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Full-Text Articles in Asian Art and Architecture

Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins Mar 2023

Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins

James Madison Undergraduate Research Journal (JMURJ)

Zhang Xiaogang’s series of paintings, Bloodline, is a strange, surreal, and haunting collection of family portraits. As a Chinese artist who was young during the Cultural Revolution of the 60s and 70s, Zhang has a complicated relationship with his own national history. The paintings of Bloodline are not photorealistic portraits; rather, they are constructions coming from within his mind, returning to these memories and feelings decades later. This essay examines Big Family No. 3, a painting for this series done in 1995, exploring the influences and processes that contributed to its creation. It argues that this work in …


A Safavid Royal Bathhouse Uncovered: Re-Evaluation Of The Sa‘Ādatābād Garden Of Qazvin With New Archaeological Evidence, Sean Silvia Jun 2021

A Safavid Royal Bathhouse Uncovered: Re-Evaluation Of The Sa‘Ādatābād Garden Of Qazvin With New Archaeological Evidence, Sean Silvia

MAD-RUSH Undergraduate Research Conference

In 2019, archaeologists broke ground at the site of Shah Ṭahmāsp I’s Sa’ādatābād in Qazvin, a royal garden and palace complex finished in 1557. There they discovered remains of a Safavid bathhouse. There have been many recent efforts to reconstruct Sa’ādatābād as it originally was, but none of them include the recently unearthed baths in their models. The archaeological team’s dig reports also do not perform this sort of analysis. This paper will consider historical and archaeological evidence to incorporate the bathhouse discovery into the reconstruction of Sa’ādatābād. It will situate the baths within the context of a garden city, …


Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton May 2020

Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton

Senior Honors Projects, 2020-current

Guided by the Director of the Madison Art Collection and Lisanby Museum, Virginia Soenksen,I served as the Curatorial Assistant for the Lisanby Museum’s forthcoming exhibition Savoring the Moon: Japanese Prints of the Floating World. The exhibition will highlight the Madison ArtCollection’s impressive Japanese woodblock prints in the ukiyo-e style. Ukiyo-e translates to“pictures of the floating world.” This style proliferated in Japan during the Edo period (1603 - 1868) and Meiji period (1868 - 1912), with visual themes that ranged from flora and fauna, Japanese ceremonies, kabuki actors, mythology, courtesans, and cultural pastimes. The estate of Charles Alvin Lisanby gifted over …


A Bridge Between Earth & Sky: How The Natural World Shaped The Civilizations Of Ancient And Early-Modern Persia, Sophia Cabana Dec 2019

A Bridge Between Earth & Sky: How The Natural World Shaped The Civilizations Of Ancient And Early-Modern Persia, Sophia Cabana

Senior Honors Projects, 2010-2019

This project seeks to investigate the ways in which nature shaped the culture of ancient Persia through technology, architecture, agriculture, and art. Furthermore, this project investigates how the symbols and mentalities of ancient Persia were carried forward into the early-modern period. Achaemenid Persia and Babylon are studied as societies which influenced one another and combined to create the foundation of Persian culture as it is currently understood, which then combined in later centuries with other Middle Eastern and Central Asian cultural movements to produce the Safavid and Mughal Empires. The Safavids and Mughals imitated and revived Persian culture in order …


Masks: A New Face For The Theatre, Alexi Michael Siegel Dec 2018

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …