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Compositional Practices In The Accompaniment Of Celtic Trad Music, Mason Taylor
Compositional Practices In The Accompaniment Of Celtic Trad Music, Mason Taylor
Composition/Recording Projects
n this research paper, I look at how traditional Irish folk musicians—“Trad” as it is commonly referred to by musicians in the style––approach, think of, and perform accompaniment, specifically the contrapuntal style that is common amongst mandolin and bouzouki players. Trad has evolved greatly over the years. Originally, Trad was performed without any form of accompaniment—no guitar, no piano, no cello. Many solo instruments, such as the flute and the fiddle, would play the same melody with the only harmony occurring at moments where performers would momentarily diverge from the melody with an improvised ornament. Somewhere along its varied history, …