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Articles 1 - 11 of 11
Full-Text Articles in Composition
Volume 12, Number 11 (November 1894), Theodore Presser
Volume 12, Number 11 (November 1894), Theodore Presser
The Etude Magazine: 1883-1957
Some Methods of Popularizing Songs
Jests That Instruct
Courage in Music
Influence of Music
Two Lessons or One Lesson a Week?
Right Beginning
Ways and Means, and—Results
Egoism
Our Country Teachers—Some Hints for Their Advancement
How to Make Practice Easy
Godard's Characteristics
Machine Pupils
Rheumatism of the Hand and Arm
Foreign Titles and Foreign Names
Hints to Young Composers
Conflict Between Public School Work and Music
Habits of Music Pupils
Does Music Describe?
Portamento Touch
Music (Male) Teacher's Work
Suggestions to Musical People
Power of Association
Amateur Musical Club
Paderewski's Tone and Touch
American Pianists (photos)
Volume 12, Number 10 (October 1894), Theodore Presser
Volume 12, Number 10 (October 1894), Theodore Presser
The Etude Magazine: 1883-1957
General Directions to be Observed when Playing for Others
True Ideal of Music Teaching
Accompanying in Theory and Practice
Musical Advancement: A Suggestion to Parents
Proper Scale Practice
Taste
Listening to Music: A Few Words to Concert-Goers
Topics for Reflection
Magazines for Pupils
Strengthening Pianists' Fingers
Worrying
Franz Liszt's Letters
Handel's Sarcasms
How to Learn Music
Why Not a Graded Catalogue of Music With Which to Begin Teaching?
Little Items for Pupils Worth Knowing
Specimen Programmes for Graduating Pupils
Over Our Tea Cups
Whims of Composers
How to Analyze
Longevity of Composers
Pre-Eminence of the Pianoforte as a Medium for …
Volume 12, Number 09 (September 1894), Theodore Presser
Volume 12, Number 09 (September 1894), Theodore Presser
The Etude Magazine: 1883-1957
Mental Practice
Amateur Musical Society
Art, Versus Muscular Power
Stray Toughts
Why Give Etudes
Summing Up of the Year's Work
Listening to Music: A Few Words to Concert-Goers
Specimen Programmes for Pupils, Hints as to Methods of Study Performance
Left Hand
Study of Hymn Tunes
Aphorisms
Musical History Examinations
How to Make a Simple Musical Cabinet
Time Reading
Woman's Life of Liszt
Some Curious Habits in Pupils, and Relections Thereon
Well Known
Must Teachers be Performers?
All Piano Pupils Should Study Harmony
Importance and Peculiarities of the Pianoforte
Different Ways of Composing
Gleams from Bohemia
Can Expression Be Cultivated?
Musical …
Volume 12, Number 07 (July 1894), Theodore Presser
Volume 12, Number 07 (July 1894), Theodore Presser
The Etude Magazine: 1883-1957
Intellectual Attitude of Instrumental Practice
Some Abuses of Music
Gleams from Bohemia
Where Are We At?—Mechanical Aids to Piano Practice
Conservatory Graduates
Life of Richard Wagner
Modern Musical Progress
Duet Playing
Mozart at Marseilles
How to Conquer a Difficult Passage
Annette Essipoff
Getting Pupils to Do More Thinking
Knowledge of Harmony Indispensable to All Musicians
Beethoven Sonatas Not For Children
Clerious Elocutes
How to Buy a Piano
Volume 12, Number 06 (June 1894), Theodore Presser
Volume 12, Number 06 (June 1894), Theodore Presser
The Etude Magazine: 1883-1957
Traditional Beethoven Playing
Flying Seed
From a Teacher's Notebook
Graduated Quack
Some Peculiar Concerts
What Can Be Learned From Copying Music
Chat With Paderewski
How to Keep Up a Repertoire
Equally True of Other Nations
Chopin Peculiarity
History of Music in a Nutshell
Some Secrets of Practice Illustrated
Beethoven's Personal Apperance
Life of Richard Wagner
Johann Strauss
Anecdotes of Von Bülow
Arthur Sullivan's Youth
Making It Certain
Word for Private Recitals
Cursory Talk about Sonatas
Paderewski's Daily Life
Music Lessons for Boys
Singers vs. Musicians
Class Experiences
Volume 12, Number 05 (May 1894), Theodore Presser
Volume 12, Number 05 (May 1894), Theodore Presser
The Etude Magazine: 1883-1957
New Teaching and the Philadelphia Summer Music School
Touch and the Pedals
Reminiscences of My Teaching Days
Romance of Celebrated Pieces
Plea for Outside Studies
General Review in Harmony
Side Talk with Parents
Life of Richard Wagner
Instructive Hints
Mental Practice
London College of Music
Home for Aged Musicians
Weaknesses of Musical Students
Some Secrets of Successful Practice
Liszt's Hungarian Rhapsodies
Musical Humbugs
Occasional Correspondence of a Music Teacher
Looking Ahead
Traditional Beethoven Playing
Volume 12, Number 04 (April 1894), Theodore Presser
Volume 12, Number 04 (April 1894), Theodore Presser
The Etude Magazine: 1883-1957
Philadelphia Summer Music School
Technique and Feeling
Devitalized Wrist
Very Much to the Point
Valuable Contribution to Musical Criticism
Good Enough to Practice On
Classses in Biography and Musical History
Art Versus Prize-Getting
Women's Amateur Musical Clubs
Musical Taste
Public v. Private Pupils' Recitals
Review
Reason Why
Origin(?) of Certain Compositions
Some Secrets of Practice
Encourgting Young Musicians
What is Musical Intelligence?
