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Full-Text Articles in Italian Literature
Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter
Mythos And Meaning: Medieval Appropriations Of Mythological Types In The Consolation Of Philosophy And Later Western Literatures, Francis J. Hunter
Seton Hall University Dissertations and Theses (ETDs)
Often referred to as the last Roman and first medieval, Boethius, author of The Consolation of Philosophy, has been widely received as an unoriginal philosopher who sought to preserve Platonic thought as the Western Roman Empire fell. However, this essay features an investigation into the literary originality of Boethius who initiates a line of Christian and Platonic literatures to follow in the medieval European tradition. Boethius demonstrates himself to be a poet who makes great use of philosophy rather than as a philosopher writing poetry. Boethius’ poetic influence is felt most strongly in major aspects of Dante’s Divine Comedy and …
From Amherst To The Other Side: The Integration Of Emily Dickinson Into The Italian Consciousness, Mia Jozwick
From Amherst To The Other Side: The Integration Of Emily Dickinson Into The Italian Consciousness, Mia Jozwick
Dissertations and Theses
At the beginning of the twentieth century, Emily Dickinson’s poetry appeared in Italy in two key forms: anthologized alongside other American authors and in select translations by prominent Italian intellectuals including poet Eugenio Montale and writer Emilio Cecchi. Dickinson was both touted as one of the great American writers, but also kept as somewhat of an underground poet who spoke to a specific literary identity in Italy. The cross-hairs of history brought together increased knowledge of Dickinson’s poetry just as Mussolini and his fascist agenda threatened the influence of literature whether homegrown or international. What materialized was a dynamic in …
Pirandello Proto-Modern: A New Reading Of L’Esclusa, Bradford Masoni
Pirandello Proto-Modern: A New Reading Of L’Esclusa, Bradford Masoni
Dissertations, Theses, and Capstone Projects
Luigi Pirandello’s first novel, L’Esclusa, written in 1893, but not published in its definitive edition until 1927, straddles two literary worlds: that of the realistic style of the Italian veristi, and something new, a style and approach to narrative that anticipates the theory of writing Pirandello lays out in his long essay L’Umorismo, as well as the kinds of experimental writing that one associates with early-20th-century modernism in general, and with Pirandello’s later work in particular. The novel’s living in both worlds, however, makes it an interesting and problematic text. First, it gives readers insight into …