Asian Art and Architecture Commons^™

Korean Newspapers And The “Irish Problem”: Japanese Censorship In Colonial Korea, 1920-1930, Jaehyun Kim

Student Work

Jaehyun Kim’s thesis, “Korean Newspapers and the ‘Irish Problem’: Japanese Censorship in Colonial Korea, 1920-1930,” touches upon a subject that scholars of colonial Korea have given insufficient attention to. Kim asks why there featured so many colonial Korean run newspaper articles on the Irish Independent movement in the 1920s and 1930s when the Japanese colonial government actively censored Korean newspapers. Indeed, in the wake of the March First Independent Movement, the colonial authorities shifted its harsh military rule to a more conciliatory cultural policy, allowing Koreans to vent their nationalistic sentiments within the confines of state control. However, the level …

The One-And-A-Half Chinas’ Problem: Taiwan And The Origins Of Peaceful Reunification, 1978–1988, Lucas Miner

Student Work

Lucas Miner’s thesis, “The One-and-a-Half Chinas’ Problem, Taiwan and the Origins of Peaceful Reunification, 1978–1988,” deals with attempts by the Chinese Communist Party and the Guomindang to achieve unification between the People’s Republic of China (PRC) and Taiwan during the early phase of China’s reform era. The thesis seeks to update our interpretation of Cross-Strait relations by exploring the origins of peaceful reunification, tracing its early evolution from 1978 to 1985. Primary sources from both sides of the strait—especially from the rich repository at the Academia Historica in Taipei—allows Miner to construct a nuanced and significant narrative that uniquely incorporates …

Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim

Theses and Dissertations

The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …

“The Product Of That Finer Mould”: The Role Of Chinese Porcelain In The Making Of Early American Images Of China, Emily Meryn Hospodor

Honors Theses

This thesis asserts that Chinese material culture, specifically porcelain, was instrumental in the development of American perceptions of China in the colonial period through the late 19th century. The first chapter examines how the quality, durability, and uniqueness of Chinese export porcelain led Europeans, and by extension American colonists, to view China as an advanced and abundant civilization populated with ingenious craftsmen. The second chapter addresses the emergence of negative views of China among American traders and scholars after the establishment of direct contact with China during the Old China Trade (1784-1844). In contrast, the third chapter demonstrates that Americans …

Silent Music And Sacred Sounds Of The Hoysaḷas: Visual And Aural Sensory Experiences In Jain And Hindu Temples, Vani Vignesh

Jain Studies

This project examines affective responses to temple spaces and investigates how visual and aural sensory stimulations can amplify people’s experiences in Jain and Hindu temples through ethnographic research and qualitative interviews. It involves the study of the traditional Indian methods of designing and planning temples to understand their place in contemporary South Indian devotion. This project focuses on two twelfth century temples built by the Hoysaḷa dynasty in the South Indian state of Karnāṭaka—the Jain Pārśvanātha basadi (temple) at Haḷēbīḍu and the Hindu Vaiṣṇava Chennakēśava temple at Bēlūru—to show that their location, design, and structure were planned to cater to …

Polished Memories: Zhang Xiaogang’S Bloodline: Big Family No. 3 And The Ideal Family Of The Cultural Revolution, Abby Wiggins

James Madison Undergraduate Research Journal (JMURJ)

Zhang Xiaogang’s series of paintings, Bloodline, is a strange, surreal, and haunting collection of family portraits. As a Chinese artist who was young during the Cultural Revolution of the 60s and 70s, Zhang has a complicated relationship with his own national history. The paintings of Bloodline are not photorealistic portraits; rather, they are constructions coming from within his mind, returning to these memories and feelings decades later. This essay examines Big Family No. 3, a painting for this series done in 1995, exploring the influences and processes that contributed to its creation. It argues that this work in …

The Infinite Crisis: How The American Comic Book Has Been Shaped By War, Winston Andrus

