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Full-Text Articles in Asian Art and Architecture
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang
Theses and Dissertations
Chinese American artist-scholar Tseng-Yuho (1925-2017) developed an original, modern style called dsui hua based on her extensive knowledge of traditional Chinese ink art and scroll mounting techniques, Chinese and Western art history, and experiences living in or travelling to mainland China, Taiwan, Hong Kong, Paris, Hawai‘i, and New York.
Fashion Changes: How Advertisers In East Asia Used The Image Of The Modern Girl To Promote Cosumerism, Madelyn Foster
Fashion Changes: How Advertisers In East Asia Used The Image Of The Modern Girl To Promote Cosumerism, Madelyn Foster
Senior Theses
The modern girl is one of the most visually memorable female archetypes of the 20th century. She emerged at the beginning of the century in countries across the world and represented the merging of modernity and consumerism, as well as the increasingly visible role of women in the public sphere. She can be seen in the art and media of many different nations around the world, and while her basic essence is the same across countries- a young, cosmopolitan woman who dresses in modern fashions- her specific traits and clothing choices depend heavily on the nation in which she is …
Carpets As Signifiers Of Historical Change: The Azerbaijani Carpet Industry From The Mid-Nineteenth To Late Twentieth Century, Jill Boggs
Senior Theses
The Azerbaijani carpet industry, long recognized as an important piece of Azerbaijan’s cultural heritage, transformed dramatically between the mid-nineteenth and twentieth centuries in response to political, economic, and social changes that took place under the Russian Empire and the Soviet Union. During this period, the carpet industry began to use modern weaving techniques and materials, favored factory production over traditional hand-woven designs, and created pieces for exportation rather than personal or community use. These developments contribute to two historical schools that view the Soviet Union as either a prison of nations, stifling non-Russian cultures, or a nursery of ethnic identities, …