History Commons^™

Front Matter

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“I Am I”: The Allegorical Bastard In Shakespeare’S King John, Alaina Bupp

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Shakespeare’s King John provides readers with a particularly interesting, though relatively unexamined character: Philip Falconbridge, the bastard. This character exists somewhere between the allegorical forbears of medieval morality plays and the intensely interior specificity of the likes of Hamlet. Philip begins the play with a specific, though fictional, identity, but consciously decides to become allegorical. We can see this transformation at the intersection of text and context, of the words spoken by Philip as he becomes Bastard (the allegorical figure) and the First Folio’s construction of that transformation. Bastard employs particular rhetoric to firstly shed his old, specific identity and …

The Sin Eater: Confession And Ingestion In The Romance Of Renard, Elizabeth Dolly Weber

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The “Confession of Renard,” Branch XIV of the twelfth-century animal epic Roman de Renart (Romance of Reynard the Fox) explores the potential risks of the rite of confession, including the danger of whetting the appetite of the sinner by having him recount and re-live his delicious past sins. The fact that Renard, the “repentant” sinner, actually eats his confessor, suggests not only that merely talking about sin, particularly sexual sin, is a perilous business, but also that confession, like digestion, is a transformational process for both the penitent and the confessor.

Full Issue

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Allen D. Breck Award Winner (2015)

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Alaina L. Bupp

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Delno C. West Award Winner (2015)

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Elizabeth Dolly Weber

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

De Syon Exierit Lex Et Verbum Domini De Iherusalem’: An Exegetical Discourse (C. 400-C. 1200) That Informed Crusaders’ Views Of Jews, Todd P. Upton

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This paper assesses how medieval Christian writers transformed encounters with Middle Eastern peoples such as the Jews into a complex theological discourse via the medium used by Pope Urban II in 1095 to launch the First Crusade, the Latin sermon. It argues that a hitherto unnoted homiletic tradition about Jews originated in Late Antiquity and the Early Middle Ages based (1) on exegetical polemics that stretched back centuries in Christian theology, and (2) on a discernible chronicle and sermon tradition that depicted Jews in varying degrees of apologia based on a prophesied role as “witnesses” to the eschatological expectations of …

Domestic Cruelty: Saevitia And Separation In Medieval France, Kristi Diclemente

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This article examines the role cruelty played in marriage separation cases in fourteenth-century Paris. Cruelty was an effective and relatively successful means for women to initiate separation litigation. The archdeacon’s court regularly cited saevitia as a reason for its decision to legally separate marriages. Marital cruelty, however was a complicated issue and what constituted cruelty was not defined within the text. Through an examination of the use of saevitia in the legal cases,in conjunction with contemporary exempla of abusive marriages, such as the vita of Godelieve of Gistel, the author finds that it was a complicated term representing a variety …

The Role Of Rumor And The Prodigal Son: Shakespeare’S Sources And Fathers And Sons In The Second Henriad, Steven Hrdlicka

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This article challenges traditional, critical interpretations of Shakespeare’s character Prince Hal by examining changes Shakespeare makes to sources he used, in particular the anonymous play Famous Victories of Henry V. Shakespeare does not portray a “prodigal” Prince Hal character as has often been argued by critics, but instead carefully follows Holinshed’s observations that the prince was virtuous in youth and that rumors about the prince’s supposed prodigal behavior were spread by those who were in the service of Henry IV. These rumors were aimed to cause conflict between father and son. Shakespeare’s inclusion of these two important details found in …

Symbiotic Werewolves And Cybernetic Anchoresses: Premodern Posthumans In Medieval Literature, Jennifer K. Cox

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This paper examines how individual agency in medieval society might be expanded through posthuman configurations; in so doing, it pushes the boundaries of traditional practices in medieval research to include more contemporary ideas. Although as scholars, we must avoid anachronistic readings of these texts, ignoring modern thinkers like N. Katherine Hayles (How We Became Posthuman) and Donna Haraway (“A Cyborg Manifesto”) too easily disregards their valuable – and timeless – insights. While the term “posthuman” can evoke images of cyborgs or superhuman mutants using wormholes to traverse space and time, this pop culture perspective often overlooks less technoscientific examples of …

Literary Docudrama In The Classroom: Teaching With John Hatcher’S The Black Death: A Personal History, Ginger Smoak, Jennifer Mcnabb

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John Hatcher’s The Black Death: A Personal History is an unconventional text. It recounts the experience of plague by a single, extraordinarily well-documented village in Suffolk, England: Walsham le Willows. While such a focus perhaps seems fairly standard of case studies or microhistory, Hatcher’s book is more than a narrow treatment of a corner of England. In a preface entitled “The Nature of This Book,” he opens with a discussion of both his journey toward the realization that he wanted to write a markedly different sort of treatment of the Black Death than present in extant scholarship and a rather …