Medieval Studies Commons^™

Characters Through Time, Alyssa Venezia

Honors Thesis

T. S. Eliot once wrote that we “often find that not only the best, but the most individual parts of [an author’s] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously” (Eliot 37). By focusing on character adaptations, one comes to understand how authors of children’s books are able to adapt classic literature into age-appropriate texts that retain the merits of the original. Five sets of characters shall be analyzed to demonstrate the success of the adaptations presented in children’s literature. In the first, Sir Bedivere from Sir Thomas Malory’s Le Morte Darthur …

Tilting Toward The Light: Translating The Medieval World On The Ming-Mongolian Frontier, Carla Nappi

The Medieval Globe

Ming China maintained relationships with neighboring peoples such as the Mongols by educating bureaucrats trained to translate many different foreign languages. While the reference works these men used were designed to facilitate their work, they also conveyed a specific vision of the past and a taxonomy of cultural differences that constitute valuable historical sources in their own right, illuminating the worldview of the Chinese-Mongolian frontier.

Japan On The Medieval Globe: The Wakan Rōeishū And Imagined Landscapes In Early Medieval Texts, Elizabeth Oyler

The Medieval Globe

This essay explores how the poetry collection Wakan rōeishū becomes an important allusive referent for two medieval Japanese works, the travelogue Kaidōki and the nō play Tsunemasa. In particular, it focuses on how Chinese poems from the collection become the means for describing Japanese spaces and their links to power, in the context of a changing political landscape.

The Painter, The Warrior, And The Sultan: The World Of Marco Polo In Three Portraits, Sharon Kinoshita

The Medieval Globe

In the wake of Edward Said’s Orientalism and postcolonial theory, Marco Polo is often cast as a quintessentially Western observer of Asian cultures. This essay seeks to break his text out of the binaries in which it is frequently understood. Returning the text to its original title, “The Description of the World,” it reconstructs the diversity of late thirteenth-century Asia through the portraits of three figures who were Marco’s contemporaries.

Towards A Connected History Of Equine Cultures In South Asia: Bahrī (Sea) Horses And “Horsemania” In Thirteenth-Century South India, Elizabeth Lambourn

The Medieval Globe

This article explores ways that the concept of equine cultures, developed thus far principally in European and/or early modern and colonial contexts, might translate to premodern South Asia. As a first contribution to a history of equine matters in South Asia, it focuses on the maritime circulation of horses from the Middle East to Peninsular India in the thirteenth century, examining the different ways that this phenomenon is recorded in textual and material sources and exploring their potential for writing a new, more connected history of South Asia and the Indian Ocean world.

The Geographic And Social Mobility Of Slaves: The Rise Of Shajar Al’Durr, A Slave-Concubine In Thirteenth-Century Egypt, D. Fairchild Ruggles

The Medieval Globe

Large numbers of outsiders were integrated into premodern Islamic society through the institution of slavery. Many were boys of non-Muslim parents drafted into the army, and some rose to become powerful political figures; in Egypt, after the death of Ayyubid sultan al-Salih (r. 1240–49), they formed a dynasty known as the Mamluks. For slave concubines, the route to power was different: Shajar al-Durr, the concubine of al-Salih, gained enormous status when she gave birth to his son and later governed as regent in her son’s name, converting to Islam after her husband’s death and then reigning as sultan in her …

Identity In Flux: Finding Boris Kolomanovich In The Interstices Of Medieval European History, Christian Raffensperger

The Medieval Globe

The politics of kinship and of monarchy in medieval eastern Europe are typically constructed within the framework of the modern nation-state, read back into the past. The example of Boris Kolomanovich, instead, highlights the horizontal interconnectivity of medieval Europe and its neighbors and demonstrates the malleability of individual identity within kinship webs, as well as the creation of situational kinship networks to advance individuals’ goals.

Periodization And “The Medieval Globe”: A Conversation, Kathleen Davis, Michael Puett

The Medieval Globe

The period categories “medieval” and “modern” emerged with—and have long served to define and legitimate—the projects of western European imperialism and colonialism. The idea of “the medieval globe” is therefore double edged. On the one hand, it runs the risk of reconfirming the terms of the colonial, Orientalist history through which the “medieval” emerged, thus homogenizing the plural temporalities of global cultures and effacing the material effects of the becoming of the Middle Ages and its relationship to conditions of globalization. On the other hand, “the medieval globe” brings to bear a comparative focus that does not ask when and …

Editor’S Preface, Carol Symes

The Medieval Globe

No abstract provided.

The Medieval Globe 2.1 (2016), Carol Symes

The Medieval Globe

No abstract provided.

