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Articles 1 - 3 of 3
Full-Text Articles in Modern Languages
‘Chismes De La Ciudad Letrada’: Nostalgia, Exilio Y La Construcción Del Canon Cubano En La Ensayística De Cabrera Infante, Ana B. Rodriguez Navas
‘Chismes De La Ciudad Letrada’: Nostalgia, Exilio Y La Construcción Del Canon Cubano En La Ensayística De Cabrera Infante, Ana B. Rodriguez Navas
Modern Languages and Literatures: Faculty Publications and Other Works
Rafael Rojas afirma que Guillermo Cabrera Infante estetiza “los rumores y chismes de la ciudad letrada”. A propósito de la crítica reciente sobre el chisme y del trabajo de Svetlana Boym sobre la nostalgia, planteo que Cabrera aprovecha el placer ilícito del chisme para recircular historias suprimidas y reintroducirse en el canon cubano. Sus chismes se convierten así en saber aceptado, que preservan la memoria de numerosos intelectuales cubanos y consolidan el propio estado de Cabrera en el canon. El autor valida el chisme como acto nostálgico y demuestra su potencial como estrategia narrativa eficaz y no solo como creación …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Who Is Afraid Of The Canon?, Marie-Denise Shelton
Who Is Afraid Of The Canon?, Marie-Denise Shelton
CMC Faculty Publications and Research
The Canon: Who loads it? Who fires it? Why? These questions have been posed, I believe, to challenge the universalist claims of a eurocentric intellectual tradition in American universities. In the ludic conflation of the homophones: canon and cannon, the organizers of this forum sought, no doubt, to uncover the power politics underlying the intense debate on educational ideology in recent years.