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Articles 1 - 3 of 3
Full-Text Articles in Asian Art and Architecture
Asia Pacific Perspectives Vol. 18 No 1. 2023, University Of San Francisco
Asia Pacific Perspectives Vol. 18 No 1. 2023, University Of San Francisco
Asia Pacific Perspectives
Contents:
Articles
Urban Youth on the Margins: Inequality in China’s Sent Down Youth Movement by Sanjiao Tang
Chinese Firms in the Belt and Road Initiative: A Cross-Sectoral Study of BRI Activities in Kenya by Yabo Wu
Book Review
W. Puck Brecher. Animal Care in Japanese Tradition: A Short History by James Stone Lunde
"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones
"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones
Master's Projects and Capstones
Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators and cause a drain of creative …
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead
Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead
Master's Projects and Capstones
In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks …