Composition Commons^™

Maestros Of Ministry: Their Legacy In The Department Of Music And Worship, David Matson, Sandra S. Yang, Austin M. Doub

Cedrus Press Publications

This book presents a brief history of the Cedarville University Department of Music and Worship through the lens of the lives of six current or retired faculty members from 1965 to 2019. The featured Maestros are David Matson, Lyle Anderson, Charles Pagnard, Michael DiCuirci, Sr., Charles Clevenger, and Steven Winteregg. The biographies and history focus on the Maestros’ contributions to the Department and University in their devotion to service and ministry to students. The story reveals the sovereign hand of God in bringing each faculty member to the Department at just the right time to meet particular needs for critical …

An Analysis Of Western Art Music Arrangements For Steel Pan Chamber Ensemble, Ian Meiman

Dissertations

This dissertation is an analysis of western art music arrangements for steel pan chamber ensembles. Specifically, this dissertation will analyze how certain arrangers have adapted western art music for steel pan chamber ensemble while discussing the possible methods the arranger used to create this adaptation. The analysis will observe the melodic, harmonic, rhythmic, and other significant alterations made in the steel pan chamber arrangement, and discuss any changes made, whether due to the adaptation of the instruments or otherwise, from the original works. The dissertation will also include a brief historical discussion on western art music’s influence of early steel …

Isabel Dodds In A Senior Piano Recital, Isabel Dodds

Student Concert Performances, Programs, and Posters

This is the poster, program, and program notes of Isabel Dodds' senior piano recital. The recital was held in the McBeth Recital Hall on November 14, 2019.

Performing Rhythmic Dissonance In Ligeti’S Études, Book 1: A Perception-Driven Approach And Re-Notation, Imri Talgam

Dissertations, Theses, and Capstone Projects

Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which creates several layers of difficulty in the presentation of complex rhythms. In order to resolve some of these difficulties, this dissertation includes a complete re-notation of four Etudes, using a methodology based on research in cognition and perception of rhythm.

Based on this new score, the notion of rhythmic dissonance is developed as an analytical tool to investigate in-time perception of rhythmic complexity, drawing on existing work on metric entrainment and metric dissonance. Different compositional strategies for the production of rhythmic dissonance are shown to have …

J.K. Mertz’S Bardenklänge: A Context For The Emergence Of The Character Piece Genre Within The Repertoire For Solo Guitar, Brinsley Doran

Masters

Having experience a large increase in concert activity in recent years, one would assume that the works of J.K. Mertz (1806–1856) would haveexperience the same level of attention within academic circles, however research is still limited. As a result, this thesissetsout to understand in what areas do Mertz's works differ fromother guitar works in the first half of the nineteenth century—specifically Mertz's set of character piecesfound in hisBardenklänge, op. 13. This thesiswill address shifts in culture, aesthetics and the increasing interest in the ‘Folk’c.1800–1850 that led to the composition of Mertz’s Bardenklänge. Published in 1847, these works are unique in …

Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam

Doctoral

This thesis marks the culmination of four years’ work, as part of my PhD study in composition. The portfolio consists of ten pieces, lasting in total approximately 2 hours and 10 minutes, and a commentary comprising an analysis of each of the works. The main emphasis has been on the development of an individual style, informed by the exploration of twentieth and twenty-first century compositional techniques, instrumental timbres, stylistic genres, forms, scale derivations and the wider aesthetic of contemporary music. The portfolio includes works for solo instruments, ensemble and orchestra. One of the main areas of research has been to …

Increasing The Inclusion Of Women Composers In The Wind Band Repertoire: Pale As Centuries By Sarah Kirkland Snider, Clifton Gerod Croomes

LSU Doctoral Dissertations

Women composers are underrepresented in the wind band medium. This study aims to determine the major factors for the disparity between men and women composers. I’ve transcribed a contemporary chamber music piece, Pale As Centuries by Sarah Kirkland Snider, for the wind band. Expanding on Snider’s existing work for chamber ensemble I will explore her compositional style and reinterpret the piece using the colors of the wind band.

A review of the literature focuses on trends within western music in the United States over the last century and establishes a documented history of institutionalized marginalization. In an interview with Snider …

A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne

Backstage Pass

Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.