War, Diplomacy, and Society (MA) Theses

This thesis project argues that war has been the greatest catalyst for the American comic book medium to become a socio-political change agent within western society. Comic books have become one of the most pervasive influences to global popular culture, with superheroes dominating nearly every popular art form. Yet, the academic world has often ignored the comic book medium as a niche market instead of integrated into the broader discussions on cultural production and conflict studies. This paper intends to bridge the gap between what has been classified as comic book studies and the greater academic world to demonstrate the …

Carpets As Signifiers Of Historical Change: The Azerbaijani Carpet Industry From The Mid-Nineteenth To Late Twentieth Century, Jill Boggs

Senior Theses

The Azerbaijani carpet industry, long recognized as an important piece of Azerbaijan’s cultural heritage, transformed dramatically between the mid-nineteenth and twentieth centuries in response to political, economic, and social changes that took place under the Russian Empire and the Soviet Union. During this period, the carpet industry began to use modern weaving techniques and materials, favored factory production over traditional hand-woven designs, and created pieces for exportation rather than personal or community use. These developments contribute to two historical schools that view the Soviet Union as either a prison of nations, stifling non-Russian cultures, or a nursery of ethnic identities, …

Reflecting Domestic Genre Paintings: Chinese Reverse Paintings On Glass In Museum Volkenkunde, Xiaosong Gao

Arts & Sciences Electronic Theses and Dissertations

No abstract provided.

Tracing The Past, Drawing The Present, Sixue Yang

Graduate School of Art Theses

The group of work, Rising Water, Floating Islands is inspired by traditional Chinese scroll landscape paintings. Such landscape paintings combine meticulous technique, compositional complexity, and tension between representation and abstraction to reveal an alternative universe that waits discovery amid our mundane existence. In “Rising Water, Floating Islands,” I explore the political and social ramifications of the ongoing cultural conflict between traditional and emergent contemporary values. By combining traditional Chinese elements and techniques with my own markings and gestural adaptation in my painting, I give the audience the opportunity to contemplate the implications of our present digital condition through traditional esthetic …

The Transition Of Guanyin: Reinterpreting Queerness And Buddha Nature In Medieval East Asia, Robert Wilf

Religious Studies Honors Papers

Avalokitesvara, better known by the Chinese name of Guanyin, is perhaps the second most pervasive figure in all of Buddhism after the historical Buddha himself. Part of this popularity comes from his adaptability and willingness to change to order to save everyone, no matter what part of society they might be from. It is thanks to this adaptability that Guanyin’s iconography varies wildly by region, with much of Theravada and tantric Buddhism depicting him as a man, while Mahayana Buddhism tends to revere her as the patron of women. From their earliest description, Guanyin was known to transcend boundaries to …

The Modern Formulation Of Chinese Art History And The Building Of A Nation In Early Twentieth-Century China, Chennie Huang

Dissertations and Theses

At the dawn of the twentieth century, the Chinese formulation of art history underwent dramatic changes. It moved away from the traditional narratives that did not follow a strict chronology to adopt the Western linear model which emphasizes progress and national identity. Based on the premodern tradition, the modern formulations of Chinese art history began as a political strategy for nation building amid the political upheavals, including military attacks on China that led to the end of Qing imperial rule and the beginning of the Republican era (1912-1949).

In the early 1900s, while exiled in Japan, Liang Qichao 梁啟超 (1873-1929), …

Women In Ukiyo-E, Jade Meurer

Regis University Student Publications (comprehensive collection)

Kitagawa Utamaro’s Edo period prints (approx. 1770-1800) frequently feature prostitutes from Edo's officially licensed entertainment and pleasure ward. These prints were by no means portraits—instead, they were closer to advertisements for the pleasure district. Utamaro erased individuality from these women, placing them into stereotypical roles or personalities to appeal to potential customers of the ward. Utamaro glamorizes the life of courtesans for profit; and in this blatant objectification of women, the stories of these women are lost and glossed over. Who were these women, and what did their daily life actually look like? How does Utamaro betray this in his …