Beethoven Sonatas
Wanted, in the Musical Profession, More Brains and Better Morals
Hints and Helps
In Jest
My Morning's Work
Let All Be Worthy and Well Tried
Necessary Reform in Charging Tuition
Extracts from Handy Music-Lexicon
Genius and …
Volume 12, Number 03 (March 1894), Theodore Presser
Volume 12, Number 03 (March 1894), Theodore Presser
The Etude Magazine: 1883-1957
Dvorak's Lessons
Truth
To Practice a Song
Piano Playing Can't Be Stopped
Von Bülow Dies
Summer School in Prospect
Read! Read! Read!
Questions about Scales
Shall All Children Learn Music
Concise Chronological History of the Chief Musicians and Musical events from A.D. 1380-1885
I've Hear Him Once
Musical Pharisees
Some Errors as We Find Them in Pupils
Failure in Music
Why Woman Cannot Compose
Looking Backward
Puff Direct
Missed Lesson
Pupils [from] the Teacher's Standpoint
Quality, Rather than Quantity
Regarding Certain Pianists
Shall We Teach Cause or Effect?
Presumptuous Sins
Art and Money
Mozart on His Manner of Composing
More …
Volume 12, Number 02 (February 1894), Theodore Presser
Volume 12, Number 02 (February 1894), Theodore Presser
The Etude Magazine: 1883-1957
Fraternal Appreciation
Left Hand
As the Twig, Etc.
How Progress is Made
Concise Chronological History of the Chief Musicians and Musical events from A.D. 1380-1885
This Reminds Me
Unsatisfactory Pupil
Playing in Public
Tempos
Resolve To—
Why Take the Etude?
Fifth Symphony
Description of an Amateur Band
Profitable Practice
Home Influence Upon the Pupil's Progress
Keeping the Piano in Good Condition
Clinging Touch
Rubinstein's Joke
Power of Attention
Conscientious Resolution
Narrow Study
Advice and Caution
Plea for Daily Piano Lessons
Three Talks
Faults of Beginners
American Compositions
Counterparts Among Poets and Composers
Use of the Pedal
What is Popular Music?
Volume 12, Number 12 (December 1894), Theodore Presser
Volume 12, Number 12 (December 1894), Theodore Presser
The Etude Magazine: 1883-1957
Musical Brotherhood
Concerning Authority in Piano Teaching
Sayings of Von Bülow
Dull Pupils
Word to the Thoughtless Pupil
One Thing Neglected
What Are They?
Man Cannot Live By Talent Alone
Labor of Teaching
Gilding the Pill
On Fingering
Recognition of the Worth of Others
Independent Thinking
Is Blind Tom a Genius?
On Fees and Missed Lessons
Plea for the Intelligent Instruction of Children Upon the Pianoforte
Labor of Writing Music
Is the Piano a Detestable Instrument?
Memorizing Music
Technical Reserve Power
Rubinstein is Dead
Volume 12, Number 01 (January 1894), Theodore Presser
Volume 12, Number 01 (January 1894), Theodore Presser
The Etude Magazine: 1883-1957
Just a Word
Art of Memorizing
Musical Education of Children
How Not to Compose
Endurance
Thoughtful Practising
Music Thinking
Plea for Better Music-Teaching
Is Music a Universal Language?
Mannerisms
Form of Contract
That Reminds Me
Some Mistakes of Young Teachers
Is Music a Luxury?
Results
Centre Shot
Musical Evening: Hints for Young Teachers
Enunciation in Singing
Little Items for Pupils Worth Knowing
In the Piano Corner
Reflections for Teacher and Scholar
Why Take a Music Journal?
Work of the Country Music Teacher
Pupils Playing For Company
When, How, What
Woman in Music
Papers About Pianos - On Quality, Quantity and …