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Articles 1 - 5 of 5
Full-Text Articles in Composition
Concerto For Orchestra, Donald Clifton Driscoll
Concerto For Orchestra, Donald Clifton Driscoll
University of the Pacific Theses and Dissertations
This is a musical score written in completion for a master of music.
A Critical Analysis And Study Of The Problems Of Intonation In The Band Ensemble, Harold H. Bartlett
A Critical Analysis And Study Of The Problems Of Intonation In The Band Ensemble, Harold H. Bartlett
University of the Pacific Theses and Dissertations
The purpose of this treatise is not so much to discover heretofore unknown facts through original research; however, certain research is planned to assist in deleting the obvious handicaps one might encounter from using faulty instruments or mouthpieces, but rather to assemble under one cover practical data that may be of value in improving intonation in the band ensemble. Various definitions of terms will be established, purposes determined, opinion and methods of teachers evaluated, conclusions reached, and highlights of other persons’ experiments that may bear upon the subject will be presented.
Symphony In Three Movements, Robert Lester Davis
Symphony In Three Movements, Robert Lester Davis
University of the Pacific Theses and Dissertations
A symphony in three movements with parts for
piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns(?), 3 trumpets, 3 trombones, 1 tuba, 1 timpanist, 1 cymbal, 1 triangle, 1 xylophone, 1 piano, 1 harp, violins one and two, viola, cello, and standing bass(?)
Aria Da Capo : An Opera In One Act, Burdette Marion Fore
Aria Da Capo : An Opera In One Act, Burdette Marion Fore
University of the Pacific Theses and Dissertations
Foreword to Aria Da Capo
The libretto of the opera is a verbatim setting of Edna St. Vincent Millay's one act play "Aria da Capo." World events, especially World War II and the current Korean War influenced the choice of this timely, yet timeless play. Miss Millay's death occurred during the composition of the opera. She never knew, therefore, of the composition or performance of her play as an opera.
The form of the opera is that of the "da capo" aria. he form, of course, was determined by the play which ends exactly as it started. Thematic material consists …
"The People Will Live On" : From "The People, Yes", By Carl Sandburg : A Composition For Chorus, Orchestra And Narrator, Leighton M. Edelman
"The People Will Live On" : From "The People, Yes", By Carl Sandburg : A Composition For Chorus, Orchestra And Narrator, Leighton M. Edelman
University of the Pacific Theses and Dissertations
No abstract provided.