Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Religious Iconography In "Twilight": Veneration And Fandom, Jacqueline E. Swaidan

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

The mysterious and dark atmosphere, the overwhelming focus on the main characters, and the constant contrast of dark and light in Twilight (2009) recall traditional Christian religious imagery. But more that that, this paper will argue that Twilight, the first of the romantic fantasy films adapted from the successful book series by Stephenie Meyer, draws explicitly on traditional Catholic religious imagery and ceremony to engender religious devotion in its fans. Images from the first Twilight film suggest that the creators of Twilight used religious imagery to captivate their audience. Christian constructs such as Eden’s eternity, Edward’s Christ-like abstinence, and …

Ancient Marcus Aurelius Coin, Tawni Gurney, Andrew Hirsch

Featured Research

Upon glancing at coins, people generally overlook their historical aspect of the coins and simply look at their monetary value. In our seminar class, however, we were interested in so much more than money when it came to studying our particular coin. We wanted to know what this particular coin could tell us about the history of the time when it was minted. We deciphered what was on the coin and researched the significance of each aspect. We also studied similar coins to confirm our interpretations. We compared the writings on the coins and the images themselves. Additionally, we photographed …

Visual Culture Of Baptism In The Middle Ages: Essays On Medieval Fonts, Settings And Beliefs, Harriet Sonne De Torrens, Miguel Torrens

Harriet M Sonne de Torrens Dr.

Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world’s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ‘visual’ is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, …

Reconsidering The Date Of The Baptismal Font In San Isidoro, Leon, Spain, Harriet M. Sonne De Torrens Dr.

Harriet M Sonne de Torrens Dr.

The baptismal font that stands today in the Cahpel of the Salazares n the Royal Collegiate Church of San Isidoro of Seville in Leon, Spain has been assigned an early eleventh century date, ca. 1000-1050, making it the earliest of all known extant fonts, in both Spain and in the Latin West, that are ornamented with scenes from the life of Christ. This essay reviews the scholarship and proposes a 12th century date based on comparative examples in both Spain and the larger context of the Latin West.

A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra

Senior Honors Theses

A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness …

Stosunki Chrześcijańsko-Żydowskie W History, Pamięci I Sztuce: Europejski Kontekst Dzieł W Katedrze Sandomierskiej [Jewish-Christian Relations In History, Memory, And Art: European Context For The Paintings In The Sandomierz Cathedral], Magda Teter, Urszula Stępień

Magda Teter

[Polish] Obraz Infanticidium wiszący na zachodniej ścianie katedry sandomierskiej i ukazujący sceny rzekomego morderstwa dzieci chrześcijańskich przez Żydów był często przedstawiany w izolacji jako przykład antysemityzmu polskiego oraz stosunków pomiędzy Żydami a Kościołem katolickim. Stał się więc ten obraz swego rodzaju „miejscem pamięci” (lieu de mémoire), w którym „skrystalizowana” została także pamięć stosunków chrześcijańsko-żydowskich w Polsce, oraz tym samy źródłem napięć i protestów. Bogato ilustrowana książka pod redakcją Magdy Teter i Urszuli Stępień ma na celu przedstawienie wstępnego zarysu, ułatwiającego zrozumienie sandomierskich obrazów w ich szerszym kontekście artystycznym, historycznym, i historiograficznym, na tle wydarzeń zarówno europejskich, jak i lokalnych.

[English] …