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Full-Text Articles in Composition

William Kempster, Associate Professor Of Music (Cola) Travels To Czech Republic, William Kempster Oct 2009

William Kempster, Associate Professor Of Music (Cola) Travels To Czech Republic, William Kempster

Faculty Travel Reports

Along with Antonín Dvořák, Bohuslav Martinů is the most revered composer in his native land, now known as the Czech Republic. Little wonder, therefore, that a competition bearing the composer’s name draws the best choirs in the country, as well as from abroad, to the town of Pardubice for the International Bohuslav Martinů Festival and Choir Competition. This year (2009) in June, at the 6th such staging of the competition, choirs from Finland, Serbia, Hungary, the Netherlands, Slovakia, Israel, Estonia, Belgium, Slovenia and the USA joined with numerous Czech choirs not only to compete against each other, but also to …


Microtonality As An Expressive Device: An 
Approach
 For 
The 
Contemporary 
Saxophonist, Seán Mac Erlaine Jan 2009

Microtonality As An Expressive Device: An 
Approach
 For 
The 
Contemporary 
Saxophonist, Seán Mac Erlaine

Dissertations

This dissertation provides a critical examination of the use of microtonality as an expressive tool for the improvising saxophonist and offers a new method for quarter-tone production drawing on cultural references from European art music, Arabic Maqam and Contemporary Jazz. The thesis is underpinned by an historical, musicological analysis of tuning systems and theory necessary for the performer of microtonal music. The dissertation is presented in three chapters. In Chapter One, a discussion of tuning theory and a history of temperament systems contextualises the current uses of equal temperament and extensions of it including the quarter-tone tempered system. Chapter Two …


“Etc. Etc.” Reliquias Y Fragmentos De Una Sonata De Schubert, Antoni Pizà Jan 2009

“Etc. Etc.” Reliquias Y Fragmentos De Una Sonata De Schubert, Antoni Pizà

Publications and Research

Resumen:

Tomando como ejemplo el caso de Reliquie, Sonata para piano en do mayor D. 840 de Schubert, este ensayo explora los entresijos que generan las obras musicales incompletas. ¿Qué diferencia hay entre un fragmento amputado y uno inacabado? ¿Qué autoridad tienen las reconstrucciones de obras incompletas? ¿Qué opciones tiene el intérprete a la hora de ejecutar esta obra? ¿Por qué nos atraen los fragmentos? La Sonata para piano en do mayor consiste en dos movimientos completos y otros dos inconclusos. Si bien algunos pianistas como Paul Badura-Skoda han grabado esta obra con su propia compleción, Sviatoslav Richter interrumpe su …