Medieval Studies Commons^™

Findlist_Venice_1477-1517, Doug Wayman

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Provides information about three important functions enabled by the accompanying finding list spreadsheet of books examined at The Ohio State University (OSU) Rare Book and Manuscript Library (RBML) during the 2022 National Endowment for the Humanities summer seminar, Books and Printing during the Reformation, 1450-1650 that took place in July of 2022. Those functions are: to provide links to global databases for descriptive information related to each book, to provide access to authorized versions of names associated with each book, and to provide value-added access to information-rich resources (including images) detailing certain aspects of some of the books, printed between …

Introduction To A Finding List Of Early Venetian Books Printed From 1477 To 1517 In The Rare Book And Manuscript Library Of The Ohio State University, Doug Wayman

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Provides information about three important functions enabled by the accompanying finding list spreadsheet of books examined at The Ohio State University (OSU) Rare Book and Manuscript Library (RBML) during the 2022 National Endowment for the Humanities summer seminar, Books and Printing during the Reformation, 1450-1650 that took place in July of 2022. Those functions are: to provide links to global databases for descriptive information related to each book, to provide access to authorized versions of names associated with each book, and to provide value-added access to information-rich resources (including images) detailing certain aspects of some of the books, printed between …

Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland

Tenor of Our Times

Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.

Osu Venetian Imprints Dataset, Doug Wayman

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Provides information about three important functions enabled by the accompanying finding list spreadsheet of books examined at The Ohio State University (OSU) Rare Book and Manuscript Library (RBML) during the 2022 National Endowment for the Humanities summer seminar, Books and Printing during the Reformation, 1450-1650 that took place in July of 2022. Those functions are: to provide links to global databases for descriptive information related to each book, to provide access to authorized versions of names associated with each book, and to provide value-added access to information-rich resources (including images) detailing certain aspects of some of the books, printed between …

Transmuting John Gower: Elias Ashmole’S Hermetic Reading Of Gower’S Jason And The Golden Fleece, Curtis Runstedler

Accessus

This article examines Elias Ashmole’s alchemical reading of John Gower’s tale of Jason and the Golden Fleece in the Theatrum Chemicum Britannicum (1652). I argue that this tale can be read as alchemical and connects to the Renaissance humanist tradition of reading classical stories as alchemical as well as Book IV of the Confessio Amantis, in which Gower depicts alchemy as the ideal form of human labour. Jason, representing the aspiring adept in this reading, is aided by his lover Medea, who represents a master alchemist with her supernatural powers, and through his intensive labours he is successful as …

Sacred And Profane Loves: The Renaissance Influence In C.S. Lewis' Till We Have Faces, Kevin Corr

Electronic Theses and Dissertations

C.S. Lewis’ last novel, Till We Have Faces: A Myth Retold, has often been regarded as his greatest work, but just as often as his most enigmatic work. The purpose of this thesis is to unveil much of the novel’s mystery by considering the impact Renaissance literature had in shaping the novel, most notably Edmund Spenser’s Faerie Queene. Although it is well-known that Lewis was Professor of Medieval and Renaissance Literature at Cambridge, current scholarship on Lewis has overlooked the Renaissance influence in the author’s work, which particularly plays a vital role in Till We Have Faces. …

Anatomía Comparada De La Representación De La Muerte En La Literatura Española Transatlántica Durante El Ocaso De La Edad Media Y El Renacimiento, Miguel Ángel Albújar Escuredo

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

The main goal of this project is to dissect how death is represented during the Late Middle Ages, the Renaissance and the beginning of the phenomenon of colonization of America carried out by the Spanish Empire, all of it by means of reviewing the representations in Spanish literary works of those times. This is accomplished by comparing works diachronically in order to reveal the main thematic variations between them. To that effect, representative models are taken from the literary canon in Spanish that involves texts since the Late Middle Ages until the first modernity, also known as the Renaissance. This …

World Literature I: Beginnings To 1650, Laura Getty, Kyounghye Kwon, Rhonda Kelley, Douglass Thomson

English Open Textbooks

This peer-reviewed World Literature I anthology includes introductory text and images before each series of readings. Sections of the text are divided by time period in three parts: the Ancient World, Middle Ages, and Renaissance, and then divided into chapters by location.

World Literature I and the Compact Anthology of World Literature are similar in format and both intended for World Literature I courses, but these two texts are developed around different curricula.

Accessible files with optical character recognition (OCR) and auto-tagging provided by the Center for Inclusive Design and Innovation.

With One's Own Arms: Condottieri, Machiavelli, And The Rise Of The Florentine Militia, Michael N. Boncardo

Student Publications

This paper examines the use of mercenary warfare on the Italian peninsula during the late 15th and early 16th centuries. It later focuses on the unique political and economic environment in Florence that led to Niccolo Machiavelli orchestrating the creation of the Florentine militia.

Questing The Beast: From Malory To Milton, Malorie A. Sponseller

Electronic Theses and Dissertations

The Questing Beast is a Medieval creature that has received little scholarly attention. Because of her labile nature, she is difficult to identify and therefore challenging to study. When previously analyzed, she has been considered only in her Medieval context. By comparing the Questing Beast from Perlesvaus, the Post-Vulgate Cycle, and the Prose Tristan, four identifying characteristics can be found: she is symbolic, she is multi-formed, she is a mother that gives birth, and she produces a barking noise most often made by her unborn young. Of these four signs, the last is the most prevalent and identifiable. …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …