Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Contemporary Art (2)
- Post-Colonial Studies (2)
- Sculpture (2)
- African American Studies (1)
- African American studies (1)
-
- Afrofuturism (1)
- Afropessimism (1)
- American Contemporary Art (1)
- American Film (1)
- Ancestral (1)
- Anxiety (1)
- Archaeology (1)
- Archives (1)
- Art Practice (1)
- Asian American (1)
- Asian American Studies (1)
- Black feminist studies (1)
- Body (1)
- Ceramic (1)
- Colombia (1)
- Colonialism (1)
- Colonization (1)
- Community (1)
- Contemporary art (1)
- Craft (1)
- Culture (1)
- Cyberfeminism (1)
- Dansaekhwa (1)
- Decolonial (1)
- Dominican republic (1)
Articles 1 - 7 of 7
Full-Text Articles in Contemporary Art
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera
Theses and Dissertations
This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel
Theses and Dissertations
This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.
Sondra Perry: On The Limits And Possibilities Of Access, Visibility, And Freedom, Sigourney Schultz
Sondra Perry: On The Limits And Possibilities Of Access, Visibility, And Freedom, Sigourney Schultz
Theses and Dissertations
Sondra Perry: On the Limits and Possibilities of Access, Visibility, and Freedom connects the intellectual history of cyberfeminism and Afrofuturism with the future of post-Black studies by exploring themes such as the abstraction of blackness and the materiality of new media.
Layered Histories, Interpretive Desires, Rachelle Dang
Layered Histories, Interpretive Desires, Rachelle Dang
Theses and Dissertations
I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Invisible Invisibility, Eugina Song
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.