"The Chinese Animation Industry: From The Mao Era To The Digital Age", Stephanie Jones

Master's Projects and Capstones

Since the 1950’s the Chinese Animation industry has been trying to create a unique national style for China. The national style of the 1950’s and early 1960’s was one of freedom, fantasy, and creativity. With the success of “Heroic Little Sisters of the Grassland”/草原英雄小姐妹(1965), the government administration, namely Jiang Qing of the “Gang of Four”, demanded that all animation should follow specific guidelines based on Social Realism guidelines. This in turn, ushered in a new national style of animation during the Cultural Revolution(1966-1976). During this ten-year period government policies imposed strict restrictions on animators and cause a drain of creative …

​ Manga In China’S Reform Era: Transformation, Assimilation And Imagination Of Popular Culture, Danhui Chen

Senior Projects Spring 2019

Senior Project submitted to The Division of Social Studies of Bard College.

Nationalized Bodies: Kuroda Seiki And The Birth Of The Nude In Meiji Japan, Ziyan Wang

Senior Projects Spring 2019

Senior Project Submitted to The Divisions of Arts and Languages and Literatures of Bard College.

Ichimatsu Boy And The Historical Impact On Ichimatsu Ningyo, Sherelle Rodgers

OUR Journal: ODU Undergraduate Research Journal

This article discusses the historical research found on the Ichimatsu Ningyo boy doll by Takizawa Koryusai II. This doll is housed by the Barry Arts Museum and is an example of the Japanese Ichimatsu Ningyo art style. The purpose of this project was to discover why and how the doll was created due to the lack of provenance. This investigation will first address the make and style of the doll as well as the symbolism that lies well within its image. Second, it will address the historical significance and future of the Japanese Ningyo doll. By comparing how the doll …

Chinese Government’S Inability To Use Film – One Of The Most Powerful Cultural Tools Of Soft Power Expansion – To Achieve Its Soft Power Expansion Goals: Lessons For China To Tackle Its Soft Power-Deficit Problem, Kyungin Kim

International Political Economy Theses

Many scholars of Chinese soft power commonly believe that despite the fact that China has been working hard to achieve successful soft power expansion, one of the biggest factors that leads to Chinese soft power deficit or failure of the Chinese government to effectively trump “China threat” is its inability to use its cultural industries as a tool to fulfill its soft power expansion goals. This is a major obstacle to China in achieving its goal of successful Chinese soft power expansion, as it is said that culture is the most traditional and powerful source of soft power expansion. This …

Chiyo-Ni And Yukinobu: History And Recognition Of Japanese Women Artists, Kara N. Medema

FIU Electronic Theses and Dissertations

Fukuda Chiyo-ni and Kiyohara Yukinobu were 17th-18th century (Edo period) Japanese women artists well known during their lifetime but are relatively unknown today. This thesis establishes their contributions and recognition during their lifespans. Further, it examines the precedence for professional women artists’ recognition within Japanese art history. Then, it proceeds to explain the complexities of Meiji-era changes to art history and aesthetics heavily influenced by European and American (Western) traditions. Using aesthetic and art historical analysis of artworks, this thesis establishes a pattern of art canon formation that favored specific styles of art/artists while excluding others in ways sometimes inauthentic …

Shadows Of Empire: The Mughal And British Colonial Heritage Of Lahore, Naeem U. Din

Dissertations, Theses, and Capstone Projects

The Pakistani city of Lahore is the capital of the Punjab province. The city itself has existed for over a thousand years. In 1947 the British rule in the Indian subcontinent ended, resulting in the partition of British India into the modern states of India and Pakistan. At the time the Punjab province was also partitioned, with the western half (including Lahore) going to Pakistan and the eastern half being awarded to India. Prior to partition, Lahore served as an important administrative and commercial center under the Mughal Empire (1526–1799), the Sikh Empire (1799–1849), the British East India Company (1849–1858), …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Text Mining In Chinese Ancient Attires, Lu Wang

