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Double Documents: Imaging And Installation In Sturtevant’S “Duchamps”, Chris Murtha
Double Documents: Imaging And Installation In Sturtevant’S “Duchamps”, Chris Murtha
Theses and Dissertations
The artist Sturtevant produced exacting but inherently distinct recreations of artworks only recently completed by her contemporaries. This thesis examines the body of work she created after Marcel Duchamp between 1966 and 1973, and how that work reveals the central and entwined roles of photography and installation in her practice.