Designing And Composing For Interdependent Collaborative Performance With Physics-Based Virtual Instruments, Eric Sheffield

LSU Doctoral Dissertations

Interdependent collaboration is a system of live musical performance in which performers can directly manipulate each other’s musical outcomes. While most collaborative musical systems implement electronic communication channels between players that allow for parameter mappings, remote transmissions of actions and intentions, or exchanges of musical fragments, they interrupt the energy continuum between gesture and sound, breaking our cognitive representation of gesture to sound dynamics.

Physics-based virtual instruments allow for acoustically and physically plausible behaviors that are related to (and can be extended beyond) our experience of the physical world. They inherently maintain and respect a representation of the gesture to …

Mobile Music Development Tools For Creative Coders, Daniel Stuart Holmes

LSU Doctoral Dissertations

This project is a body of work that facilitates the creation of musical mobile artworks. The project includes a code toolkit that enhances and simplifies the development of mobile music iOS applications, a flexible notation system designed for mobile musical interactions, and example apps and scored compositions to demonstrate the toolkit and notation system.

The code library is designed to simplify the technical aspect of user-centered design and development with a more direct connection between concept and deliverable. This sim- plification addresses learning problems (such as motivation, self-efficacy, and self-perceived understanding) by bridging the gap between idea and functional prototype …

The Cohens And The Kellys: Performance At The Toronto Jewish Film Festival, Toronto, Canada - Toronto, Dermot Dunne, Nick Roth

Concert Programmes

This performance consisted of a collaborative project between accordionist Dermot Dunne and saxophonist Nick Roth who together devised and performed an original film score for the 1926 silent film the Cohens and the Kellys. The score consisted of original arrangements of existing pieces by classical composers and traditional music from a variety of sources.

World Premiere Performance Of Quintet No.2 By N. Roth, Dermot Dunne

Concert Programmes

Nick Roth's second quintet was commissioned by the Sligo International Chamber Music Festival to be premiered by Dermot Dunne, accordion and the Vogler string quartet. The work draws on many aspects of the muezzin call to prayer in the Islamic faith including the various different modes (or maqaams) used in the call to prayer throughout the day. The work is a synthesis of the ISlamic call to prayer with contemporary composition techniques

Music For A New Era: Selected Works Dedicated To Flutist Louis Fleury (1878-1926), Lydia Carroll

Dissertations, 2014-2019

Louis Fleury (1878-1926) was a skilled flutist, respected writer and critic, prolific music editor, and new music enthusiast in France at the turn of the twentieth century. Unfortunately, Fleury’s legacy has been overshadowed by figures such as his teacher Paul Taffanel (1844-1908), as well as his contemporaries, including renowned flutists Philippe Gaubert (1879-1941), Marcel Moyse (1889-1984), and Georges Barrère (1876-1944). Fleury studied with Taffanel at the Paris Conservatoire from 1895-1900. Today Taffanel is regarded as having established the modern French Flute School, which is a tradition of flute playing and pedagogy. The legacy of the French Flute School of the …

Traditional Irish Musical Elements In The Solo-Piano Music Of Ryan Molloy, Brian Thomas Murphy

Dissertations

Music in Ireland has become increasingly popular in recent decades. There is no shortage of Irish musical groups, recordings, and live performances featuring Irish music both in Ireland and abroad. Contemporary art music in Ireland has also seen an increase in support and notoriety. Irish composers face a decision of how, if at all, to engage with traditional folk music that is so prominent in their culture. Ryan Molloy (b. 1983 in Pomeroy, County Tyrone, Northern Ireland) is a composer and performer who incorporates elements of traditional Irish music in the context and in the language of modern art music. …

Abandoning Abuse: Acknowledging Adoption In The 21 Century, Deborah Elizabeth Ellis

Graduate Theses and Dissertations

The inspiration for this set of pieces arose from a friendship with fellow grad student Morgen Cavanah. Morgen and I were both adopted as children, and it this common background that gave rise to these pieces. The poems chosen were written by Morgen about individuals or events in her life. Though I had planned to set 9 of the original 12 poems, this set is comprised of my four favorites. Each piece uses repetitive piano motives that underlie the melodic lines of the voice, flute, and cello. This choice explores harmonic and melodic possibilities that expand minimal accompaniment. Much of …