Timon Of Athens: The Iconography Of False Friendship, Clifford Davidson

Clifford Davidson

The realization that iconographic tableaux appear at central points in the drama of Shakespeare no longer seems to involve a radical critical perspective. Thus a recent study is able to show convincingly that the playwright presented audiences with a Hamlet who upon his first appearance on stage illustrated what the Renaissance would certainly have recognized as the melancholic contemplative personality. As I have noted in a previous article, the hero of Macbeth when he sees the bloody dagger before him is in fact perceiving the image which most clearly denotes tragedy itself; in the emblem books, the dagger is indeed …

York Art: A Subject List Of Extant And Lost Art, Clifford Davidson, David O'Connor

Clifford Davidson

A list, classified by subject, of extant and lost art from pre-Reformation York originally compiled by Clifford Davidson and David E. O'Connor in 1978 and updated by Clifford Davidson, apparently in 2003. This digital reprint was created in 2014 for ScholarWorks at WMU.

The Dramatic Tradition Of The Middle Ages, Clifford Davidson

Clifford Davidson

The twenty-five essays in this collection provide unusual insights into early European drama. Written by American, European, and Japanese scholars, the contributions focus on such subjects as recent discoveries of medieval music-dramas and the conditions of their composition and performance pictorial elements in English and Continental vemacular drama, the later history of medieval drama, and secular plays and playing. The articles first appeared in The Early Drama, Art, and Music Review, which was the official journal of the EDAM project at the Medieval institute Western Michigan University and are included here for their unique contribution to drama studies. Altogether, the …

The Apocalyptic Adventures Of Private Winfred Scott Biegle, Clifford Davidson

Clifford Davidson

A modernist novel, describing a dystopian military in the imaginary dictatorship of Atlantis, written more than a half century ago when the author was a conscript in the army during the Cold War. As editor of the post newspaper at the Granite City Engineer Depot, Clifford Davidson was in a privileged position for observing the military mentality of the time, in particular the propensity for bullying intended to turn men into mindless killing machines. From other soldiers he was also able to hear disturbing stories at first hand about World War II and the very recent Korean War, only concluded …

Iconography: A Checklist Of Some Useful Sources For Scholars And Students Of Medieval Art And Drama, Clifford Davidson

Clifford Davidson

A classified bibliography of scholarship on medieval drama, art, and music compiled by Clifford Davidson in 2002. This reprint was created in 2014 for ScholarWorks at WMU, with some corrections to the content and the formatting of the 2002 version.

The Early Drama, Art, And Music Project: Publications 1977-2002, Timothy Christiansen, Clifford Davidson

Clifford Davidson

A bibliography of publications of the Early Drama, Art, and Music project at Western Michigan University, originally compiled by Timothy Christiansen and updated in 2002 by Clifford Davidson. This digital reprint was created in 2014 for ScholarWorks at WMU, with an addendum, an update, and a few corrections to the formatting of the 2002 publication.

Norwegians In Michigan, Clifford Davidson

Clifford Davidson

In Norwegians in Michigan, Clifford Davidson shows how Norwegians took advantage of opportunities when they began settling in Michigan in the nineteenth century. Norwegians sailed Lake Michigan, joined the lumber trade, farmed the northwest part of the state, and mined copper and iron in the Upper Peninsula. At the same time, they brought a unique culture that came to be associated with Michigan and the Midwest. The first generations of Norwegians in Michigan maintained close cultural ties with their homeland. Some Norwegian immigrants adjusted to life in a new land more quickly than others. Among these, according to Davidson, were …

The York Corpus Christi Plays, Clifford Davidson

Clifford Davidson

The feast of Corpus Christi, celebrated annually on Thursday after Trinity Sunday, was devoted to the Eucharist, and the normal practice was to have solemn processions through the city with the Host, the consecrated wafer that was believed to have been transformed into the true body and blood of Jesus. In this way the “cultus Dei” thus celebrated allowed the people to venerate the Eucharistic bread in order that they might be stimulated to devotion and brought symbolically, even mystically into a relationship with the central moments of salvation history. Perhaps it is logical, therefore, that pageants and plays were …

British Saint Play Records, Clifford Davidson

Clifford Davidson

A list of the saint plays and pageants of medieval Britain compiled by Clifford Davidson. This reprint was created in 2014 for ScholarWorks at WMU, with corrections to the formatting of the original index, which appears to have been compiled in 2002.

Solving Some Enigmas Of The Middle Ages : The Historian As A Detective, George Beech

George T. Beech

This work examines historical problems encountered on topics from eleventh-century France, England, and the Crusader East, and to a lesser degree from the fifteenth and sixteenth centuries. These topics include works of art - the Eleanor of Aquitaine vase, the celebrated Bayeux Tapestry, a sixteenth century poem and painting - to inquiries about individual people, such as the first troubadour poet. Lack of contemporary evidence about the subjects described in this book, commonplace for the medieval period hundreds of years ago, limits the ability of the historian today to fully understand them. For instance, uncertainty still hovers over the questions …

Nicholas Of Lyra, Literal Commentary On Galatians, Edward Arthur Naumann

TEAMS Commentary Series

Though little-known today, Nicholas of Lyra's commentaries are arguably among the most widely-read and influential commentaries of all time. For more than two hundred years, from the time of their composition, well into the Reformation era, they were copied and recopied, printed and reprinted, as an indispensable guide to the meaning of scripture. Naumann presents here a complete translation of Lyra's literal commentary on Galatians in English for the first time, with a freshly-edited Latin text, and provides ample notes on its significance in relation to the works of previous authors.

