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Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons™
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Articles 1 - 23 of 23
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot
Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot
Artl@s Bulletin
This study proposes to map the propagation of an alternative type of ionic capital invented by Michelangelo in 1563. We proceed to a comparative analysis of the new buildings erected in Rome from the invention of the new capital to the beginning of the 17th century, in order to highlight spatial and temporal correlations peculiar to its diffusion. The study of this issue allows to understand the perception of the capital that the next generation of roman architects developed, which is a less known aspect of Michelangelo's reception. Overall, it invites to shape the stylistic evolution of an architectural motif.
Analysis Of Jacques-Louis David's "Cupid And Psyche" 1817, Regina Bellian
Analysis Of Jacques-Louis David's "Cupid And Psyche" 1817, Regina Bellian
The Downtown Review
This paper analyzes the painting Cupid and Psyche 1817 by Jacques-Louis David. The visual details and appearance of the painting is discussed in form and design and further elaborated with symbolism and interpretation of the artist's work.
Book Review: An Insular Odyssey. Manuscript Culture In Early Christian Ireland And Beyond. Edited By Rachel Moss, Felicity O’Mahony, And Jane Maxwell (Dublin: Four Courts Press, 2017), Benjamin C. Tilghman
Book Review: An Insular Odyssey. Manuscript Culture In Early Christian Ireland And Beyond. Edited By Rachel Moss, Felicity O’Mahony, And Jane Maxwell (Dublin: Four Courts Press, 2017), Benjamin C. Tilghman
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Antony Eastmond And Myrto Hatzaki (Eds.), The Mosaics Of Thessaloniki Revisited: Papers From The 2014 Symposium At The Courtauld Institute Of Art (Athens: Kapon Editions, 2017), Kaelin Jewell
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Marcia Kupfer, Art And Optics In The Hereford Map: An English Mappa Mundi, C. 1300 (New Haven And London: Yale University Press, 2016), Dale Kewards
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: The European Fortune Of The Roman Veronica In The Middle Ages, Edited By Amanda Murphy, Herbert L. Kessler, Marco Petoletti, Eamon Duffy & Guido Milanese, With The Collaboration Of Veronika Tvrzniková, Brno, Masaryk University (Turnhout, Brepols, 2017), Andrea Nicolotti
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Four Remarkable Manuscripts From The Middle Ages By Christopher De Hamel (London: Paul Holberton Publishing, 2018), Alexandra Kaczenski
Book Review: Four Remarkable Manuscripts From The Middle Ages By Christopher De Hamel (London: Paul Holberton Publishing, 2018), Alexandra Kaczenski
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Kim Woods, Cut In Alabaster. A Material Of Sculpture And Its European Traditions, 1350–1550, Distinguished Contributions To The Study Of The Arts In The Burgundian Netherlands, 3 (Turnhout: Brepols/Harvey Miller, 2018), Sophie Oosterwijk
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Shared Language: Vernacular Manuscripts Of The Middle Ages. Text Manuscripts 7. Text By Laura Light, With An Introduction By Christopher De Hamel, And Essays By Dennis Dutschke, Stephen Mossman, Emily Runde, John Van Engen, And Mary Beth Winn. (Paris: Les Enluminures: 2018), Emily Savage
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Martin Renshaw, Abc Of A Medieval Church (Syston, Leicestershire, Great Britain: Anchorprint, 2018), Rebecca Abbott
Book Review: Martin Renshaw, Abc Of A Medieval Church (Syston, Leicestershire, Great Britain: Anchorprint, 2018), Rebecca Abbott
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Discoveries
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Virtuous Franciscans Vs. Immoral, Idolatrous Saracens: The Messages Embodied In The Statuettes Of Ambrogio Lorenzetti’S Martyrdom Of The Franciscans, Doot Bokelman
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Review Of Richard K. Emmerson, Apocalypse Illuminated: The Visual Exegesis Of Revelation In Medieval Illuminated Manuscripts (University Park, Pa: Pennsylvania State University Press, 2018), Renana Bartal
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Alessia Bauer, Elise Kleivane And Terje Spurkland Ed., Epigraphy In An Intermedial Context (Portland: Four Courts Press, 2018), Estelle Ingrand Varenne
Book Review: Alessia Bauer, Elise Kleivane And Terje Spurkland Ed., Epigraphy In An Intermedial Context (Portland: Four Courts Press, 2018), Estelle Ingrand Varenne
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Book Review: Rosamund Garrett And Matthew Reeves. Late Medieval And Renaissance Textiles (London: Sam Fogg, 2018), Kate Dimatrova
Book Review: Rosamund Garrett And Matthew Reeves. Late Medieval And Renaissance Textiles (London: Sam Fogg, 2018), Kate Dimatrova
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
The Holy Land In Paris. Embroidering, Depicting, And Stamping The Passion In A Fifteenth-Century Book Of Hours (Paris, Bibliothèque De L’Arsenal, Ms 1176 A Rés.), Loretta Vandi
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Vision Of A Visionary: Summoning The Aten Into A Physical Space Through The Use Of Architecture, Alma Lilia Jimenez
Vision Of A Visionary: Summoning The Aten Into A Physical Space Through The Use Of Architecture, Alma Lilia Jimenez
History in the Making
No abstract provided.