Soundboard: Planar Tracking For Instrument Control, Peter O'Sullivan

ENGS 86 Independent Projects (AB Students)

The Soundboard is the central component of Syrinx, a synthesizer instrument invented by Spencer Topel. A generated audio signal is transduced through the Soundboard, and by manually adjusting the positioning of its top metal plane, the user can manipulate the encased soundwaves before they are transduced back into a signal and output. My task for this project was to add controller functionality to the Soundboard component by implementing control voltages that carry information about its planar tilt, yaw, and altitude. These voltages can be used to modulate various digital parameters and further affect the sonic output of the instrument. Further, …

Electronic Music And The Uno Technology Assisted Performance Ensemble, Nicholas Spencer

UNO Student Research and Creative Activity Fair

The University of Nebraska at Omaha's Technology Assisted Performance Ensemble (or TAPE) is UNO's first Laptop Orchestra. TAPE focuses on electronic music as well as exploring the boundaries of what we understand to be music. Combining traditional music theory and digital synthesis creates a new genre of academic music that is on the cutting edge of research in both fields of music and technology. TAPE was founded by Dr. Seth Shafer and Nicholas Spencer with initial funding by the University of Nebraska at Omaha's FUSE grant.

Transcribing Astor Piazzolla's Works To Maximize Stylistic Fidelity: An Examination Of Three Saxophone Quartets With A New Transcription, Sarah L. Cosano

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Astor Piazzolla is recognized as a pivotal figure who drew tango music onto an international stage. His output of written compositions and recordings provide a reference for studying tango. Though Piazzolla adapted a collection of flute etudes in 1988, he did not write specifically for saxophone during his lifetime. Saxophonists must instead rely on transcriptions of his music. Today, tango is a widely performed idiom for saxophone quartet.

Because of its tessitura, timbral variety, and flexibility, the saxophone is uniquely suited to perform tango music. This instrument has an expansive range when altissimo is included. Its written range spans from …

From Improvisation To Artistry: A Study Of The Piano’S 12 Sides By Carter Pann, Louis Claussen

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Intended as a resource for pianists who may analyze or perform Carter Pann’s The Piano’s 12 Sides, this study provides biographical information on the composer and explores his professional relationship with the pianist for whom it was composed, Joel Hastings. Each piece from The Piano’s 12 Sides is discussed in terms of form, melody, harmony, texture and Pann’s approach to the pianistic compositional idiom. The composition is also examined with regard to extra-musical details and programmatic elements as well as inspiration and dedications that influenced Pann’s compositional process.

Correspondence and interviews with the composer reveal the motivation and inspiration behind …

2018-2019 New Music Festival, Yevgeniy Sharlat, Lisa Leonard

New Music Festival

Thirteenth Annual New Music Festival

• Yevgeniy Sharlat, Composer-in-Residence
• Lisa Leonard, Director

Friday, January 18, 2019 at 7:30 PM

• Spotlight I: Young Composers

Saturday, January 19, 2019 at 1:00 PM

• Master Class with Yevgeniy Sharlat

Sunday, January 20, 2019 at 4:00 PM

• Spotlight II: Yevgeniy Sharlat

Commissioned Work

Air on the G for Trumpet, Viola, and Piano

Theoretical Study And Performing Edition Of Sonata Iii By Javier G. Compeán, José Mario Ortiz Sánchez

Theses and Dissertations--Music

Mexican composer Javier G. Compeán finished Sonata III, his most recent composition for solo guitar, in December 2015. Since the composition of his first such work in 2003, the composer has been experimenting with texture, register, dynamic range, extended techniques, harmonic possibilities, timbre, and form in his solo guitar music. In Sonata III, Compeán applied the experience he gained in previous compositions for guitar.

