Italian Literature Commons^™

Futurism In The City Of The Future: Marinetti’S Avant-Garde In New York 1909-1930, Giovanni Angelo Falcone

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

This project seeks to explain some of the reasons why it took four decades for Futurism to be recognized and understood in America. Using archival sources and other records from 1909 to 1930, this project charts the entrance of Futurist ideas into America and the reasons why the movement never found a following in the United States. Focusing on the years after the launch of the movement, the Armory Show of 1913, and the 1928-1930 stay of Fortunato Depero, this project argues that there were certain unbridgeable divides between …

Speed And Convulsive Beauty: Trains And The Historic Avant-Garde, Marylaura Papalas

Studies in 20th & 21st Century Literature

The train, an invention and evocative symbol of the 19^th century, somewhat ironically continued to fascinate avant-garde artists and writers of the 20^th century, when faster and more exciting modes of transportation were in use. Locomotive imagery in Italian futurism and French surrealism, however, demonstrates a lasting fascination with speed, locomotive space, and their effect on perceptions of reality. Considering the work of more recent theorists like Paul Virilio, Michel Foucault, and various others who have contributed to the growing field of mobility studies, this paper aims to understand the persisting presence of the train as a symbol …

Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro

Comparative Literature Faculty Scholarship

The short-lived revue válvula, published in Caracas in 1928, was symbolic of the cursory invasion of Futurism into Venezuela, and of the fate of the avant-garde in that country between the 1920s and 1930s. At a time, when the nation was struggling to shake itself from the patriarchal influence of the caudillo Juan Vincente Gómez (1857-1935), and was simultaneously on the eve of a shift from an agricultural to an oil-based economy, artistic avant-garde movements arrived in cultural centres such as Caracas and Maracaibo not with the boom and thunder appropriate to war-loving Futurism but, rather, trickled in slowly, gradually …