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Full-Text Articles in Composition
Uncovering The Emotional Line: An Analysis Of Three David Maslanka Wind Ensemble Works Using Formal Emotive Intensity Analysis, Michael John Kahle
Uncovering The Emotional Line: An Analysis Of Three David Maslanka Wind Ensemble Works Using Formal Emotive Intensity Analysis, Michael John Kahle
Graduate Theses, Dissertations, and Problem Reports
David Maslanka (1943–2017) was a prolific American composer who wrote most frequently for the medium of concert band/wind ensemble. His music is frequently performed by ensembles around the world. Due to his more intuitive and idiosyncratic compositional style, Maslanka would center what he described as the “emotional line” of the work, certain aspects of his music are undetected by traditional analytical models. Formal Emotive Intensity Analysis bridges that gap to focus on the supposed emotional line within Maslanka’s work. Through a case study of three of Maslanka’s works for wind band, The Seeker, Concerto No. 3 for Piano and Wind …
David Gillingham’S Stained Glass For Wind Ensemble: A Transcription From The Standard Percussion Repertoire, Ashley Shoupe
David Gillingham’S Stained Glass For Wind Ensemble: A Transcription From The Standard Percussion Repertoire, Ashley Shoupe
Theses and Dissertations--Music
Stained Glass (1994), by David Gillingham, is a work that is considered one of the standard pieces of percussion repertoire. To date, there are no known arrangements or transcriptions which exist for wind band that originated from the percussion ensemble repertoire. Stained Glass is a work which utilizes many musical characteristics and compositional techniques that could translate successfully to the wind ensemble, such as sweeping ostinato, sustained chordal structures, and a variety of colors and textures. It is because of this observation of musical characteristics that makes this work a good candidate for a successful first transcription from percussion ensemble …
Review Of Coherence In New Music: Experience, Aesthetics, Analysis, By Mark Hutchinson. (New York, Ny: Routledge, 2016)., Orit Hilewicz
Review Of Coherence In New Music: Experience, Aesthetics, Analysis, By Mark Hutchinson. (New York, Ny: Routledge, 2016)., Orit Hilewicz
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic
A review of Mark Hutchinson's book from 2016, Coherence in New Music: Experience, Aesthetics, Analysis.
Developing Variation In The Late Work Of Morton Gould And Why It Matters, J. Wesley Flinn
Developing Variation In The Late Work Of Morton Gould And Why It Matters, J. Wesley Flinn
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic
American composer Morton Gould (1913-1996) was remarkably consistent stylistically over the course of his compositional career; this project examines certain motivic transformational techniques used in two of his last works, Stringmusic (1993, winner of the Pulitzer Prize) and Remembrance Day (Soliloquy for a Passing Century) (1995). These techniques, which can generally be filed under the principle of developing variation, are: 1. Mirroring and reversal; 2. Rotation; 3. Motivic expansion and contraction; 4. Additive sets; and 5. Asymmetric injection. After an overview of each technique, I give a full analysis of the fourth movement of Stringmusic using the approaches described …
Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam
Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam
Doctoral
This thesis marks the culmination of four years’ work, as part of my PhD study in composition. The portfolio consists of ten pieces, lasting in total approximately 2 hours and 10 minutes, and a commentary comprising an analysis of each of the works. The main emphasis has been on the development of an individual style, informed by the exploration of twentieth and twenty-first century compositional techniques, instrumental timbres, stylistic genres, forms, scale derivations and the wider aesthetic of contemporary music. The portfolio includes works for solo instruments, ensemble and orchestra. One of the main areas of research has been to …
Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson
Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson
Senior Honors Theses
This thesis will explore the musical innovations in the mad scenes of the bel canto composers in the 1800s. It will analyze Gaetano Donizetti’s mad scenes in Anna Bolena (1830) and Lucia di Lammermoor (1835), and Vincezzo Bellini’s mad scenes in I Puritani (1835) to discover how each composer expresses madness through the high and virtuosic voice of the coloratura soprano. The subject of madness is not a new idea in opera. However, the mad scenes of Donizetti and Bellini are the most successful and are often performed in opera houses around the world. Specific attention is given to the …
Composition Portfolio With Accompanying Comments And Analysis, Dermot Mcdermott
Composition Portfolio With Accompanying Comments And Analysis, Dermot Mcdermott
Masters
My M.Phil project consists of eight original musical compositions of varying genre and style, together with accompanying analysis and commentary on these works. The compositions include pieces for full symphony orchestra, string quartet, clarinet quartet, and a number of other chamber works with varying instrumental combinations. Together, the works represent approximately fifty minutes of music, together with over nine thousand words of commentary and analysis. Some of my compositions have already been performed by the contemporary music ensemble, Concorde, and I have also completed a commission, with funds supplied by the Arts Council, for a work which was publicly performed …