Continuity At Luxor Temple, Matthew Unruh
Vice & Virtue As Woman?: The Iconography Of Gender Identity In The Late Anglo-Saxon Psychomachia Illustrations, Stephenie Mcgucken
Vice & Virtue As Woman?: The Iconography Of Gender Identity In The Late Anglo-Saxon Psychomachia Illustrations, Stephenie Mcgucken
Medieval Feminist Forum: A Journal of Gender and Sexuality
In the Late Anglo-Saxon illustrated manuscripts of Prudentius's Psychomachia, vice and virtue are often shown ambiguously and the audience is encouraged to question what is male and what is female, and whether such categories are appropriate in understanding these illustrations. This paper utilises transgender theory to demonstrate how gender could be deployed in Late Anglo-Saxon manuscripts to question the roles of men and women with the ultimate aim of stressing the importance of righteous behaviours.
Microcosms: An Examination Of Insects In 17th-Century Dutch Still Lifes, Olivia Carlson
Microcosms: An Examination Of Insects In 17th-Century Dutch Still Lifes, Olivia Carlson
Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal
There are many 17th-century Dutch flower still life paintings, and if you pass by one quickly during a visit at a museum, you may see nothing more than a bouquet of arranged flowers. But if you stop at one and look long enough, you will find visual treats that would have been missed when only glancing at the piece. Maybe you’d see the careful composition, or perhaps a shell or a figurine. Most often, however, you will discover insects; some are hidden in the bouquet, and some are very prominently displayed on top of the flowers or on a ledge. …
Representing Camp: Constructing Macaroni Masculinity In Eighteenth-Century Visual Satire, Freya Gowrley
Representing Camp: Constructing Macaroni Masculinity In Eighteenth-Century Visual Satire, Freya Gowrley
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article asks how ‘Camp,’ as defined in Sontag’s 1964 essay, ‘Notes on Camp,’ might provide a valuable framework for the analysis of late eighteenth-century satirical prints, specifically those featuring images of the so-called ‘macaroni.’ Discussing a number of satirical prints and contemporary writings on the macaroni, the article reads them against Sontag’s text in order to establish its utility as a critical framework for understanding the images’ complex relationship of content, form, and function.
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner
Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner
Journal of Tolkien Research
Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings: Five Case Studies
Abstract
J.R.R. Tolkien once remarked in a letter to his publisher that his friends had been so impressed by Pauline Baynes’ illustrations for Farmer Giles of Ham that they labelled his text a “commentary on the drawings”. This apparently light-hearted anecdote conceals an interesting truth: the relationship between text and image can be problematic and the reading of an illustration depends largely on the culturally acquired discursive precedents which an individual viewer brings to the act of looking. This situation may be further …
It’S Elementary: The Bayeux Tapestry As A Medieval Educational Tool, Sarah Bulger
It’S Elementary: The Bayeux Tapestry As A Medieval Educational Tool, Sarah Bulger
OUR Journal: ODU Undergraduate Research Journal
The Bayeux Tapestry, a 230-foot-long, 950-year-old Anglo-Norman embroidery has baffled historians resulting in extensive (and diverse) scholarship since its rediscovery in the eighteenth century. The Bayeux Tapestry plays a preeminent role (outside of contemporaneous manuscripts and texts) in deciphering aspects of medieval life in England through its visual representation of the age of the Norman Conquest. Long-standing assumptions about the Bayeux Tapestry’s commission, production, and purpose have accumulated through the years based on a single inventory document from 1476 postulating its intended location and function as a religious ornament for Bayeux Cathedral. Modern academics have explored themes readily visible …