Italian Literature Commons^™

L’Espresso: Uno Stimolante, Una Bevanda, E Un Pilastro Dell'italianità, Salvatore Joseph Lupo

French and Italian Undergraduate Senior Theses

No abstract provided.

Una Comprensione Computazionale Della Psiche Emotiva E Ordine Nelle Ballate Del Decameron: Stilometria E Elaborazione Del Linguaggio Naturale, Nothando Khumalo

Honors Projects

The present thesis, written in Italian, explores the emotional psyche and narrative order embedded within the ballads of the Decameron, a renowned literary masterpiece by Giovanni Boccaccio. Leveraging the advancements in stylometry and natural language processing techniques, this research aims to convince medieval Italian literature scholars to produce more on scholarship of the ballads and uncover the intricate patterns of human emotions and narrative organization in the ballads. The study begins by establishing a comprehensive corpus of ballads from the Decameron, utilizing digital libraries and text repositories. Subsequently, using stylometric analysis, the research examines the linguistic and stylistic features that …

The Surreal Voice In Milan's Itinerant Poetics: Delio Tessa To Franco Loi, Jason Collins

Dissertations, Theses, and Capstone Projects

Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. The scope of research presented in this study examines the question of dialect literature as a valid genre which bears lines of demarcation that would assign it the distinction of genre. Research reveals that in fact the simple election of a language, or dialect, does not itself constitute a genre; moreover, most dialect literature bears characteristics that would neatly place it in another genre.

To examine this verity, this research compares two dialect poets who employ Milanese as a means of transmission …

Narrating Intensity: History And Emotions In Elsa Morante, Goliarda Sapienza And Elena Ferrante, Stefania Porcelli

Dissertations, Theses, and Capstone Projects

This dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). However, rather than remaining centered on these works’ emotive landscapes alone, I seek instead to trace the continuities that link these two “historical” novels of the past to Ferrante’s successful and more recent tetralogy. I look at the representation of emotions and at what I call “moments of intensity” – …