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Full-Text Articles in Composition
Volume 56, Number 07 (July 1938), James Francis Cooke
Volume 56, Number 07 (July 1938), James Francis Cooke
The Etude Magazine: 1883-1957
Piano and To-morrow
Passing of a Genius
Carve Out Your Own Career (interview with Ferde Grofé)
Righting the Left Hand
First Eighth Notes
Art Means Preparation (interview with Bidu Sayao)
Fatigue Demon
Radio Flashes
Women in Orchestras: Famous and Brilliant Conductors of the Fair Sex
Relaxation is Mental
Social Dancing and Its Music
Important Practical Helps for the Vocalist (interview with Isidore Luckstone)
Threshold of Music: Triads, and How They are Put Together
Making Two Part Inventions Interesting
Music and Dancing in Siam: Quaint and Curious Arts of a Far Eastern Kingdom
New Attractions Scheduled for Tour: International Music Festival …
Volume 54, Number 11 (November 1936), James Francis Cooke
Volume 54, Number 11 (November 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Reflections from a Musical Life
Bird in Grand Opera
My Symphonic Debut in the Films
Pep in Music
For That Weak Left Hand
Harp in History
Woman's Struggle for Recognition in Music
Forgotten Pedal of the Piano
Gift of Liszt to Grieg
Spirituals to Symphonies: A Brief Survey of Negro Music in America, from the Jubilee Singers and their Spirituals to the Playing of Dawson's Negro Folk Symphony by the Philadelphia Orchestra
Chicago Symphony Orchestra (founded by Theodore Thomas)
Gala Days with Liszt at Weimar
Photo-Chart for the Piano Accordion
New Piano Accordion Field
Securing Finger Control
Jazzy Repartee
Volume 53, Number 04 (April 1935), James Francis Cooke
Volume 53, Number 04 (April 1935), James Francis Cooke
The Etude Magazine: 1883-1957
Mission Mass Chimes
Vast American Cultural Movement
Savoyard Saga: Comments Upon One of the Most Unusual Happenings in the History of Music in the Theater—The Fateful Combination of Gilbert, Sullivan and D'Oyly Carte at the Savoy Theater in London
Accent the Charm of Music: Why the First and Third Beats are Accented
Piano as a Broadcasting Instrument
Modern Tendencies in Music
Saving for Music Study
Evening With Ethelbert Nevin
Passing of a Great Diva
Cultivating a Dependable Memory
Grand Tradition of Opera (interview with Léon Rothier)
About Fifth Fingers, Ladies' Hands, and Camels' Backs
Helping the Parent to Help the …
Volume 40, Number 03 (March 1922), James Francis Cooke
Volume 40, Number 03 (March 1922), James Francis Cooke
The Etude Magazine: 1883-1957
What is the Most Important Work to Which the Music Clubs of America May Devote Their Efforts? A Nation-Wide Symposium
Beginnings of American Music: A Sketch of Our Musical Endeavor Up to the Early Years of the Last Century
What Our Music Clubs Need Most
Ingrowing Musical Clubs
Music Students in Small Towns
Getting More Pupils
Slow Practice with Exaggerated Accents
Opera a Year
What the National Federation of Musical Clubs is Doing to Help in Making America a Musical Nation
Heredity and Music
Club: A Municipal Personality
Beacon Lights of Opera, To-Day and Yesterday: Graphic Sketches of the Masters …
Volume 39, Number 11 (November 1921), James Francis Cooke
Volume 39, Number 11 (November 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Pianist's Palette
Recorded Music
From a Master's Workshop
Practice Plan that Brings Results
How Genius Discounts Handicaps
Emphasizing Different Voices
Studio Stories that Hit the Spot
Demand the Noblest Ideals
How One Mother Got Time for Music Stories
Finale: Yesterday and Today
Better Elocution in Your Piano Playing
Little Learning Not Always a Dangerous Thing
Interesting Your Pupils
Knowing the Keyboard
Here and There in the Field of Music: An Intimate Page of Fact, Humor and Comment with the Great Music Makers of To-day and Yesterday
Harmony, Not a Dry and Difficult Subject
Visit to the Presser Home for Retired …
Volume 38, Number 09 (September 1920), James Francis Cooke
Volume 38, Number 09 (September 1920), James Francis Cooke
The Etude Magazine: 1883-1957
How to Hold Your Audience
Injured Right Hand a Blessing
Playing in the Right Octave
How to Make Your Practice Time Less Tedious
Music Composition as a Field for Women (interview with Carrie Jacobs-Bond)
Why Underpay the Music Teacher?
Early Fall Recital
Does Your Pupil Know What Music to Bring to the First Fall Lesson?
