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Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11
The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11
The Fordham Undergraduate Research Journal
In the field of art history, the medium of tapestry has only recently begun to gain attention as its own significant art form. This paper examines the possible relationship between the Burgos Tapestry, recently on view at The Cloisters after a thirty-year conservation, and medieval theatre. The compositional and stylistic forms of the tapestry may have been influenced by productions of medieval mystery plays, which through analysis can help provide a greater understanding of the medieval cultural mindset, the possible artistic decisions behind maintaining medieval pictorial traditions into the early sixteenth century, and the medieval viewer’s experience when looking at …
Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna
Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna
Scripps Senior Theses
Little did Hadrian know in 130 A.D. that when he deified his beloved departed Antinous, in order to provide a unifying symbol of worship for his diverse empire, that he was instead creating a lasting symbol of the antique world. This thesis examines the power of nostalgia and its successful use by two formidable men from different eras in Rome: The Emperor Hadrian and the extravagantly wealthy Renaissance merchant Agostino Chigi. Though separated by centuries, each man used the nostalgic allure of the beautiful youthful male figure of Antinous to gain power and influence in his own time and to …
Zeugma As The Provenance Of 12 Mosaic Fragments At Bowling Green State University, Stephanie Langin-Hooper, S. Rebecca Martin, Mehmet Önal
Zeugma As The Provenance Of 12 Mosaic Fragments At Bowling Green State University, Stephanie Langin-Hooper, S. Rebecca Martin, Mehmet Önal
Art History Research
Bowling Green State University (BGSU) in Ohio is the current owner of 12 sections of floor mosaic dating to the 2nd-3rd c. A.D. Purchased by the university in 1965, these mosaic fragments were believed to be from the site of Antioch. In 2010-11, the mosaics were conserved and installed in BGSU’s Wolfe Center. In the following year the first-named author, organizing a symposium to celebrate the new display of the mosaics, invited R. Molholt to be the keynote speaker. During the course of preparing their respective papers for the symposium, she and Molholt uncovered evidence that an Antioch provenance for …
Terracotta Figurines And Social Identities In Hellenistic Babylonia, Stephanie Langin-Hooper
Terracotta Figurines And Social Identities In Hellenistic Babylonia, Stephanie Langin-Hooper
Art History Research
Terracotta figurines are proposed as a particularly useful object corpus through which to access social identities in Hellenistic Babylonia. Cross-cultural interaction between Greeks and Babylonians has traditionally been the primary interest of scholars researching this society, and figurines were often recruited as evidence for the opposition of ethnic identities. In this work, a new approach to the figurines is proposed, which deemphasizes the categorical rigidity of typology and substitutes a flexible methodology of accessing multiple inter-object entanglements. A particular case study of “nude heroic” figurines (which are often considered evidence for display of cultural difference) is explored in detail, utilizing …
Problematizing Typology And Discarding The Colonialist Legacy: Approaches To Hybridity In The Terracotta Figurines Of Hellenistic Babylonia, Stephanie Langin-Hooper
Problematizing Typology And Discarding The Colonialist Legacy: Approaches To Hybridity In The Terracotta Figurines Of Hellenistic Babylonia, Stephanie Langin-Hooper
Art History Research
No abstract provided.