This work represents the composer’s current style, in which he returns to a more traditional language but continues to experiment with the technical capabilities of the instrument. Sonata III is Compeán’s most ambitious guitar composition and …

Far Flung Trio Tour Of Ireland And Uk, 2019, Dermot Dunne

Concert Programmes

The Far Flung Trio gives 17 performances, including 12 performance of the programme below and 5 performances of their own arrangement of Sergei Prokofiev's 'Peter and the Wolf'. The other performances consist of the trio's own arrangements of the following works:

G Rossini: Overture to the Barber of Seville

J. Bandolim/Pixinguinha/Z. Abreu: 3 Choros

R. Guilfoyle: Binary Number

A. Dvorak: 2 Slavonic Dances op.46 nos. 2 & 3

A. Corelli: Trio Sonata in E minor op.2 no.4

G. Gershwin: 3 Songs

L. Fancelli: Pupazzetti

M. Robinson: N7

P. Sarasate: Carmen Fantasy

Symphonic Expressions Of The Female Voice: An Analysis Of Bernard Hermann's Scores For Jane Eyre (1943) And The Ghost And Mrs. Muir (1947), Alyson Picard

Honors Projects

This Honors thesis discusses an area of film score analysis that has been overlooked in scholarship. The author musically analyzes the work of Bernard Herrmann, revealing from his scores a hidden layer of connotative emotions and inner life of the female protagonists in the gothic melodrama films Jane Eyre (1943) and The Ghost and Mrs. Muir (1947). The female voice in classical Hollywood was forced into submission due to the cultural ideology of Westernized gendered thought. Herrmann provides the female protagonists with a sounding board for their sequestered minds, allowing the audience the opportunity to peer into the souls of …

Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis

Graduate Theses, Dissertations, and Problem Reports

David Cope stated: “There are two basic approaches to the study of New Music Notation: codification and comprehension […] what really needs to be done is not to keep listing the diverse ways each composer symbolizes his music or create substantially new and negating systems of notation, but to concentrate on codifying one way for future composers to symbolize their music.”^[1]

In an attempt to limit the inconsistency and complexity characterizing contemporary notation idiomatic to the flute, this paper is the first to adopt Cope’s statement and ultimately apply it in relation to the notation of non-standard extended flute …

The Performer-Composer: A Reimagined Career Pathway For The Modern-Day Saxophonist, Jazmin Ealden

Theses : Honours

The ambiguity of the twenty-first century classical musician career pathway has resulted in a change of professional traditions and opportunities for musicians both within Australia and internationally. The literature discussing the portfolio career model of musicians demonstrates a clear place for this career in the current music industry; one such pathway is that of the performercomposer musician. The aim of this research project was to explore the career pathways of three performer-composer saxophonists. Specifically, this study aimed to identify the change and development of traditional composer-performer roles, explore the fluidity in the spectrum of composer and performer led creative outputs, …

Towards Interaction: Combining Jazz Techniques And Idiomatic Writing For Varied Ensembles. A Collection Of Musical Works -And- An Exegesis, Glyn Alan Macdonald

Theses: Doctorates and Masters

This practice-led research project has produced musical works that bring together ensembles from the Western Classical tradition that only read notation, and, jazz soloists who improvise. Three works ‘Standing Ground’, ‘The Journey’ and ‘Matt versus the Zombies’ were composed for three ensembles each with an improvising soloist. These ensembles included a British style Brass Band, Brass Quintet and a double Saxophone quartet.

The project built on the work of Andy Scott and Eddie Sauter, both of whom wrote for non-jazz ensembles and an improvising artist without including a jazz rhythm section. The accompanying non-jazz ensemble was written in such a …

Partita For 8 Voices & Wind Ensemble: A Transcription Process, Kaitlin May Bove

Theses and Dissertations--Music

Partita for 8 Voices (2012) is a groundbreaking a cappella work that earned its composer, Caroline Shaw, the record of youngest recipient of the Pulitzer Prize for Music in 2013. While the work continues to receive performances from its premiere ensemble, Roomful of Teeth, no transcription of the piece to any other ensemble type existed at the beginning of this DMA project. The author sought to transcribe a piece by a living female composer with no work for band into the wind band medium. The resulting transcription, Partita for 8 Voices & Wind Ensemble, adds a new work to …

Catalog Of Current Compositions, Dan Rager

Dan Rager