Painless Musical Bookkeeping
Opening Gun of the Teaching Season: What a Teacher Must Do to Insure a Prompt Start and a Full Class
Gradual Hand Stretching Exercise
All About Variations
Some Hints on Modern Fingering
Ultra-Modern Music Explained: Unusual Futurist Harmony and Form Discussed
Remembering …
Volume 36, Number 11 (November 1918), James Francis Cooke
Volume 36, Number 11 (November 1918), James Francis Cooke
The Etude Magazine: 1883-1957
Programs of Works by Women Composers from Contemporary American Publishers
Famous Musical Women of the Past
From the Bottom Up
What the Life of an Artist Means
Musical Celebrities Sell Liberty Bonds (picture)
To the Girl Who Wants to Compose
Music as a Vocation for Women
Mother's Part in the Child's Musical Training
Two Types of Violin Playing
List of Well-Known Women Composers
Story of America's Largest Musical Organization: The National Federation of Musical Clubs
Small Hands and Their Extraordinary Possibilities
Technic of Study
Volume 27, Number 07 (July 1909), James Francis Cooke
Volume 27, Number 07 (July 1909), James Francis Cooke
The Etude Magazine: 1883-1957
Art of the Coloratura Soprano
Woman's Opportunity in Music (symposium)
Famous Women in Musical History
Music After Marriage and Motherhood: Opinions of Some of the Most Famous Living Women Musicians Upon the Problem of Keeping Up Musical Work Without Neglecting the Home
Successful Memorizing: Some Remarkable Experiments in Memory
What Six Months with Czerny's Studies Did
Who's Who Among Famous Women Musicians
American Woman Pianist of To-day and Yesterday: An Entertaining Account of the Remarkable Advance in Piano Playing Made by the Women of Our Country During the Last Century
Vacation Study Without a Piano
Edward Grieg on Liszt's Playing …
Volume 24, Number 02 (February 1906), Winton J. Baltzell
Volume 24, Number 02 (February 1906), Winton J. Baltzell
The Etude Magazine: 1883-1957
Advent of Endowed Institutions in American Musical Education
Value of the Old Classics
Some Thoughts on Pedaling
Mark Hambourg and Leschetizky
Reading Music at Sight
Elements of Musical Appreciation
Gymnastic Wrist Exercises
Young Woman Pianist and Her Business Prospects
How to Memorize Music
Triumph of Counterpoint
Mark Hambourg's Suggestions for Music Students
Volume 23, Number 02 (February 1905), Winton J. Baltzell
Volume 23, Number 02 (February 1905), Winton J. Baltzell
The Etude Magazine: 1883-1957
Mrs. Bloomfield Zeisler on Study and Repertory
Interpretation: The Fine Art of Music
Alexander Glazunoff
Study of Theodore Thomas
Paderewski on Piano Teaching and Study
Business Details in Music Teaching
Publicity
I Pray Thee Have Me Excused: Some of the Reasons Pupils Give for Changing Their Instructors
Training in Musical Taste
Cranky Parent
Prime Factors in Students' Progress
Volume 22, Number 02 (February 1904), Winton J. Baltzell
Volume 22, Number 02 (February 1904), Winton J. Baltzell
The Etude Magazine: 1883-1957
New Gems in the Old Classics: A Talk with Mrs. H.H.A. Beach
Concerning the Staccato Touch
Teaching of the History of Music
How and Why of Scale Practice
On the Self-Development of the Teacher
Analysis of a Composition and Other Aids to Interpretation
Music-Students and Concert-Going
Method of Teaching
Two Lessons vs. One Per Week
Little Singer
Reasons for Holding Class Meetings
True Genius of the Pianoforte
Volume 20, Number 02 (February 1902), Winton J. Baltzell
Volume 20, Number 02 (February 1902), Winton J. Baltzell
The Etude Magazine: 1883-1957
Edouard Zeldenrust on the Training of an Artist
Music Education: Its Problems and Needs
Guiding Thoughts for 1902 (symposium)
Teacher's Preparation of the Pupil's Lesson
The Term Sonata
Choice of Technic for a Composition
Value of Nuance
Women and Originality
Character in Practice
Volume 19, Number 09 (September 1901), Winton J. Baltzell
Volume 19, Number 09 (September 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Selected List of Works by Women Composers
Concerning the Actual Decay of the Art of Song
Woman's Share in the Musical Civilization of the Public
Woman's Sphere in Music-Teaching
Woman's Contribution to Musical Literature
Advantages Women Have Over Men for Entering a Professional Career
Women as Composers in the Future
Woman's Contribution to Musical Scholarship
Some Ideals in Musical Education
Ideal Matinee Musicale and Its Management
Madame Lillian Nordica: Woman in Music
Women as Concert-Organists
Women as Organists
Women as Choir-Director
Women as Organ-Students
Necessity of Harmony and Counterpoint to Women Who are Organists
Woman's Position in the Violin-World
Volume 16, Number 08 (August 1898), Winton J. Baltzell
Volume 16, Number 08 (August 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Cultivate the Love of Nature
The Subjective Player
Music and Progressiveness
Rusting and Rusticity
Culture: A Suggestion for Summer