Western Research Forum

Starting from the Shang Dynasty (1600-1046 BCE) when writing system appeared in China, clothing was recorded as symbols to denote social statuses. The hierarchical signification of clothing remained in the following dynasties until the end of imperial China in 1911. The imperial period produced twenty-five official dynastic histories with rich corpuses on the subject of attire, documenting regulations and prohibitions of detailed dress code, a subject being scarcely studied and treated with assumptions today. This research will use text mining tools to identify descriptive words of clothing that reflect Chinese hierarchal ideology from the twenty-five histories. The method is to …

The Claremont Colleges Asian Studies Faculty Research Practices, Xiuying Zou, Carrie Marsh

Library Staff Publications and Research

A study on research practice and needs for library resource and service support of Asian studies faculty at The Claremont Colleges.

Ancient China And Its Eurasian Neighbors: Artifacts, Identity, And Death In The Frontier, 3000-700 Bce, Katheryn M. Linduff, Yan Sun, Wei Cao, Yuanqing Liu

Gettysburg College Faculty Books

This volume examines the role of objects in the region north of early dynastic state centers, at the intersection of Ancient China and Eurasia, a large area that stretches from Xinjiang to the China Sea, from c.3000 BCE to the mid-eighth century BCE. This area was a frontier, an ambiguous space that lay at the margins of direct political control by the metropolitan states, where local and colonial ideas and practices were reconstructed transculturally. These identities were often merged and displayed in material culture. Types of objects, styles, and iconography were often hybrids or new to the region, as were …

Chinese Wines And Foreign Urns: Making Objects Of Lyric, Ryan Matthew Hintzman

Student Work

A 2016-2017 William Prize for best essay in East Asian Studies was awarded to Ryan Matthew Hintzman (Silliman College '17) for his essay submitted to the Department of Comparative Literature, "Chinese Wines and Foreign Urns: Making Objects of Lyric.” (Edward Kamens, Sumitomo Professor of Japanese Studies, advisor.)

Ryan Hintzman’s essay, Chinese Wines and Foreign Urns: Making Objects of Lyric is a work of awe-inspiring erudition, vision, and ambition. Ranging far and wide among traditional and more recent theories of the lyric and moving boldly from 8th century poems in Japanese to 19th and 20th century poems in English, Hintzman …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos

Scripps Senior Theses

Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.

Research And Study Of Fashion And Costume History Spanning From Ancient Egypt To Modern Day, Kaitlyn E. Dennis Miss

Posters-at-the-Capitol

Through a generous donation to Morehead State University, research has been conducted on thousands of slides containing images of artwork and artifacts of historical significance. These images span from Egyptian hieroglyphs to the inaugural dress of every first lady of the United States. The slides are in the process of being recorded and catalogued for future use by students in hopes of furthering academic comprehension and awareness of the influence of fashion and costume history through the ages. Special thanks to the family of Gretel Geist Rutledge, faculty mentor Denise Watkins, as well as the Department of Music, Theatre, and …

How Liberal Korean And Taiwanese Textbooks Portray Their Countries’ “Economic Miracles”, Frances Chan

Student Work

A 2015-2016 William Prize for best essay in East Asian Studies was awarded to Frances Chan (Timothy Dwight College '16) for her essay submitted to the Department of History, “How Liberal Korean and Taiwanese Textbooks Portray their Countries’ “Economic Miracles”.” (Peter C. Perdue, Professor of History, advisor.)

Frances Chan’s essay “How Liberal Korean and Taiwanese Textbooks Portray their Countries’ “Economic Miracles,” is a fascinating exploration of the creation of historical memory as seen in textbooks on the history of postwar economic development in Korea and Taiwan. Drawing on her remarkable linguistic skills in both Korean and …

The Brush Is Mightier Than The Bayonet: The Role Of Cooperation With The Art And Media Communities Of Japan During The American Occupation, William B. Carpenter

Chancellor’s Honors Program Projects

No abstract provided.