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Full-Text Articles in Italian Literature
What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez
What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez
Honors Projects
This paper serves to analyze and explain why audiences are attracted to stories with elements of Horror in them, using Dante’s Inferno as the vehicle for this conversation, as the Inferno’s setting is in the worse possible place imaginable. Horror narratives arise feelings of fear and disgust in its audiences through the use of monsters, as audiences relate to the fear and disgust the positive characters in the narratives are feeling because of the monster’s presence. Since these emotions arise in a safe space, such as in literature or film, where the source of the emotions is not endangering the …
Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand
Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand
Art and Design Faculty Publications
No abstract provided.
Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander
Dante’S Understanding Of The Two Ends Of Human Desire And The Relationship Between Philosophy And Theology, Jason Aleksander
Faculty Publications
I discuss Dante’s understanding that human existence is “ordered by two final goals” and how this understanding defines philosophy’s and theology’s respective scopes of authority in guiding human conduct. I show that, while Dante devalues the philosophical authority associated with the traditional Aristotelian emphasis on the significance of contemplative activity, he does so in order to highlight philosophy’s ethico-political authority to guide human conduct toward its “earthly beatitude.” Moreover, I argue that, although Dante subordinates earthly beatitude to spiritual beatitude, he nonetheless maintains that philosophy’s authority to reveal a path to spiritual beatitude requires its fundamental independence from theology.
Literary Influences On Dante's Use Of Fear In The Commedia, Andrew Pearson
Literary Influences On Dante's Use Of Fear In The Commedia, Andrew Pearson
Presentations
This presentation explores the literary influences that may have guided Dante's use and development of fear reflected and directed by his use of the word paura. These influences include Aristotle, Cicero, St. Augustine, St. Benedict, and St. Thomas Aquinas. The presenter also suggests a distant echo of fear finding its way into John Milton's Paradise Lost.