (October 1886), Theodore Presser
The Etude Magazine: 1883-1957
Dangers of the Romantic Ideal
How to Use the Pedal
Common Sense of Interpreting Music
How to Study Arpeggios
Talk about Pianists
Weber's Concert-Stueck
Bach's Lighter Compositions
Nature of Harmony
Some of the Ways of the Incompetent
To the Piano-Forte
My Morning's Work
Study of Musical History
Liszt and His Pupils
Simplicity of Technique
Remarks on the Grace Note
Letter of Condolence to Mme. Richard Wagner
Legato in Piano Playing