The Vulgate Commentary On Ovid's Metamorphoses, Book 1, Frank T. Coulson

TEAMS Secular Commentary Series

Composed around 1250 by an unknown author in the region of Orléans, the Vulgate Commentary on Ovid's Metamorphoses is the most widely disseminated and reproduced medieval work on Ovid's epic compendium of classical mythology and materialist philosophy. This commentary both preserves the rich store of twelfth-century glossing on the Metamorphoses and incorporates new material of literary interest, while the marginal glosses in many respects reflect the scholar interests of an early thirteenth-century schoolmaster. The Vulgate Commentary is always transmitted as a series of interlinear and marginal glosses surrounding the text manuscript, whereas other earlier commentaries were independent of a full …

Accessus Ad Auctores: Medieval Introductions To The Authors (Codex Latinus Monacensis 19475), Stephen M. Wheeler

TEAMS Secular Commentary Series

Medieval commentaries typically included an accessus, a standardized introduction to an author or book. In the twelfth century these introductions were anthologised, referred to now as Accessus ad auctores. They served as the first handbooks of literary criticism. The earliest and most comprehensive example, Bayerische Staatsbibliothek, Clm 19475, saec. XII, is presented here for the first time in a faithful critical edition, with a new translation and explanatory notes addressing different aspects of the text. This book's aim is to present an accurate version of the text while respecting the arrangement and integrity of the anthology as a …

Hocus Pocus And The Croxton Play Of The Sacrament, Cameron Mcnabb

Cameron Hunt McNabb

This article addresses how heresy and parody intersect in the Croxton Play of the Sacrament through its religiously and verbally dissenting characters. The play’s highly theatrical depiction of a host miracle both enforces and undermines its emphatic endorsement of the real presence. The play ameliorates this tension by the privileging of words over deeds, aligning the transformative power of the consecratory words with the transformative power of believers’ confessions at conversion wherein both words and actions enact a transubstantiation, thus manifesting the real presence of Christ. The play’s language becomes a moral marker and the vehicle for the heretics’ dissent …

The Off-Board String On The Medieval Fiddle, Linda Marie Zaerr

Performance Practice Review

Drawing on explicit descriptions, iconographic representations, and contemporary narrative, this essay analyzes playing techniques and repertories plausible for one type of medieval fiddle and suggests that notions of historical fiddle performance may need to expand to accommodate the aesthetics and techniques implied by the off-board fiddle.

While it has been widely assumed that the left thumb was used to pluck the laterally divergent string described by Jerome of Moravia, the complete body of evidence suggests an alternative interpretation: the thumb can be used to stop this off-board string, extending the melodic range of the instrument down to a step below …

The Feast Of Corpus Christi As A Site Of Struggle, Barbara R. Walters

Publications and Research

Multiple versions of the liturgy for the new fest of Corpus Christi provide evidence for changes in the theology of the Eucharist during the thirteenth century. These changes give pause in crediting the Miracle of Bolsena as the source of inspiration for the 1264 version of the liturgy by St. Thomas Aquinas. An earlier version of the "original office" with approbation from Liege Bishop Robert Thourotte in 1246 and a celebration of the feast by Hugh of St. Cher in 1252 weigh against the Bolsena Miracle as the source. Moreover, the idea of a corporeal presence with blood issuing from …

Unrivalled Influence: Women And Empire In Byzantium, Hailey Lavoy

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

Front Matter, Medieval Feminist Forum, V.51, No.1, 2015

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

The War Of The Two Jeannes And The Role Of The Duchess In Lordship In The Fourteenth Century, Katrin E. Sjursen

Medieval Feminist Forum: A Journal of Gender and Sexuality

In the mid-fourteenth century, two women headed opposing parties in a civil war for control of the duchy of Brittany in France. Conventional scholarship explains their involvement in politics and warfare as exceptions possible only during emergencies. Contemporary chronicles and the letters of the two women themselves, however, tell another story, one in which these two women participated in politics and warfare even before their husbands entered captivity. Their participation makes sense if we recognize that medieval society understood lordship as a form of shared governance performed by a noble couple. While separate roles did exist for the husband and …

Reginal Intercession And The Case Of Cristina, Convicted Murderer, Katherine Allocco

Medieval Feminist Forum: A Journal of Gender and Sexuality

In the winter of 1328-1329, Cristina, widow of Thomas Scot, potter of London, was convicted, imprisoned in Newgate and sentenced to hang for the crime of murdering her husband. Her execution was delayed due to her pregnancy. In January or February 1329, Cristina sent a letter to Isabella of France, queen mother, requesting a King’s pardon. On March 2, Edward III pardoned Cristina, at his mother’s request, through letters patent. It appears that Isabella, who had an established reputation as an intercessor for both personal petitions and general political appeals, had successfully interceded on Cristina’s behalf. Although medieval queens- both …