The Teacher Not Everything
Pioneer American Pianist: Gottschalk—His Work, Artistic Standing, and Financial Circumstances; A Statement as to His Poverty Corrected
Letter from Sousa
Value and Practice of Advertising Among Professional Musicians
Professional Courtesy
Environment as an Educational Factor
Encores
Individuality in Art
Teaching a Necessity
Present and Abiding Duty for the Music Teachers
Rhythm the Basis of Melody
Gladstone's Interest in Music
Prize Medal System
Two Schools of Organ Playing
How to Make Music Studios Attractive
Studio Experiences
Advantages for …
Volume 16, Number 02 (February 1898), Winton J. Baltzell
Volume 16, Number 02 (February 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
How to Make a Living
American Student
Principles of Musical Pedagogy
Life of a Pianoforte—How to Preserve It
Musical Listener
Children and Music
Music Teacher Analyzed
Thumb
How a Composer Works
Stumbling Blocks
In My Easy Chair
Romantic Side of Bach
How to Work up Concerts in the Smaller Cities
Mental Technic: A Suggestion
Key-Character a Fallacy
Ear Training
Advantages for Music Students in Various European Centers
Pen Picture
Crime Against Art
Open Your Eyes
How to Maintain Pupils' Interest
Happy Medium
Old Italian Method
Study of Musical Literature
Listening Well
Professional Code
Volume 16, Number 01 (January 1898), Winton J. Baltzell
Volume 16, Number 01 (January 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Suggestions for the Musical Youth
How Shall We Teach Notation to Beginners
The Gospel of Work
Musical Memory in Its Relation to Pianoforte Playing
How to Make a Living
Problem of American Teaching
Song Writers of the Day
One-Sided Musicians
Nothing But a Name!
Success is the Reward of Toil
Musical Listener
Sight-Reading
Art of Self-Criticism
Helpful Letters to Young Musicians
Cost of Study Abroad
Factors of Musical Expression
Sight-reading in Pianoforte Instruction
Why Do You Take Music Lessons?
Principles of Musical Pedagogy
Thoroughness in Primary Work
Music Education
Moral Influence of Music
Convenient Maxims, Formulas, etc. for Voice Teaching …
Volume 12, Number 04 (April 1894), Theodore Presser
Volume 12, Number 04 (April 1894), Theodore Presser
The Etude Magazine: 1883-1957
Philadelphia Summer Music School
Technique and Feeling
Devitalized Wrist
Very Much to the Point
Valuable Contribution to Musical Criticism
Good Enough to Practice On
Classses in Biography and Musical History
Art Versus Prize-Getting
Women's Amateur Musical Clubs
Musical Taste
Public v. Private Pupils' Recitals
Review
Reason Why
Origin(?) of Certain Compositions
Some Secrets of Practice
Encourgting Young Musicians
What is Musical Intelligence?
Beethoven Sonatas
Wanted, in the Musical Profession, More Brains and Better Morals
Hints and Helps
In Jest
My Morning's Work
Let All Be Worthy and Well Tried
Necessary Reform in Charging Tuition
Extracts from Handy Music-Lexicon
Genius and …
Volume 11, Number 03 (March 1893), Theodore Presser
Volume 11, Number 03 (March 1893), Theodore Presser
The Etude Magazine: 1883-1957
In the Piano Corner
Delicacy and Accuracy of the Ear
Concise Chronological History of the Chief Musicians and Musical Events from A.D. 1380-1885
What Does Music Express?
Louis Köhler
Music Teacher and the Demand of the Times
Genius in Childhood
Music From a Pupil's Standpoint
Parental Control
Woman in Music
Reinecke on Mozart Concertos
Illustrious Sons of Humble Sires
Rules for Scale-Fingerings
Beginnings
Merely a Bluff
Secret of Success
Music Students and Physical Culture
Accompanist
Thoughts on Piano Practice as a Factor in Character Building
Home and Daily Life Rules for the Musical Generation Now Growing Up, in Thirty Encouraging …
Volume 10, Number 01 (January 1892), Theodore Presser
Volume 10, Number 01 (January 1892), Theodore Presser
The Etude Magazine: 1883-1957
Parents and Music Teachers
Woman in Music
What a Student Can Learn at Concerts
Rubinstein as Teacher
Theory of Music Explained for Piano-Forte Players
1791-1891: Two Scenes and Some Reflections Arising From Them
Words, Their Importance to Teachers
How to Learn a Piece
What is Classic Music?
March
Mason's Touch and Technic
Use of Wrist—When Shall It be Taught?
Study of Rhythm
Valuable Ideas for Pupils
Something for Pupils
List of Cabinet Organ Music
Turning Over a New Leaf
What to Teach: Hints for a Teacher's Circular
Few Rules for Piano Practice
Volume 02, Number 05 (May 1884), Theodore Presser
Volume 02, Number 05 (May 1884), Theodore Presser
The Etude Magazine: 1883-1957
Chat with Pupils for Young Ladies
Eighth Annual Meeting of the Music Teachers of the United States
Musical Literature
Successes, Directions, Incentives, Developments
On First Sight Reading
Teachers' Department
Good Words for The Etude
Standard for the Musical Profession
How to Study—How to Teach
Literature of Music
Course in Harmony