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Articles 1 - 6 of 6
Full-Text Articles in Composition
Film Music And The Cinematic Experience, Brian Campbell
Film Music And The Cinematic Experience, Brian Campbell
The Research and Scholarship Symposium (2013-2019)
Ever since the invention of cinema, film producers have always played music with movies. The addition of quality music to a well-crafted film can change the feel of the entire film. Over its one hundred and thirty years of existence, cinema has evolved into an extremely diverse art form that addresses a wide array of subjects. Given all these factors, this paper explores how film music is extremely diverse and can be used in a wide variety of ways to enhance, affect, and contribute to the way we experience a film. It explores storytelling methods as a narrative device, mood …
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
Student Scholar Showcase
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …
The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace
The Effect Of Post-Production On Storytelling In Narrative And Documentary Filmmaking, Natalie Pace
Senior Honors Theses
Documentaries and narrative films both tell stories in different ways. A common saying states that narrative filmmakers write one movie, shoot another, and edit a third. In postproduction, timelines are rearranged, montages are created, new dialog and voiceovers are written, and the score can alter the mood and meaning entirely. Documentaries can change even more over the course of their creation. Usually, the script of the documentary is not written until the edit, after most of the interviews and B roll have been shot. This paper examines whether documentary post-production makes more or less use of storytelling techniques than does …
My Eyes Due See, Johannes J. Barfield
My Eyes Due See, Johannes J. Barfield
Theses and Dissertations
My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts and broomsedge grass. Each of these elements arranged in space share a nuanced and complicated view of blackness through the lens of a black man decoding personal history and American history simultaneously. Autonomy is the overarching theme throughout the work as it pertains to race, identity, urban and rural environments, and the relationship between generational trauma and nostalgia.
Shuksan Story: An Original Soundtrack Composition, Jonathan (Jonathan Mahan) Ross
Shuksan Story: An Original Soundtrack Composition, Jonathan (Jonathan Mahan) Ross
WWU Graduate School Collection
This thesis centers around a composition written to score a documentary called “Shuksan Story,” a film documentary about the revitalization of Shuksan Middle School in Bellingham, WA. To satisfy the needs of the documentary, the composition includes four sections, including a set all in the same key signature, a set featuring the main theme, stand-alone pieces, and brief “stingers”. The project also includes recordings of all compositions: performed, mixed and finalized by the composer. The intention is that the filmmaker will edit these pieces into the completed project. This paper outlines the historical context of Shuksan Middle School and its …
Laminated Paint, Travis R. Austin
Laminated Paint, Travis R. Austin
Theses and Dissertations
Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.