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Full-Text Articles in Composition

Concerto For Orchestra, Donald Clifton Driscoll Jan 1962

Concerto For Orchestra, Donald Clifton Driscoll

University of the Pacific Theses and Dissertations

This is a musical score written in completion for a master of music.


A Critical Analysis And Study Of The Problems Of Intonation In The Band Ensemble, Harold H. Bartlett Jan 1958

A Critical Analysis And Study Of The Problems Of Intonation In The Band Ensemble, Harold H. Bartlett

University of the Pacific Theses and Dissertations

The purpose of this treatise is not so much to discover heretofore unknown facts through original research; however, certain research is planned to assist in deleting the obvious handicaps one might encounter from using faulty instruments or mouthpieces, but rather to assemble under one cover practical data that may be of value in improving intonation in the band ensemble. Various definitions of terms will be established, purposes determined, opinion and methods of teachers evaluated, conclusions reached, and highlights of other persons’ experiments that may bear upon the subject will be presented.


Symphony In Three Movements, Robert Lester Davis Jan 1957

Symphony In Three Movements, Robert Lester Davis

University of the Pacific Theses and Dissertations

A symphony in three movements with parts for

piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns(?), 3 trumpets, 3 trombones, 1 tuba, 1 timpanist, 1 cymbal, 1 triangle, 1 xylophone, 1 piano, 1 harp, violins one and two, viola, cello, and standing bass(?)


Aria Da Capo : An Opera In One Act, Burdette Marion Fore Jan 1951

Aria Da Capo : An Opera In One Act, Burdette Marion Fore

University of the Pacific Theses and Dissertations

Foreword to Aria Da Capo

The libretto of the opera is a verbatim setting of Edna St. Vincent Millay's one act play "Aria da Capo." World events, especially World War II and the current Korean War influenced the choice of this timely, yet timeless play. Miss Millay's death occurred during the composition of the opera. She never knew, therefore, of the composition or performance of her play as an opera.

The form of the opera is that of the "da capo" aria. he form, of course, was determined by the play which ends exactly as it started. Thematic material consists …


"The People Will Live On" : From "The People, Yes", By Carl Sandburg : A Composition For Chorus, Orchestra And Narrator, Leighton M. Edelman Jan 1948

"The People Will Live On" : From "The People, Yes", By Carl Sandburg : A Composition For Chorus, Orchestra And Narrator, Leighton M. Edelman

University of the Pacific Theses and Dissertations

No abstract provided.