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Articles 1 - 3 of 3
Full-Text Articles in Italian Literature
The "Light Of The Intellect": Botticelli's Drawings For Dante's Divine Comedy, Kelsey Fox
The "Light Of The Intellect": Botticelli's Drawings For Dante's Divine Comedy, Kelsey Fox
Creative Activity and Research Day - CARD
Dante’s Divine Comedy had a substantial history of illustration before Sandro Botticelli (1444/5-1510) was commissioned by Lorenzo di Pierfrancesco de’ Medici to produce 102 drawings to accompany the text. Botticelli is often described as a studious, humanist artist, incorporating his understanding of classical texts and observational knowledge into his works. This research paper will explore the innovative nature of Botticelli’s series of drawings, especially as it relates to his graphic style, varying modes of composition, and conceptual priorities. It will also analyze the conceptual differences between the Inferno and Paradiso.
The Political Persecution Of A Poet: A Detail Of Dante's Exile, Jason Ader
The Political Persecution Of A Poet: A Detail Of Dante's Exile, Jason Ader
A with Honors Projects
Durante degli Alighieri, known throughout the world as simply Dante, was a fourteenth century Italian poet, philosopher, literary theorist, and politician. He is best known for his epic Commedia, which was later dubbed The Divine Comedy. Commedia is generally considered the greatest Italian literary work and a masterpiece of world literature. Due to the turbulent political atmosphere of his time and place, Dante spent over a third of his life living in exile. This paper will explore the details of Dante's exile and the influence that it had upon his work.
Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro
Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro
Comparative Literature Faculty Scholarship
The short-lived revue válvula, published in Caracas in 1928, was symbolic of the cursory invasion of Futurism into Venezuela, and of the fate of the avant-garde in that country between the 1920s and 1930s. At a time, when the nation was struggling to shake itself from the patriarchal influence of the caudillo Juan Vincente Gómez (1857-1935), and was simultaneously on the eve of a shift from an agricultural to an oil-based economy, artistic avant-garde movements arrived in cultural centres such as Caracas and Maracaibo not with the boom and thunder appropriate to war-loving Futurism but, rather, trickled in slowly, gradually …