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Composition Commons

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Full-Text Articles in Composition

Golliwog's Cakewalk From Children's Corner Arranged For Clarinet Quartet, Elizabeth Johnson Dec 2014

Golliwog's Cakewalk From Children's Corner Arranged For Clarinet Quartet, Elizabeth Johnson

Honors Projects

By demonstrating integrated learning through interdisciplinary connections between music performance and arranging techniques, this honors project was the culmination of a process of using my knowledge of piano and clarinet performance techniques to arrange the piece “Golliwog’s Cakewalk” by Claude Debussy from piano to clarinet quartet. To arrange the piece for clarinet quartet, I utilized my experience in playing piano and clarinet to critically analyze the piano score and decide how it would best aurally transfer to an ensemble of four clarinets. The project also demonstrates critical thinking as I arranged the piece to be at a playing level appropriate …


Born To Conquer: The Fortepiano’S Revolution Of Keyboard Technique And Style, Rachel A. Lowrance Jun 2014

Born To Conquer: The Fortepiano’S Revolution Of Keyboard Technique And Style, Rachel A. Lowrance

Musical Offerings

The fortepiano had a rough beginning. In 1709 it entered a world that was not quite ready for it; a world that was very comfortable with the earlier keyboard instruments, especially the harpsichord. Pianists and composers were used to the harpsichord technique and style, which is drastically different from the piano. This is because the harpsichord was actually a very different instrument than the piano, as is explained in this paper. This paper traces the history of the piano's rise to dominance over the harpsichord, and how its unique hammer action began creating an idiomatic piano style. The piano also …


Mirrors, Zachary R. Ross May 2014

Mirrors, Zachary R. Ross

Undergraduate Honors Theses

MIRRORS is a cycle of songs composed for soprano voice and piano using five poems by Sylvia Plath. The work features the creation of a protagonist and tells a chronological story through the arrangement of the five poems colored and unified by the manipulation of a thematic twelve-tone row.