History Commons^™

Note On Special Issue, Antonio Medina-Rivera Ph.D., Lee F. Wilberschied Ph.D., Heba A.N. El Attar Ph.D.

Cultural Encounters, Conflicts, and Resolutions

No abstract provided.

Intercultural Communicative Competence: Literature Review, Lee F. Wilberschied Ph.D.

Cultural Encounters, Conflicts, and Resolutions

Intercultural Communicative Competence (ICC) is a cluster of capabilities that will become even more essential, not only to negotiate borders of many dimensions as globalization proceeds, but also to enhance the ability to maneuver one’s way in a world that changes by the minute. The process of developing ICC prepares the learner to manage and appreciate border crossings on many levels. This brief review of the literature offers a summary of the components of ICC, how it is similar to and different from other competences, and recommendations on how to assess it. This overview may be helpful when considering the …

El Paseo By Harold Trompetero: Approaching Popular Film From Colombia In A North American Classroom, Matias Martinez Abeijon Ph.D.

Cultural Encounters, Conflicts, and Resolutions

This article explores the manner in which popular films from Colombia—

specifically comedies, such as the movie El paseo, directed by Harold Trompetero in 2010, which has been the highest grossing movie to date in the history of movies produced in Colombia–may be used in the classroom in the context of a World Language, Literature, and Culture department in the United States. It is the contention of this study that such a choice is far from common due to diverse issues, which include the limited access to international distribution of the majority of the so-called “national film” or, in …

Can Films Speak The Truth? Mathieu Kassovitz’S La Haine (1995) And Philippe Faucon’S La Désintégration (2011), Annie Jouan-Westlund Ph.D.

Cultural Encounters, Conflicts, and Resolutions

La Haine, (Dir. Mathieu Kassovitz, 1995) and La Désintégration (Dir. Philippe Faucon, 2011), set in France’s urban periphery, depict the struggle of second and third-generation immigrants growing up in the housing projects and their desire to live like ‘other’ French young people. The analysis offers a comparative study of the films’ reception with a community of viewers made of American students in a Contemporary French Culture course. Following the three paradigms of exclusion (social, racial, and cultural); gender representation; and aestheticism and realism, this study demonstrates that, within certain limits, these cinematic propositions, of similar prophetic nature but different …

Understanding Arab Culture Through Cinema, Abed El-Rahman Tayyara Ph.D.

Cultural Encounters, Conflicts, and Resolutions

The article examines the use of cinema as a tool for teaching about Arab culture and assesses the process in which learners acquire a higher level of intercultural communicative competence. The essay draws primarily on multilayered class activities and students’ responses to pre- and post- screening surveys related to eight Arab films. The article reveals that the evaluation of the learners’ intercultural competence and their familiarity with Arab culture in particular is a long process that filled with misunderstandings, gaps, inconsistencies, and contradictions on the part of the learners. To successfully conduct this type of teaching, the article also points …

Table Of Contents, Antonio Medina-Rivera Ph.D, Lee F. Wilberschied Ph.D., Heba A.N. El Attar Ph.D

Cultural Encounters, Conflicts, and Resolutions

No abstract provided.

La Première Couche D’Encre, Abdourahman Waberi

Présence Francophone: Revue internationale de langue et de littérature

The author reexamines his engagement with the Rwandan genocide.

Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore

Présence Francophone: Revue internationale de langue et de littérature

Sin to Them, Shame on Me is a testimony by the Rwandan writer, filmmaker and peace advocate, Bamporiki, who suffers from vicarious shame because of the crime of genocide that Hutu perpetrators committed against Tutsis in the name of the group. His testimony redeems his sense of self by acknowledging the wrongdoing of his group, yet it also represents a step that separates him from that group. His powerful testimonial narratives allow him to associate with genocide survivors and the world, and to develop a new identity as a Rwandan. The polymorphic narrative structure of his written testimony in which …

Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave

Présence Francophone: Revue internationale de langue et de littérature

This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.

Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler

Présence Francophone: Revue internationale de langue et de littérature

Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.

Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto

Présence Francophone: Revue internationale de langue et de littérature

The film Grey Matter [Matière grise] (2011) directed by a Rwandan filmmaker Kivu Ruhorahoza, is an attempt to offer psychoanalytic approaches to understanding a 1994 Rwandan genocide within the psychic and the social. This director is interested in representing the impossible, instead, he offers a poetic representation of trauma. It may be just like a dream in his psychic, wondering whether this event really happened and how to make sense of as time settles ? This noiseless film is the first feature length narrative film directed by a Rwandan who gives the world the visual interpretation of the impact of …

Libération Sexuelle Ou Aliénation Textuelle : La Subalterne Peut-Elle Parler De Son Corps ?, Carla Calargé, Alexandra Gueydan-Turek

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes two erotic works : L’amande and La traversée des sens. It aims to look at whether the sexual liberation of the female protagonists succeeds in defining a subversive discourse which allows Arab women to escape binary representations made of them or whether, on the contrary the author reproduces such representations. After a quick overview of the difficult situation in which Arab feminists often find themselves both the East and the West, this study examines if Nedjma’s two novels adopt a feminist posture or if they fail to reach the objectives that critics have attributed to them.

La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche

Présence Francophone: Revue internationale de langue et de littérature

20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …

Will Army 2025 Be A Military Profession?, Don M. Snider

The US Army War College Quarterly: Parameters

No abstract provided.

Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye

Présence Francophone: Revue internationale de langue et de littérature

This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …

An Interview With David H.Petraeus, General (Usa Retired), Usawc Press

The US Army War College Quarterly: Parameters

No abstract provided.

From The Editor, Antulio J. Echevarria

The US Army War College Quarterly: Parameters

No abstract provided.

Landpower And American Credibility, Michael Allen Hunzeker, Alexander Lanoszka

The US Army War College Quarterly: Parameters

No abstract provided.

To Win Wars, Correct The Army's Political Blind Spot, Joseph Roger Clark

The US Army War College Quarterly: Parameters

No abstract provided.

Book Reviews, Usawc Press

The US Army War College Quarterly: Parameters

No abstract provided.

The Legal Framework Of Contracting: Gender Equality, The Provision Of Services, And European Public Procurement Law, E.K. Sarter

Wagadu: A Journal of Transnational Women's & Gender Studies

The article examines the legal framework of public contracting in the EU. It argues that while European public procurement law explicitly allows for measures to foster gender equality be taken into account in public tendering, European legislation and jurisdiction also impose limits to the range of these measures.

Winter 2015 Index, Usawc Press

The US Army War College Quarterly: Parameters

No abstract provided.

Rethinking America's Grand Strategy: Insights From The Cold War, Hal Brands

The US Army War College Quarterly: Parameters

No abstract provided.

The Utility Of Nuclear Weapons Today: Two Views, José De Arimatéia Da Cruz

The US Army War College Quarterly: Parameters

No abstract provided.

America's All Volunteer Force: A Success?, Louis G. Yuengert

The US Army War College Quarterly: Parameters

No abstract provided.

The 'War' In Russia's 'Hybrid Warfare', Andrew Monaghan

The US Army War College Quarterly: Parameters

No abstract provided.

Commentary And Reply, Usawc Parameters

The US Army War College Quarterly: Parameters

No abstract provided.

Groundings Volume Two, Issue Two

Groundings

This is the full issue of Groundings Vol. 2, Iss. 2. It includes a wrap of both the 12th Annual Walter Rodney Symposium and the 3rd Annual Walter Rodney Speakers Series; a piece by Jesus Chucho Garcia that honors the late Norman Girvan; the official Save the Date for the 13th Annual Walter Rodney Symposium; information on the republication of The Groundings with My Brothers; a photo-narrative by Julian Plowden on the student protests at the Atlanta CNN Center; we then have 3 pieces surrounding the Walter Rodney Commission of Inquiry by Wazir Mohamed, Anne Braithwaite, and Rohit Kanhai, …

Myth And The Paris Commune, Katie Brunner

Communication and Theater Association of Minnesota Journal

The Paris Commune of 1871 is an event in history that has had a special place in the hearts of many revolutionaries. Karl Marx called it “the first successful working class revolution”. This paper looks at the events of the Paris Commune, as recounted in a work produced 25 years after the event occurred and, by means of comparison with more recent accounts, examines how it moved from a historical “reality” to a mythic history through the lens of secondary framing and historical mythology. This approach to the Paris Commune reveals many significantly different interpretations; pointing out that the true …

"Canada And The End Of The Imperial Dream: Beverley Baxter’S Reports From London Through War And Peace, 1936-1960 (Book Review)" By Neville Thompson, Brian Tennyson

Canadian Military History

No abstract provided.